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Metric

If I had been brought up with the metric system
I could hold an orange in my hand
And tell you how much it weighs in kilograms.
But I was taught with pounds and feet
And I can tell you how much a whole bag of oranges weighs,
Just about,
Or look at a board and give you the measure of it.
But how many meters it is?
How much the orange weighs in kilograms?
I’m lost. Dumb.
Right in front of me,
Any guess as good as another.

Love, I think—
Love is measured in metrics,
Or some other unit.
I can look at it,
Heft it.
No matter.
Ask me how much I love you:
I cannot say.
I can only look at you,
Sigh,
And trust it can also be measured
In those sighs and desires, and hope
You do not ask.

 
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Posted by on February 15, 2016 in Poetry, Uncategorized

 

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In Response to William James and “The Will to Believe”

 

Sometimes one leaf
Will wave, oscillate.
A perfect repetition
again and again.
A dancing leaf machine,
Just the right shape,
Weight, tilt and wind—
Bent back by breeze,
Pulled forward by the
Spring of the stem
Twisted tight,
Bent back by breeze,
Twisted tight again—
Leaf and breeze in
Harmonious twist
And spring, twist
And spring, twist
And spring.

That can go on
As long as the breeze
Remains constant.
External forces,
Internal reactions,
Cause and effect.

Sometimes just one,
One leaf in an entire tree,
Waves. I imagine
It looks at the others
hanging still, and wonders
Why it is the only one
That has chosen to dance.

 
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Posted by on February 10, 2016 in philosophy, Poetry

 

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Halfway Through March

When I woke this morning, I was afraid I could not write. I felt it was gone. It, whatever that is, felt absent. But during the day’s discussion, in the three minutes between classes, in moments during planning, the topic of poets came up. I found the poem “We Bring Democracy To The Fish,” by Donald Hall. Don’t blame me for the way the title is capitalized – blame Donald. Anyway, he was Laureate until that poem was published. Then he was Poet Non Grata. He and the Dixie Chicks hung out together looking for work.

Distressed Haiku had this line: “I finished with April/halfway through March.”  His wife, the poet Jane Kenyon, had died in the month of April, 1995. That line. That one line. I have said that myself, nearly word for word. And I was writing again. But would I ever write of anything else?

I ask that, yet I have. I have. But, time and time again, I return to it. Why? Because one doesn’t go on. One doesn’t heal. One continues, with the wound. With the weight. One may be happy, one may be loved, and one may be content, one may have a wonderful life. I certainly do. But that is still there, because it is part of our lives. For those in this “club we’re in that I wouldn’t wish anyone to belong to,” as a friend of mine put it, one doesn’t go back to the old way of being, but creates a new normal around the space.

Everything is made of space. So, I guess, I’m still writing about everything. I guess.

 

Halfway Through March

It is second period.
I have been discussing
Poetry with Mr. Wolf.
Poets, appreciated but
Never paid well,
Never paid attention to,
Paid heed, respected,
Honored, yes: the Poets Laureate
Paid, at first, in wine.
Chaucer paid in
Gallons of wine.

Name bridges after them,
Put up markers roadside,
Have them inaugurate
The president, but don’t
Pay them enough to
Leave their teaching posts
So they can develop
Their craft without
Daily worries of bills due.

The discussion moved to
Donald Hall. One year only
He held his post.
He published
“We Bring Democracy To The Fish.”
So long and thanks for all that.

But now it is period three,
Donald Hall is in my brain,
So I am reading.
Students working,
Teacher reading, because
I can barely think
Anything else.

I didn’t know
He lost his wife.
Twenty-six years,
Cancer comes and
She goes.

I had always pictured him
Alone. Solitary, New Hampshire
Snow. Writing.

But he wrote of
Her leaving and
What was left,
He wondered if he
Would ever write of
Anything else.
Here, listen to his
Distressed Haiku:
“Will Hall ever write
lines that do anything
but whine and complain?”

Here is the Universal.
Here is the experience
Of the creative. Of those
Who take everything
Of their lives, of their
Surroundings,
Turn it into something

To understand.
Make the internal life
External, visible, palpable.
Make something with
No hands reach out,
Shake you, shock you,
Leave you thinking,
Understanding what you
Did not understand before.

Make the solitary
The common experience.
Remind me
I’m not the only one.

 
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Posted by on January 7, 2016 in Books, Culture, Education, philosophy, Poetry, psychology

 

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Win a Copy of my Newest Book : Yom Kippur as Manifest in an Approaching Dorsal Fin

Want to win a copy of my newest book? Of course you do.  Goodreads is holding a give-away for ten copies. Just click on this link.

From the back-matter:

“Whatever ‘the Jewish experience’ might mean to the modern reader, Adam Byrn Tritt’s approach is uniquely his own. He is ‘observant’ in the sense that he carefully observes, as you would expect of a man who is, at essence, a poet. As a self-described ‘Jewitarian Buddhaversalist,’ he is aware that each tradition illuminates the other. This collection of essays and poems provides us with good talk. Conversation is the highest artform, and Mr. Tritt invites us in most kindly, with insight, erudition, humor, and compassion.”

—Wayne McNeill, author of Songbook for Haunted Boys and GirlsImage

Yom Kippur as Manifest in an Approaching Dorsal Fin explores—in essays, poems, and creative nonfiction—the tension between cultural heritage and contemporary society, between religion and spirituality, between the family you inherit and the family you create. From early-morning wrestlings with God to portraits of three remarkably different family funerals, from Kabbalist chants at a pagan bookstore to the humorous “What Do Jews Do on Christmas?,” Tritt’s writing taps into themes nearly universal in today’s world in ways that will resonate with readers of all backgrounds and faiths—or no faith at all.

 
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Posted by on August 20, 2013 in Books, Culture, Family, psychology, Religion, Social

 

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Reviewer holds Songs from the Well “Close to (her) Chest”

The newest review for my latest book, Songs from the Well. If you haven’t read it, this reviewer thinks you should.

I’ve just finished Songs from the Well by Adam Byrn Tritt and I’m in awe. At the moment, I’m sitting on my recliner, holding my kindle close to my chest because I can find no other perfect place to have this story other than close to my heart. My heart is swelling with love and breaking at the same time, my eyes are tearing from admiration and sadness and I am finding it hard to concentrate on anything other than this book. This book is, hands down, 5 stars. Wow.

From the very first page of Songs from the Well, I was in love. Adam Byrn Tritt’s story about his wife’s life, family and contribution to the world and everyone around her placed me in his shoes and showed me exactly why he was- and still is- absolutely head over heels in love with her.

This story is packed full of sweet sentiments, hilarious stories of Adam and Adam’s wife- Lee’s- adventures, heart warming family connections and tissue worthy poetry.

This book is not very long, but I’ll admit to you all, my faithful readers, that it took me three days to read. Not because it was difficult to get through, but because I wanted to savor the story. I wanted to take my time with Adam’s recollections of Lee’s life, their experiences of grief and mourning and wonderful insights for ways to look at life.

Adam also writes a letter to his granddaughter about his family and their ancestors and past, which makes me envious for that rich of a family history.

This author and Songs from the Well will capture your heart and fill your emotional bucket with love, friendship, laughter and sorrow.

Rebecca Tyndall –  The Literary Connoisseur

 
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Posted by on June 30, 2013 in Books, Writing

 

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My Latest Radio Interview: Songs from the Well on Livication Radio

My latest radio interview was on the inaugural broadcast of Livication Radio. In it, we discuss writing, my bestselling book Songs from the Well, Bud the Spud, life, death, and moving forward after tragedy.

Broadcasting from Melbourne, Florida, from inside Open Mike’s, from within Florida Discount Music, Livication Radio has interviews with musicians, authors, and much much more both local, national and beyond. You can listen live or to their podcasts.  And Open Mike’s has some of the best organic coffees and coffee creations I have ever had, plus, they are a magnificent small venue for music and spoken word – comfortable, cozy, great acoustics and amazing talent. Plus, you can walk around and play with all the instruments. Who could want more?

And they had the good taste to interview me, so, what more can I say?

Listen-up folks.

 
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Posted by on May 15, 2013 in Books, Writing

 

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Bud the Spud named Best Children’s Book in Print or Ebook Published in 2012

“Smithcraft Press is pleased to announce that our Mensch-in-Chief, Adam Byrn Tritt, has won the Preditors & Editors™ Readers’ Poll for Best Children’s Book published during 2012! Bud The Spud was honored with reader comments like, “Gruesome fun—the illustrations are mind bending and the words tell a story that everyone needs to hear” and “Incredible book! what a great way to teach kids the benefits of activity and the draw backs to being a couch potato!” THANKS TO ALL WHO VOTED, AND CONGRATULATIONS, ADAM!”

I could not have said it better myself. So, if you still don’t have your copy of Bud the Spud, what are you waiting for?

 
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Posted by on January 15, 2013 in Books, Writing

 

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Make Bud the Best Print/Electronic Children’s Book published in 2012!

My first children’s book is up for an award.  Want me to win? Of course you do. Bud the Spud is high in the rankings and was #1, but not today. And there is only two days of voting left. YOU can change that. Make Bud the Best Print/Electronic Children’s Book published in 2012! Please please go to the Preditors & Editors™ Readers’ Poll Voting Page and VOTE NOW! And share the link if you will. Let’s see Bud launch like a spud from a potato-canon.
http://critters.org/predpoll/novelchildrens.shtml

Image

 
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Posted by on January 11, 2013 in Books, Writing

 

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A Rejection Letter

Hi, Mr. T____,

I have read through about half of the script for T_____ T_____ o_ M_____ a__ M_____.  I had thought, from your description, and from the first thirteen pages of your graphic novel, that it was tales. As in multiple. Perhaps it branches off into related tales. As a structure, that is something I could appreciate.

The second story, as a separate entity, is really a second chapter, seemingly, of the first (perhaps only) story. Not so much Tales of the Crypt meets Tarantino, as you had described it, but as as as… and there is where words fail me. Because I generally don’t watch horror films or films with dismemberment or films where there is stark, continuous, senseless brutality.

The second chapter, the elements of necrophilia, the cocaine use coupled with sex and violence toward women, left me, and you can call me sensitive if you like, really unable to read further. I stopped reading as the cop was contemplating having sex with the headless corpse, and had trouble even getting that far.

Controversial material, we can handle. Material of a sexual nature is no problem. But try as I might, I could not find any redeeming qualities to this. So, as far as promotion, I don’t know what on Earth we’d do because I could not suggest anyone read this. If I found this in my daughter’s room, I’d wonder what was wrong with her. If I found this in my son’s room, I’m ask him to seek help. If I published this, I think they’d ask me to seek counseling. In other words, I can’t stand behind the work as having value and, hence, they’d wonder what happened to my integrity. Or if I had a stroke.

I can suggest finding a specialty publisher. Perhaps there is one that specializes in snuff comics. Or Lulu.com, where you pay a fee to publish and it is at least out there for anyone who wishes to look for this sort of material. Then, you can find where those folks read, forums maybe, bus stations, or back alleys, and post about your book. Perhaps places that have posters of Anton LaVey. By the way, LaVey’s last words were, “What have I done, there is something very wrong”

I do want to point out that your dialogue is realistic. You seem to have a handle on how people talk to, and sometimes, at or parallel to each other. I can really hear it in the panels where the cop is snorting cocaine off the naked girl’s ass, slapping her in the head each time she tries to turn over. At least, I imagine that is what the dialogue would sound like. Since I have never imagined that before, I’ll have to take your word for it.

If you do any different material, I’d be more than happy to look at it.

Adam

Adam Byrn Tritt, MEd, LMT, CHt, MSU, Mensch-in-Chief for Smithcraft Press

 
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Posted by on November 30, 2012 in Books, psychology, Social, Writing

 

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(Im)perfection

There are no scars I can see,
but we know they are there.
The flesh is warm and
tender though beneath
it feels different
than I would have imagined,
I suppose.

Years before
at a youth conference
I was a mentor for the teens
and my partner in class
was a young
lady of forty,
I suppose.
Margot had a close crop of hair
and we talked about imperfections
as we sat on the floor,
she on one side
I on the other
in a circle of kids
all there because they didn’t belong
and so was I.
Margot’s turn came
and she reached into her shirt,
pulled out her left breast and
threw it to me.

Dear Margot,
this is not a normal introduction
is what I said
and the kids laughed
the shock away
as I squeezed lightly
the translucent bag,
jostled it between my fingers
making a mental comparison
which could be seen on my face,
I suppose,
and the kids laughed
as I passed the breast to the left.

Dear Margot,
may I compare
is what I asked
and she said yes, with a smile
I walked the few feet as
she pulled her bra out from her sleeve,
I squeezed lightly
and jostled it between my fingers
making a mental comparison
which could be seen on my face,
I suppose,
and the kids laughed
while passing the breast to the left.

I wouldn’t have imagined,
I suppose,
anything,
because being here
with you, in this way,
feels normal, fine and right,
but who could have seen it coming
as I squeeze lightly,
jostling them between my fingers,
making no mental comparison,
which you can see on my face,
I suppose,
until I kiss your warm flesh
and my face disappears.

 
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Posted by on October 15, 2012 in Culture, Poetry, Social

 

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