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Category Archives: Poetry

Recognizing Kali in a Young Girl

This is the first poem of mine I had ever heard read aloud. I had wondered about my poetry, whether it was any good or not. Whether it was worthy of publication in any way.  I had been reading the works of my favorite poets, Piercy and Ciardi and Millay, wondering if I would ever like my own work as much. No, I was sure. No.

One late night, after a campfire and dinner with friends, driving from Jonesville back home to Gainesville, Florida, the radio on a local station, we listened to a show with a variety of music and poetry and prose. A poem came on, introduced not at all, without a title, and I listened, mind fixed solidly on the words and rhythm. This, this, I said to Lee, this is what I wish my work sounded like. I wish I could write like this.

A stanza or two in, I said this. Lee elbowed me, said, “but,” and I asked her to let me finish listening to it first. She elbowed me again and said, “That IS your poem.” I believe this was followed by an eye-roll.  And, yes, indeed, it was.

And it was as I wanted it to sound. Said what I wanted a poem to say. I had written something I would want to listen to.

And there went my excuses.

Recognizing Kali in a Young Girl

Sitting here by the side of a two-lane
watching no cars go by
and steam rise in plumes
from the gaping hood of my automobile,
my daughter and I on this lonely shoulder
sitting, waiting for help.
Waiting for assistance.

Standing to stare into the engine
in a testosterone ritual predating cars
and trucks and carriages,
carts and wheels,
I imagine an early progenitor of my gender
staring intently into the mouth of a horse
checking teeth, gums, breath,
looking at the legs and feeling he wanted to kick something
but having no tires available
grabbed the beast’s cannon bone with a sturdy hand,
checking for splints.

Bubbling and boiling,
maybe this car will never move again
and I’ll have no reason to sit within its space
confined with hope of forced conversation with the little girl
too old to want to talk with her father
and too innocent to know why.

Turning away from the beast
I look to the field:
wildflowers blooming
tall, short, colored like air and sun,
water and earth, dancing in the wind
with my daughter, swaying and swirling
with my daughter.

The old rabbis have said,
or so the Hassidic recount,
not a blade of grass grows,
not a leaf falls
that an angel does not make it so.
Classes of angels,
Cherubim, Seraphim,
cloud angels and insect angels,
grass angels and tree angels.
Angels, then, for sunlight and rain
and for home cooking and pizza joints.
Angels for taxes and funerals and sex.
Angels for car engines.
Angels for little girls.

And there she is,
crouching among the blooms,
picking iris and narcissus.
Harvesting angels.

(This poem, along with many others, can be found in various anthologies as well as my own book, The Phoenix and the Dragon: Poems from the Alchemical Transformation (Smithcraft Press), available, along with my other books, Tellstones: Runic Divination in the Welsh Tradition, and Bud the Spud, at your local bookstore, Amazon, Barnes & Noble, Kobo and elsewhere, for you reading needs, whether you like to hold books in your hands or read them on tablets or phones of Kindles or Nooks or, goodness gracious – so many options.  You can find my author profile on Amazon and please find me as well at GoodReads.)

 
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Posted by on February 7, 2013 in Culture, Family, Poetry, Religion, Social

 

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Shells

She walks along the weaving foam,
waves bright under the full moon,
picking up shells,
perfect shells,
white shells,
bright shells,
leaving footprints to
fill with glistening sea.

She wants them all.
Each shell, every shell.

Then, when her hand, her arm, are full,
returns them,
one by one,
in splendid moonlit arcs,
again to the sea,
walking away with one,
only one,
the first one.

 
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Posted by on January 28, 2013 in Nature, Poetry

 

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I Met Yoko Ono

I met
Yoko Ono today
at an exhibit
of the artwork of John Lennon.

It was difficult
to see your past
through the line of patrons waving
credit cards, signing for thousands of dollars
for lithographs of song lyrics,
A Small Pig, Collieflower,
Erotic 1 through 3,
Drawings for Sean,
What’s Wrong With This Picture?

But there you were

Standing, small and quiet
unassumed and undisturbed.
Fame and Exile..

Once John imagined walking
you through the field of life
helping you
Watch the Holes, Yoko,
guiding you, yet
you were older, richer,
already an artist.
Where is your art now?
What do you say Yes to?

Opposite your images
surrounding you, his drawings
all you,
all naked, white, bright and plump,
you stand black, still, vacant, posthumous,
drawn and so thoroughly part of his creation
as though you were but sculpture,
but one more exhibit.

I expected to see a plaque next to you,
detailing the materials of your composition,
date of production, intention of creation
and a name. Artwork is so often titled
for that essence the form enfolds.
Lennon’s Tomb, perhaps.

We did not exchange a word.

 
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Posted by on November 28, 2012 in Culture, Poetry

 

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(Im)perfection

There are no scars I can see,
but we know they are there.
The flesh is warm and
tender though beneath
it feels different
than I would have imagined,
I suppose.

Years before
at a youth conference
I was a mentor for the teens
and my partner in class
was a young
lady of forty,
I suppose.
Margot had a close crop of hair
and we talked about imperfections
as we sat on the floor,
she on one side
I on the other
in a circle of kids
all there because they didn’t belong
and so was I.
Margot’s turn came
and she reached into her shirt,
pulled out her left breast and
threw it to me.

Dear Margot,
this is not a normal introduction
is what I said
and the kids laughed
the shock away
as I squeezed lightly
the translucent bag,
jostled it between my fingers
making a mental comparison
which could be seen on my face,
I suppose,
and the kids laughed
as I passed the breast to the left.

Dear Margot,
may I compare
is what I asked
and she said yes, with a smile
I walked the few feet as
she pulled her bra out from her sleeve,
I squeezed lightly
and jostled it between my fingers
making a mental comparison
which could be seen on my face,
I suppose,
and the kids laughed
while passing the breast to the left.

I wouldn’t have imagined,
I suppose,
anything,
because being here
with you, in this way,
feels normal, fine and right,
but who could have seen it coming
as I squeeze lightly,
jostling them between my fingers,
making no mental comparison,
which you can see on my face,
I suppose,
until I kiss your warm flesh
and my face disappears.

 
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Posted by on October 15, 2012 in Culture, Poetry, Social

 

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Gin and Tonic

Some short time ago, I became interested in gins. Not just interested, but fascinated. I am not a tippler. I barely drink. A bottle of Plymouth gin I have is still more than half full and it is more than eight years old.

Gin, and gin and tonics, are nothing new to me. My Aunt Esther and Uncle Dave used to give them to me when I was four. Maybe even younger than that. But I could go years without one. I liked them, but no big deal.

But now I became preoccupied with gin. The differences in tastes, textures, bouquets. And, so I, with my friend Craig, looked for a place that had gins to taste and came up woefully short.

One place I called used to be a favorite more than a year ago. It was one of the last places I took my wife to eat before she died, before she was no longer able to leave the house, before hospice, before her death. Even toward the end, hard as it was for her to be out, to enjoy her days, they had great patience for her, for her needs, and for mine. I called with trepidation, but Matt’s Casbah, I thought, was a good bet for gin and, I had hoped, I could reclaim this place as a favorite happy haunt instead of only associating it with radiation therapy.

No, they did not have any different gins, the manager, Justin, told me. But rarely had he heard of anyone else interested in gin, and he happened to have a bottle of Smalls, a “boutique” distillery that produced, what he felt was a superior and different gin. And he remembered me, and my Lee, and asked if I would come in to have a drink with him, on the house.

I was delighted. Elated, really, and I did go there, to have a drink with Justin. I took Craig with me and we sat, happy, sharing a bottle of small-batch gin, fragrant, strong, viscous, with Justin. With our first sip, we toasted Lee. It was a small thing, but a great kindness, and it allowed me to reclaim something I had lost, and in that, I knew I could reclaim other places, other things, I had lost. Other things associated with pain could be brought back to joy.

Some days later, Jazmin handed me a National Geographic. In it was an article about dying languages she knew I would be interested in. It discussed languages and how they formed, and were formed by, a culture’s way of thinking. In one section it discussed Kazakhstan, and the word for juniper, which, of course, is the main flavoring for gin, coming from the word genièvre, French for juniper. It stated that the Kazahks burned juniper berries to allow those who have passed to move on, and those who were still alive, to live on. It cleared the souls who lingered for the rest of their journey.  Kazakhstan is the part of the world from which Lee, the doctor, the shaman, and her family comes and she but one generation removed.

And here I was, at the one year anniversary of my wife’s passing, fascinated, preoccupied, with gin, with genièvre, with juniper as distilled in spirits.

When the soul reaches, listen and lend it your hands. And gin is what I was reaching for.

Since then, I have tried many gins. Many awful, many wonderful. I found a bar in San Diego while there for a book signing that had over forty gins, Aero Club, and the barmistress set me up with a tasting. I described what I liked, and she set it up. All for a Jackson and a tip. Junipero, one of the first small distillery gins, made by Anchor Steam, the first microbrewery to make it big. Farmers Botanical Organic Gin. Smalls. Hendricks, well-known but under-appreciated. Others. Many wonderful. All different.

I feel much better. And, I know, so does she.

 

Have a Shamanic Gin and Tonic

When a friend or loved one’s passed
(we know the body doesn’t last),
but the spirit’s not moved on
of those whose time has come and gone,
or those alive are still bereft
over one who long has left,
there is a cure one can employ,
a special drink one can enjoy,
to clear the space and tears away
and free a soul who mustn’t stay.

Have a shamanic gin and tonic
served tall in a glass that’s cold and conic,
prepared by a shaman with a twist of citrus:
cinchona bark and a gin that’s viscous,
and cubes of stone that fizz when you drop ’em
(better than pills that appall when you pop ’em,
or capsules or tinctures or some New Age option
is tonic and gin, the shamanic concoction)
or cubes of ice—they’re even freezier
(they dissolve in the drink, and that is much easier).
Then sniff the bouquet of the herbs and the roots
or the leaves or the stems or the barks or the fruits
or the spirits of plants that the gin spirit suits!
Have one or two
with a friend or a few,
and beat a skin drum
or rattle bones some—
then slip with a buzz down a hole or a drain
to discover your lack or the source of your pain
or maybe the unattached bits of your soul
that keep you from feeling as though you are whole
that fled long ago and now can be found
safe in the keeping of leopard or hound
or in a small cave or hole in a tree,
and finding them now, you set yourself free.
Then bring them back home as you drum with your drink
(it’s really quite easy, just try not to think)
with the cubes made of stone
as you journey alone
in the land underground (or is it within?)
assisted most ably by tonic and gin.

And what herbs or roots or fruits should we add
that would be good—or by virtue of excess or vacuity of some constituent or actions or combinations thereof—would be bad?
Cucumber’s a wonder in high summer heat
but in juniper, gin should be more than replete,
and filled with the spirits that cleanse and abide
for clearing the home (or office or what-have-you) and sending them outside,
so inside and happy now people can live
without items disappearing or dishes crashing or things going bump in the night, and they can be happy and productive and get a good night’s sleep without antidepressants or therapy or a sedative.

So toast those now gone, or gone but still here,
and raise them a glass in celebration and cheer!
And don’t take to drugs or psychiatry or colonics—
just drink some shamanic ice-cold gin and tonics.

 
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Posted by on October 13, 2012 in Family, Food, History, philosophy, Poetry, psychology, Religion, Writing

 

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I want You to fill Me

I want you to fill me.

It is not that I am empty,
but I want you to fill me
so that our essence
is of the same truth
and our eyes
of the same vision
and our hearts
feel of the same blood.

I want to have my eyes filled
with your soul
and my ears filled
by your music
and my hands filled
with all the stars have lent
to be your body
and my mouth filled
with your sweetness,
able to speak only
your name.

 
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Posted by on October 8, 2012 in Poetry, Writing

 

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I Drown

World-weary Angel
ill of this earth
(full) of l(i)o(f)ve
and l(i)oving
in the moment
as the need
taking every hit
this world has
and still open
Angel with your
(he)art and wiles
designed for
dreams and
intoxication and
how do you do it
Angel? Melt the
soul of one
who needs melting
heal the
spirit of one
who needs healing
whole (s)he
who is broken
throw the life preserver
even as you sink
and smile and know
for love
to drown is joy.

I drown in love
Angel and I
live.

 
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Posted by on August 27, 2012 in Poetry, Uncategorized

 

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Preparing a Meal

(All life, every encounter, each moment, pleasant, unpleasant, “pure” or “impure,” may be transformed into a spiritual event. All life is tantra.)

Early evening.
Empty house.

I hear nothing
but the smooth separation
of snow pea from stem,
knife rolling against board
in rhythm,
and the low hum of the refrigerator.

Among the small piles of vegetables,
onions, mushrooms, garlic,
and a small hill of fish,
I discern origin from end.

All to become a meal
designed for how it will feel on the fork,
attract the eye,
appeal to the soul,
sustain the body.

Another day, another meal,
and
I am grateful
for the destruction and death
which precedes creation.

 
 

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Lammas Day

See the llama
Climb the mountain
On the harvest
Day he’ll stomp.

High up in the
Airy Andes
Full of haught
And full of pomp.

See him light
The circle’s candles
Chanting in his
Lammas way.

To welcome in
The year’s first harvest
Longhorns set
To greet the day.

See the lama all in saffron
What a lovely coat it makes
But who has got the hoofs to shear it
To harvest it this Lammas day.

See the lama
In the circle
Polyphonic
Where he sits.

When the circle
Is all over
He needs no snuffer
He just spits.

(alternative)
See the lamas
In the circle
Singing, singing
High they’ll hop.

When the circle
Is all over
They don’t slow down
They just drop.

 

If you like, you can see and hear The Lammas Song played on a Tenor Fluke (ukulele). Honestly, the sound could be better but I have the equipment I have.

I originally recorded this on my banjolele, but you couldn’t hear me at all.

I teach this to kids and they act the whole thing out in a circle. The best part is when they get to spit. Parents love that part. Until the end, of course, when they all just drop into a heap. Great for stuffy UU churches.

When I do this with adults, I am kind and replace drop with stop. Easier on the joints and fewer concussions.

 

 
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Posted by on July 31, 2012 in Poetry, Religion, Social, Uncategorized

 

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3:10

It is 3:10 ᴀᴍ
And I’m
Wrestling with Hashem
Over matters of love
And propriety,
Over poetry
And the small matter
Of whether he exists.
Hashem states
It is of little consequence
And I say, Hashem,
People fight and die,
Live, love, kill and
Become kind
In your name
And Hashem argues
Atheists do the same
But are, at least,
Honest in their motives.

 
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Posted by on March 5, 2012 in Culture, philosophy, Poetry, Religion

 

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