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Category Archives: History

My Grandmothers Came from the Ukraine

There seems to be quite a bit of traffic on my blog in the past few days. Much of it from Tel Aviv, a city I have never been to in a country I have never seen.

But I do have relatives there – relatives I see seldom, speak not much to and, most of whom, would not recognise.

*****

People tend to believe everything they read. Oh, they say they don’t, but they do. In newspapers, in books, in pamphlets, on the Internet. Especially on the Internet where it is easy to publish anything one wishes. And if it comes by email, all the more believable.

If it comes in an email, it makes no difference what the story, it is swallowed whole. Hoax, myth, legend – all true if it is found within your electronic inbox. And each time it arrives, it is true again.

Literature is true. Ask nearly anyone who reads a poem. They’ll tell you all poetry is autobiography as though no poet ever made up a thing, created a work of fiction, embellished, took license with a core of truth to make a whole that speaks the truth but did not necessarily happen. At least not how it was written.

My daughter complained about my last book. Not enough poems about her. Only two. In truth, there is only one. In truth, there are none.

My son complained there is more about his sister than about him. I told him there were exactly the same number of poems about him as her. Not one fewer.

I wrote a poem for a coffee company once. Skookum. About a man who is thinking of higher climes and better times as his wife of leisure rambles on and on. His coffee saves him. Once published, people thought my marriage was in trouble. I rarely drink coffee.

And so, the poem below is true. True for many and truer for some and but it isn’t real. Parts are real, parts are made up but the whole creates its own truth from the parts that are not.

So it is about me, but it isn’t.

Except for the last line. The last few lines. Those, you can take to the bank.

*****

My grandmothers came from the Ukraine.
Each one
Pushed, pushed
By swelling Cossack waves,
Night pogroms, burning homes and hoof-print graveyards.
Scattered, scattered.
One to Vienna, the other, Buenos Aires, Boston.

My grandmother in Vienna met my grandfather
And became my father’s parents,
Pushed, pushed
By the waves of Hitler’s Reich
In the Holy war against the Jews, Gypsies, Whathaveyou.
Galacia, Gdansk, London, New York, Israel, Florida.
Scattered, scattered.

My grandfather removed himself from Lisbon
At the Catholic’s strong suggestion
And ended up in Amsterdam, London, Buenos Aires,
Boston.

And I am Boston, New Jersey, South Carolina,
New Mexico, North Carolina, Minneapolis, Seattle and Canada.
Israel, England, Germany, Philadelphia, Florida.
And in no place do I belong,
Each place I needed to move from,
Pushed, pushed-
Economics, education,
culture bade me leave,

Browning pastures left for green and I
Unhappy in the next as the last
Moved on again, unattached
Unrooted, uncommitted and still,
In the back of my mind I’m planning where next,
Wherever I am inferior to where I might be.
I’m sure it will be better.
Scattered, scattered.

Yom HaShoah.
Day of Remembrance.
It should be enough to remember,
But it blows through my hollow bones
Like a winter bird in flight,
I scatter like a dried dandelion.
A personal Diaspora,
I shatter like crystal, dispersing light.

 
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Posted by on December 19, 2007 in Culture, Family, History, Poetry, Religion

 

Gallipolis

We are driving out of Charlestown, WV. It is nearing four in the afternoon and my son and I have spent our day walking through the city. I have been walking. My son has been dragging. Sometimes a sinker, sometimes an anchor but never a balloon. Never a kite.

This is, on a Saturday, an amazingly vibrant small city. There is a literacy festival at the library, jammed bookstores all over, a chili festival along the waterfront, kids playing in public fountains as though they were waterparks. Families stroll slowly through the June early afternoon along the streets and riverfront. We have walked downtown, the capitol complex, seen The Mountain Stage, the Museum of Art and Folk Art. Everywhere people. From this small city I had not anticipated such a density of activity. I’d never had expected to see such life.

No more than I would have expected to see the dollies. So many people, for lack of working legs, pushing themselves along by gloved fists against the pavement. Some lack legs so fully I am reminded, uncharitably I admit, of a cartoon I had seen many years ago of a crowd of legless bayou frogs, all pushing themselves on dollies, with one asking another what he wanted for dinner. “Frog legs.”

We see so many fist-driven four-wheelers that, after the first few, we feel the need to take tally. Seventeen – after we started to count. We move twelve miles through this city in six hours, despite a lack of our dollies all our own, and have been having a wondrous day. At least I have been. My son – my son, at 14, is having his own experience.

We are ready to head out. Our target is Ohio, Gallipolis specifically, and our goal is to get there before dark with enough time, this Summer evening, to find a room and stroll the town before the sun sets. Gallipolis, for no good reason other than someone having told me it was close enough to our destination – P.S.G., Pagan Spirit Gathering – that we can stay overnight and drive an easy pace the twenty miles to the Wisteria gate by nine. Time enough to ride behind the Amish buggies and enjoy the experience and the word patience need never come to mind.

We drive west along I64, out of Charleston, crossing the river over humming tangles of black-girdered bridges looking for I35 – the closest way across the Ohio, the easiest way to Gallipolis.

My son is mapmaster. This has not worked as well as I might have liked. I had thought map reading might be genetic. The only genetic tendency expressing itself at the moment is that towards frustration.

I glance over and look quickly at the map, unfolded on my son’s lap, as I drive. Taking another quick look away from the road I see his frown, his furrowed forehead, eyes turned toward at each other. The highway numbers are upside down. So are the names of the cities. Perhaps there are one or two other genetic tendencies expressing themselves we shall have to look into upon our return home.

I have been reading maps nearly as long as I have been reading words. I am fascinated by them. Where do the roads go, where do they start? I liked my late nights to extend far into the early morning tracing routs from origin to end. When our family took trips, I was in charge of the map, navigating from the front passenger seat. Exactly where my son is now.

We have a year old Rand McNally atlas, purchased not many months ago. I prefer actual maps to printed directions. Mapquest and Google can only go so far. What if we wish to change routs, see what we can see, drive where we might? What an interesting name. Look, there is a cave just ahead. See, there is a gorge down that road. Off we go. With an atlas I can find my way back again, back to the beaten track from off, back on the path and on to our destination. No loss. All gain.

We find our way, road upon road, I-64, I-35, headed toward the Ohio River, to cross into the state of that same name. As we approach the Silver Bridge at Point Pleasant there appears to be something missing: the bridge. There is no bridge. Now, there is the pitted rampart to the river edge, battered pillars from the water surface, confused us to the end of the road. What was, is not.

We pull over, parallel to the Ohio and perpendicular to where we had every reason to expect a bridge entrance which would continued onto a bridge.

The map. It shows a bridge. The land begs to differ. The water – a clear expanse bridge-free to the Ohio bank. Do not mistake the map for the territory.

We ask. The bridge fell down. Recently? No. 1967. Have you ever heard of the Mothman? Seen the movie? No. The one time it might have done me some good to have paid attention to popular culture.

A bridge, off the Earth thirty-five years, still on the map. If you can’t trust Rand McNally, who can you trust?

We travel further south, a half hour more distant of our evening’s destination, to where another bridge is shown, fully ready for that to be gone as well but gone it was not. It exists, as the map shows, and over the Ohio we go. Once on the other side, we follow the river again and Gallipolis is near.

It is small, sparse, quiet. We drive past the fringe Wal-Marts and K-marts, pass by the motels on the outskirts and plunge into the town itself. That is our goal: to find a room where we can park the car and spend the evening walking to dinner, walking to the shops, walking, walking, walking and no driving need be done. My goal. My son’s goal fixed firmly on tomorrow morning. That the youth exist in the here and now and age dwells in the past and future is cliché, not axiom.

We find one hotel. Just one that fits our bill. Just one in town. The William Ann. We could not happier. Older, quaint, friendly and directly in the middle of the town. We put our bags and baskets in the paneled room and set out for a walk.

Dinner comes from a small local grocery store we stroll past. We are stunned by the contents. It is appointed very much as one would expect a small grocery in the inner-city: no fresh vegetables, a deli counter of prepared animal or creamed products, a surprising amount of space devoted to chips and breads, sodas and snacks. We purchase some sandwiches and two apples well past their prime and eat as we walk into the town commons.

In the middle of the commons, on the southern side, the side closest to, within a stone’s toss of, the Ohio River, is a statue that commemorates the bringing of yellow fever to the town and the fifty-seven killed when the disease made landfall in 1878, brought by the doctor who was on that south-destined barge specifically to treat the disease already being carried by those on board; people looking for a new, better life downstream. An agent of mercy, he boarded it upstream so the victims would not need to disembark for treatment or supplies and risk infecting others. Until all aboard were well, only he would have the infrequent necessary contact with the off-barge world.

The rudder arm broke and the ship drifted ashore at Gallipolis. So did the flavivirus.

A four sided post about five feet high, each side is inscribed. One side tells us it is in memory of the yellow fever victims, another has the fifty-seven names on it, yet another lists the barge crew and another side tells us who bestowed the memorial upon the town. Atop the post is the rudder arm. That I know of, this is the world’s sole memorial to viral hemorrhagic fever.

The Scioto Company ran an ad in Paris attracting middle-class French to America with cheap Ohio land. They bought the deeds, sold their goods, and made the long voyage to America and into Midwest. They found nothing. No homesteads. Worthless deeds. It was 1790 and they petitioned President Washington for land. They got it in The French Grant. On the Banks of the Ohio River. Gallipolis. City of the Gauls.

The town failed to thrive. Mining did not quite take off, agriculture was a plan that came to little in an area more swamp than soil.

In 1818, a few families from Wales set sail from Liverpool to Baltimore and traveled by horse and cart to Pittsburg. Tired of the trials of over-land travel, they opted to trust themselves to the Ohio River, counting on it to take them the rest of the way to Paddy’s Run – a frontier town near Cincinnati.

The barge would abruptly, constantly, run aground on the shifting sandbars of the river. The men would jump out onto the dissipating sand and often require rescuing.

The journey taking longer than anticipated, and needing to reprovision, the water-borne pioneers set ashore in Gallipolis, a settlement then with fewer than one thousand people and barely hanging on.

Everyone got off the barge for a night on dry land. Fresh and full, they would shove off again the next morning.

The stories run two ways. Townsfolk got the bright idea the Welsh provided an immediate increase in the population, workforce and gene pool and, like it or not, would be staying in Gallipolis.

The other story is the Welsh women, tired of the river, fatigued from life with no home, weary of seeing their husbands and sons risk their lives, conspired to make Gallipolis their final destination.

Either way, the next morning, the barge was gone. All that was left ashore was a bit of rope.

And five new families.

It is dusk and the summer light is fading. Alek is asking for food again. We walk back toward The William Ann and to the malt shop across the street. It seems everyone is here. The outside is packed and, from a distance, the crowd hides the glass walls but, as we approach, we see through the people, through the panes, the inside is packed as well. We enter and get in line.

He has a milkshake and fries. We linger and he eats. The end of his long day. We go back to the hotel but I am not done. I want to walk some more. As he watches TV, I set out again.

There is music in the dark. I walk parallel the river. There is a wedding and the music is heard blocks away as a party is held under canopies beside a church. I walk on, walk by, music fading. The street ends and I come upon the bank of the Ohio.

I had passed slips and docks but they did not draw. The bank, though: the bank, the natural boundary, does.

It is a slope. Grassy and steep in the dark, I am drawn to the bank, to the brink where land ends and water begins. Through the trees.

There, in an opening between the trees. Steps down through the thick. It opens out. I enter a field of stars before the watery black.

Grass, trees. Fireflies. More than I have seen in, perhaps, all my childhood years together. All my adult life since. Flittering light, bright movements of starlight on wing. Filling the grass, trees, bushes, hovering over the ambiguous bank.

And there is a swing. To the right, hanging from a tree, next to the river, a smooth board on two knotted ropes. I sit, rock, glide. I am a body in motion, surrounded by light.

 
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Posted by on October 10, 2007 in Family, History, Nature, Travel

 

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Six Away from the Dead

Six away from the Dead

They were common as mud
And joined it,
Stories raining from the sky.
Feeding the Earth
Returned to air
Souls to rise
To drift as wraiths
Through dreams and lives
Omnipresent in a way
Only the dead can sustain.

One day we did not know them.
They were not our loved ones,
They were not our friends
But now
They are the colors of sunset,
Soot on a windowpane,
Ash mud on a lugged boot,
A cough in our lungs,
Threads of their flesh
Woven tightly into our
Communal inheritance,
The myths of a young country,
Repeated, repeated, repeated.

And we mourn them,
Not despite their commonness
But because of it.
Because it was New York,
It could have been Charlotte, Chicago, Philly.
Because it was D.C.,
It could have been Boston, Miami, L.A.
Because it was Shanksville,
It could have been Durham, Melbourne, Santa Fe.
Because it was them,
It could have been us
And we are made of the common,
We Americans,
And not one of us
More than six away
From the dead of that day.

 
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Posted by on September 11, 2007 in Culture, History, Poetry

 

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No Ma’am, I am not Gus Grissom

2:31 am: My head is on the pillow, all is still. Blessed exhaustion and quiet but for the hum of the fan. The house is quiet and, finally, so am I.

2:28 am: Stargate is on…again. The same episodes as earlier today. Yesterday. I’m halfway through the show and I’ve had enough. I’m going to try again. Off to bed.

1:13 am: At this hour I should be sleeping in my bed but every time I close my eyes my room spins instead.

I’m hungry. I have waited two hours since last I ate and can barely believe I’m still wanting food. But I go to the refrigerator and find a container of brown rice, fill it with chicken broth and put it, along with a baked chicken leg, in the microwave. I put it on low so the circuits will not blow as the air conditioner is on in the conservatory and, in our Lisa Douglas fusebox, the air conditioner and the microwave equal more than ten.

I feel funny eating so late. I’ll regret this. I know, but I must assume physical stress causes hunger. Extreme physical stress seems to have caused extreme hunger. I want protein and protein and more protein. I tell myself tomorrow I’ll be careful, eat better, eat lightly but for now, I want meat and bulk. I want something that will hold me down.

12:10 am: I don’t know why I am waiting to go to sleep. Normally I’d be up late on a Friday night, but with my stomach upset, with my head hurting from side to side, perhaps I should have been in bed sooner. I’m stuffed, fatigued, in pain, still hungry (how can that be?) and every time I close my eyes I see a screen, black on either side and my head swims. Enough. I’m going to bed.

9:39 pm: Home. I’m headed to the fridge. I want more meat. I can barely believe it but I do. Chicken. White meat. Diet Pepsi I brought back with me. On to the couch. Lee is watching Stargate, as I would expect and I can’t really think of anything I’d like more right now than to lie on the couch, a near mirror opposite of Lee, and watch bad sci-fi with her. I’m queasy. My head hurts. My shoulders hurt. My neck hurts. Everything just plain hurts. Sore muscles. Physical stress? Emotional stress? Fatigue? But it feels great to be lying here, picking at the chicken, watching my sweetie watch Stargate.

9:18 pm: Our plans did not quite work out. Jack is quiet, watching TV. I could spread myself on the couch, splay myself on the carpet. I could but I will not. I feel welcome but tonight I feel a bit extra. Since I do not normally feel this way at their home, I figure something is up and, perhaps, feeling uneasy, queasy and unsteady I figure it is the right choice to go home. I say my good-byes and take my leave, driving home in the extra-sub-urban darkness. I later found Jack’s grandfather had taken ill.

7:43 pm: I arrive at Evanne’s, Jack’s and Beth’s home. Jack is not home. How is my day? I tell the truth as I have been asked but do not wish to sound whiney. I leave out a bit but tell how I feel. My stomach has calmed a bit. It still is not right, but it is no longer playing twist and shout and I am grateful for the improvement. Jack comes in some minutes later, seems tired. This is understandable. He sits on the couch, is asked by Evanne if he wants to play Changeling, he states he is not quite in the mood, is tired. This is why I had come here tonight. No that I ned a reason to visit with these fine people, but, tonight, I’d rather be sitting at home, quiet, watching television, still. So very still.

7:13 pm: I am leaving for Evanne’s. It is Jackanalia, Jack’s birthday week and I have been asked to come over and play Changeling as a surprise for him. I said I would go and on any other day I’d have no doubt about going, but I feel so terribly unwell, I do not know how I will drive there, sit there, play there. But this is his birthday and what he wants so off I go. On the way I stop for a bottle of diet coke. They are on well water and I am not use to drinking water that tastes of sulpher.

6:42 pm: Thumping wakes me. Not my heart but a larger drum from outside. My son’s bass drum. He must be practicing with friends. It is ok as I need to wake up anyway. I rise, dizzily. I am supposed to be at Evanne’s at 7:30. I am going to be late.

Lee says she saved some dinner for me. Dinner? Yes, I could eat more. A small piece of flank steak, about four ounces, the size I would normally eat. An ear of corn from the co-op. It is a rarity Lee cooks and this is wonderful. The corn is barely done. It is wonderful anyway. The steak is barely warmed and it is wonderful especially. It is covered with garlic salt which means Lee had this on her plate. Especially incredibly wonderful.

4:12 pm: I arrive home. Woozy. Nauseas but the aching in my head is beginning to subside in some remote locations. As I make my way to the door I hear the high commands of Invader Zim so I know my son is home, on the couch, and, as I enter, approach, I ask him to please, oh God please in all that is holy and right and proper in the world, if you have any compassion and decency and humanity, turn it down. It sounds like this. “Volume, please,” except that it is muffled and slurred. He looks at me and asks if I’m ok, that I don’t look ok. I answer “Bus, seventy kids. F-14 simulator. Headache. Nauseas and… Hungry?”

Yes, I am hungry and no-one is more surprised than I am. I want protein. I want something dead that use to get around on its own and decide its own fate. I want meat. I eat the contents of a can of salmon. I eat some turkey. Beef jerky. I see a piece of chicken from the other night and it is gone. If it walked , flew or swam, I want to eat it. This isn’t right. I think of the volume of food, of the calories, the effect. I wonder if physical stress does this, if this isn’t the right thing to do, give in to this as need and not gluttony. I am still nauseas but no more so and still hungry and not less so.

My wife arrives home, looks at me and puts me to bed.

3:50 pm: The bus pulls up in front of Stone Middle School. I get off last as I am in the back, walk wavering, slowly across the parking-lot to my truck. People wave, say goodbye, ignored. School isn’t out for ten minutes. Teachers cannot leave until 4:15. I should get the CD from Susan. I looked forward to that all day. I don’t care. I can’t. Not about that. Not about the time. I drive slowly home. No radio, windows open in the ninety degree day.

2:38 pm: The bus is loading and I am asked to get on first and do what I did this morning; sit at the back and not let the kids do the same. I do so, nearly lying down. It is noisy as the kids load. I am out of discipline. Maria takes care of what needs taking care of while sitting next to me. We talk a bit on the way from NASA to South Melbourne as the kids get louder and louder.

Sean is poking girls, complaining they are talking about him afterwards. A kid next to him keeps shouting how he is a crazy white nigger. Crazy and white, I have no doubt. Stephanie keeps trying to sit upside-down. She is wearing a skirt and this seems to be just a bad idea all around.

Sara sits in front of me. She seems protective. She has come to me in the past wanting help with poetry, writing, wants to see my books.

It is a huge bus. It waves and sways around curves, on entrance and exit ramps, corners. As it rolls down Palm Bay Road, it rocks and I feel once more and I will lose anything in my stomach. Everything.

Maria is still talking, Sean is still poking, I fight sleep. Chaparones are not supposed to sleep. My eyes close and I am woken at the school.

2:30 pm: We exit The Astronaut Hall of Fame and Space Camp and head to the bus. The heat feels wonderful. I have never been so happy to be so hot. It is delightful, comfortable, embracing and life-giving. I want to vomit. I want my head off but at least I am warm.

I am walking, not too steady, to the bus. Beside me a mother of one of the students. She looks at me, asks if I want Tylenol. I say bless you and accept two Extra Strength Tylenol. Who needs water? We mill at the bus waiting for the signal to board.

2:24 pm: Last stop. The conference room. I am shivering. It is the same sixty-two degrees in there it has been throughout the rest of the complex. There are rows of chairs facing the front table. On it, shuttle tiles, torches, vices. I walk to the back of the room and sit on the blue carpeted floor thinking it more stable than the chairs. Under me the floor twists and heaves. I ride it.

The students are told of all the wonderful jobs available in space and science. What they can do for NASA. How they will be the next astronauts. What amazing opportunities they have living as close to the world’s spaceport and how, with education, they can take advantage of those opportunities.

Tiles are heated on the front, glow red and furious bright. Students tough the back of the two inch thick blocks. They are amazed it is cool to the touch. The front becomes cool enough to touch within seconds of removing the flame. The students line up to touch. One calls me and I go, holding on to whatever is available as I wait in line.

When the line is done, we file outside. Outside.

2:04 pm: The door swings open and light, bright and painful, enters. I turn away and my head swims. My body seems to move the opposite way as my head feels as though it is continuing to turn. The old man walks to the opening, looks at me and says, “You need to sit a bit. The next person can wait.” He is right. I do. But soon, not more than a minute, I get up, grab the doorway, pull myself out. Walking into the bright light, toward the glass door, steadying myself. I do not want the students to see me ill. I’m not sure I have a choice.

Mr. Science Teacher looks at me closely, “O Man, you don’t look so good. Are you ok? If I had any idea it’d do that to ya.” He would have what? Stopped me? I should have stopped myself. I lean on the railing. Ms. Ramirez is heard in the distance and she tells us it is time to round up the kids and head to the conference room.

1:57 pm: I have waited an hour. Perhaps a bit more. The glass door opens and I am ushered in and to one of the small booths. Inside, it is no more larger than the space needed for a small chair and the person sitting in it. The chair faces front and toward a small screen. Next to the screen, one on either side, are two handles facing up. I sit within and fasten the seabelt. Below is a floor and an up-slanted foot rest joining the floor to front wall. It is made of dimpled metal and my feet rest comfortably there. A moment or two passes, I look ahead and see a sign above the screen: Keep eyes open at all times. I look ahead and below the screen and next to it, a large red button. “In case of distress or ailment, press this button and the simulator will slowly come to a halt.” Next to this was the same list of ailments I read outside. I have none of these? Why should I not ride? The door closes and it is a solid darkness.

The screen lights up and voices are heard. I had not noticed the speakers. It is a radio-voice from a virtual f-14 pilot and I hear we are about to take off and, jerking, not smoothly, I move. I spin, I know, but spinning this did not feel like. I reach forward and grab the handles and they do not give, do not move.

I feel consumed by the screen as the voice tells the tower he is ready for liftoff and the ground, which does not look remotely real in the monitor, falls away as the sky becomes wider and takes more of the screen. I feel as though my stomach has left me, choosing to attempt a stay on the round whilst I rise into the air. Unfortunately, my stomach did not make it out and I am more than astoundingly aware of it.

I do not listen carefully to the voice. For a moment I tried to loosen my grip on the handles. I could but felt them move toward me and decided I might not be able to get them back on and so left them, tightening my grip. It says something about a mountain and it comes into view, about not being able to avoid it and it comes closer and then lurches down and to the side. I am stamping the floor against the four G’s, plastered against the wall , beating it with my shoulder, elbow, voice as I discover I am making noises quite unbecoming, quite undignified.

This continues. The fake sky spirals as the ground circles coming closer and I can feel my head spin, hear myself whimper, still beating the right wall, the floor, the surface behind my head.

Six minutes, I think of hitting the red button but do not, cannot, will not. Six minutes long and I decide I will stand it, must stand it but will pay or this and the sky opens wide again as the ground fully falls away and I hit the back wall with my head again and again and again.

I have no idea what the voice says. I do not remember a thing of what happens on the screen and do not pay attention with my mind but my body accepts every fiction and reacts despite my knowledge of slow rotation and slight temporary tilt. I do not know what happens but I am panicked and ill and sorry and sore and want out, an end, stillness and quiet and light and all I have is noise and twisting and nausea and brightness in the solid claustrophobic dark and then I see the ground come close and level and coming fast and then slowing and then the screen image is still and something is different though I am not sure but I believe we have stopped.

12:43 pm: These kids keep cutting in line, but they are my kids, kids I’m in charge of and, of course, it is they who should ride so I let them in. They are not sneaky; some even ask. The sign says the ride is six minutes long and it takes two people at a time. I count the people in front of me. Eighteen. Nine times six and I can see I might not get my chance. I wait patiently and talk with my partner in chaperonedom, the science teacher, he of the mid-thirties and sixth career, ninth professional job, ex-cop and E.P.A. inspector. We move forward the distance of two middle-schoolers at a time. Our speed: twelve middle-schoolers and hour.

12:40 pm: I have spent a half hour or more in the museum. It is not that large and I have been here before. It is a static exhibit and nothing has changed. What is different is the time I have and it seems there is plenty. I walk toward the one exhibit I know, in my heart, in my gut, I should be walking away from. I tell myself it is jus because most of my young charges are there, in line, waiting patiently, well behaved and calm. It is a glass enclosed room about fifteen by fifteen. Within is a whirler of industrial proportions with a computer in the center, a pivot above that allowing for spinning and at either end a small fully opaque chamber big enough or a person in a chair. The chambers are on servos that allow them to rock out and in as they spin around the center as dictated by the program. The device spins slowly. It is the F-14 Simulator.

The sign says it produces four Gs. How much can that be other than four times the pull of Earth’s gravity. It’s spinning so slowly. It is nearly mesmerising. It looks calming. People go in and six minutes later they come out and no-one looks worn or upset or any worse than upon entering. People say it was fun, enjoyable, cool, neat, and I’ve nothing to do and find myself in line.

12:30 pm: Lunch is over. The students are given time to investigate the museum on their own terms and I, with my twelve kiddies and my teacher-partner enter the dim from the bright through corridors and doors and find ourselves in a hall of spacesuits, faces in monitors, touch-screens and hands-on science. Two small halls of exhibits. I read what there is to read. Make a spaceman balance in the center of a small tank of water, play a virtual game, learn of the Apollo One mission, read about Gus Grissom and how he was scapegoated by NASA, then died, burned alive inside the Apollo 1 capsule, along with two others as a result of a failsafe device to prevent the very mistake he was supposed to have made in his earlier flight. In short, they made he door so it would not open from the inside. Later his ‘mistake’ was found to be a design flaw which had nothing to do with him.

Grissom was an engineer who, even after that event in the mercury capsule, went on to create designs that were used and are still used in spaceflight. He is the reason NASA stopped naming individual capsules and named only overall missions and gave flights numbers. He called his 1961 capsule Liberty Bell Seven not because of his love for liberty but because he said the design would cause it to sink like a giant iron bell. NASA took a dim view.

His Mercury space suit is on display in the hall while a battle rages over who gets to own it. His family wants it to tour the country. The Smithsonian and NASA want it to stay just where it is where it can be seen only by those who can afford the pretty pennies. Forty years and Grissom is still making waves.

You go Gus!

12:00 pm: Lunch. Out of various coolers come lunches, all packed in their clear bags. Each with a name. The children sit on the bleachers in the room we have been in all morning. I don’t see the need for the coolers. Sixty-two degrees.

These kiddies are eating monstrous things. One has brought nothing but a bag of Cheetoes and another a bag of Fritos. These both had to be, of course, in large plastic bags. A bag in a bag. Cokes, Gatorade and cookies. A few have sandwiches and fruit.

I have my bag. I eat my apple, my carrot. I drink my bottle of water and then have my Cliff Bar. I walk my empty bag with it’s empty bottle, empty wrapper, apple core and carrot end to one of the two fifty-five gallon trash barrels which are the only reason, both I and the children have been told, a student may move from the bleacher and the shame of their terrible lunches is even greater as the barrels fill further and higher with huge quantities of food untouched now become trash.

11:30 am: The children have been lined up in front of a harness attached to a chain attached to four rows of three long springs each – twelve springs: three in line attached to three in line attached to…- and then a series of chains, pullies and then a winch attached to a track which runs forty feet and all this a four foot wide, six inch thick mat running under the track. Me and my twelve and Mr. Science Teacher. Our guide, Diane, shows us this will allow us to feel one-sixth gravity. She puts on the harness, much like the kind stuntmen use to fly, much like a wire-harness. She puts it on and tells us all the girls will have no trouble with this but warns the boys may find this more than slightly uncomfortable, and, as she says this she pulls a strap tight and we all see exactly what she is talking about.

She demonstrates the methods astronauts use to move in lower than Earth gravity as she sidles, hops and skips. She shows us how to pick up and object and bend in low gravity.

A boy goes first and confirms the discomfort, then a girl, then I lose track until the tallest of our group goes and there is little room left near the winch as the gears pull the chains and there is little left between the springs and the winch by the time it is high enough, taut enough for him. It dawn on me: this does not work. Most of the kids have their feet barely on the ground, touching it with their toes as they hang there. Even under low gravity, they would actually be in full contact with the surface. With a computer, they could enter the weight of the child, the compensate with the pullies for an accurate one sixth of the weight. But she just ups the child into the air until their toes dangle dragging the mat. For a half hour they flip and flop and hip and hop and bounce. The girls giggle. The boys seem to wince.

11:00 am: We sit in the bleachers in front an eight foot diameter gyroscope with a seat. We are given a lecture about the Multi Axis Trainer. We are told why it exists. How NASA was afraid a capsule could spin and twist in different axis and the astronaut within would need to withstand it and bring it under control. Thus, a Multi Axis Trainer.

The sign says if I have a heart condition, back problems, vertigo, pregnancy and some other such difficulties I should not ride. This is a ride? And I was not aware pregnancy was a ‘difficulty’ but who am I to argue with NASA?

The first child is strapped in, shoulder straps, leg straps, feet on the foot plate which is a new addition and the reason for such is without it the feet tend to fly around a bit. I’m glad Diane mentioned that. I’d hate to see the kid’s feet flying around.

We are told the way the device spins the center of gravity remains the center of the body so the abdominal area does not actually move very much. We’re told because the movement does not stay stable, because it does not continuously move in the same direction, the ears do not cause the rider to become dizzy as they would simply spinning. It appears true as the lever is pulled, the seat sways back and forward a bit, Diane walks out of the small cage surrounding the MAT, closes the gate, walks to the side and turns a throttle. The outside ring turns, the seat begins to move, the center ring begins to move as well, the seat begins to flip this way then that and spins, the inner ring turns in response to the other two and the seat moves no way more than one revolution. Hair, long and unbound, flies here and there, red flames blown by a fickle wind, the child screams. The child is smiling.

She comes off and appears no worse than when she got in. A thirty second ride. One minutes with strap-in and strap-out. The next goes, then the next all through the twelve of us and then, “Come on Mr. Teacher. Do you want to give it a try?’

I walk up, empty my pockets and a student, one I initially did not trust, takes my digital camera and tells me he’ll get my picture. All my belongings are on the bleacher but Diane is right there and I worry a bit anyway.

I enter the cage, am strapped in, I ask about epilepsy, am told it is not a problem, I ask about any number of things and am told I have only thirty second and if I want to try it now is the time and I say go ahead. Diane pulls the lever and the seat sways back, feeling like a swing that has gone too high, come back down and I say, quickly, “That’s good.”

“So you are ready?”

“No, I mean that’s good. That’s enough. It was fun. No ride. Out please.” And I realize I am about to become very much a spectacle and I also realize I don’t care and as I think this, I am being unstrapped.

I pick up my things, all still there after less than half a minute, my camera is handed back. There was no time for a picture.

10:00 am: I have six of the kids. Mr. Science Teacher has six and he is to be in another section of the Shuttle simulator. The kids have tags around their necks and have been given flight designation which tell them what their jobs are. Before coming here they have been given materials to read which helped them understand what those designations mean and what they entail.

We enter a hatch to a small room with a bank of screens. Behind us are ladders attached to the opposite walls which lead to hatches in the ceiling. Each leads the same place: the flight command center above us. Four of the kids go up there. I look up the ladder and decide to stay down here in the science center.

The other six students are in mission control in another room in this hanger.

Our guide shows the kids how to do the experiment when the script calls for it, to take the blood pressures of the flight crew, change the carbon dioxide filtration unit. The entire simulation experience is scripted and the kids each have a script to follow. Each has a microphone and an earpiece and can communicate with the others through these devices even though the space is small enough they could hear each other at a hush. I suppose, in space, no-one can hear you whisper.

I watched them follow the script right through the landing, as seen through a screen. They were proud of themselves, doing the experiment, changing the canisters, guiding the shuttle in.

While I watched them talk, crawl through hatches, ascend and descend, I had nothing to do but stand there in the six by six my eight space. I looked at the controls. I looked at the intercom. I looked at the thermostat and saw it was at sixty-two degrees. In the small box of a room, all metal and moving air, it was sixty-two. No wonder I was chilled, stiff. We were told to wear long pants but I would have worn long sleeves as well.

Later they got to see that the simulation was programmed to work smoothly but to record, as well, what the results of their flight would have been. The alternate results showed a rather large mess on the runway.

9:30 am: We pull up to The Astronaut Hall of Fame and Space Camp. As we exit the bus, we are escorted into a large hangerish room off of which all the other smaller rooms are connected, in which is the shuttle simulator, the multi-axis trainer, moon walker, space walker and other devices are.

Each child is asked his or her designation and are given a name tag and with that designation on it. Mission Control, flight crew manager one, flight crew junior, science crew, other designation I am not close enough to hear.

We are divided up and I am given my group of six and my companion, MR. Science Teacher, who has six as well. We are walked to the Shuttle Simulator and are met by our guide, Diane.

8:30 am: Our bus pulls out of Stone Middle School. I have not been in a bus this large. It rocks and sways. As we pull out the driver tells the students not to scream. Particulary the girls. Then he tells the boys not to give them anything to scream about. I sit in the back with Maria and watch them, many still tired, squirm and talk, sleep and poke.

Each turn we come to feels as though we are about to fall over. I figure this must be stable or Space Camp would not be transporting kids again and again and again. Still, it certainly does not feel that way.

Maria is talking. Curriculum, skin cancer, reading, skin cancer. She shows me her leg where the lymph glands were removed this last Summer. That’s what she did on her Summer vacation. Maria gets sick more now, it seems.

Maria is a native of Brevard County but looks like she would come from Upper Michigan or Wisconsin. It looks like the sun is not her friend. In the end, it wasn’t.
As we pull in, Maria is still talking. I have no idea about what.

8:15 am: The Science Department Chair meets me and thanks me for taking this on in such short notice but that there is no time for talking and, taking my hand, pulls me from Susan and toward the bus. I was asked only yesterday. I’m not een clear on where we are going. It’s called BLAST which stands for Brevard Something And Science Something.

None of these kids are my students, she knows. Mine are with a substitute. But the chapparones all failed to show and to go on a field trip one must be fingerprinted now, thanks to the Patriot Act. The schools board will not pay for the fingerprinting and few people want to pay the sixty dollar fee.

So here I am. I put my lunch, packed as directed, in a clear bag, in the large red cooler marked TEACHERS and mill. Ms. Pebbles runs up. She has been recruited just this morning to attend.

The bus driver is old. Rather incredibly old. Or at least he looks that way. The bus is huge and looks new and shiny white and is not a school bus but belongs to Space Camp. For some reason, they use their own buses and the cost is included in the camp or, in this case, the field trip. As we are a science school, each child gets to go. I am told this is through a grant of some kind and some other schools are involved.

Some students who are suspended had to be brought back to attend this and will be out again after the trip. Why, I ask. It has something to do with the grant and the superintendent himself said it had to be that way. Chalmers, I think his name it.

“Mr. Tritt, would you board first?”

Sure. I get in and see the back is a long bench seat from one side to the next. Prime real estate for kids to fight over, fall under, do things in behind the other seats where they cannot be seen. I walk all the way back and stand in the center directly in front of the bench. As kids come in they ask if they can sit there. Each on asks and I point to their seat. I don’t want to sit in that one, I’m told, and I point anyway. Most sit. A few I have removed until they comply. Not sitting with friends? Well then, board with them next time. Saving a seat? Nope, not this time.

Maria enters and walks to the back and I am now not alone.

There are about seventy students. The door closes and the bus starts.

8:11 am: I arrive as school, sign in and make my way toward the bus. On the way there, Susan finds me and hands me a yellow padded envelope and tells me it’s a present. In it is the first Big White Undies CD. I have been looking for this. Back in Gainesville, I use to see them play all over. I MCed a fundraiser or two with them, saw them play with Phish. I never had to pay but also never had the money to buy a CD.

I am overwhelmed as I look at it and Susan tells me she like the other one so much when she found this one she got two so I could have it.

Last week, I gave her Matter by Big White Undies to borrow. I never do that, let people borrow CDs or books, but I did for her. She loved it, telling me what I knew already, that there was not one bad cut on it, that it was formidable, concerted and tight. The songs were thoughtful and literary while the music was light and joyous. That is is an amazing recording.

Do I have something to listen to it with? No Susan, I don’t have a portable CD player and, if I did, I’d not be toting it with me on the field trip. She tells me she’ll hold it for me and I can get it from her when I get back this afternoon.

 
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Posted by on September 22, 2006 in Culture, Education, History, Social, Travel

 

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Then and Now in Cocoa, Florida

I had been led to expect a storyteller, in the grand cracker tradition of tall-tales about the land of scrub and swamp. What I got wasn’t a storyteller, but a reminiscer. What I got, was Speedy.

Speedy has a bullet in his leg he got when he was five and his brother, on crutches, shooting mullet to fish for shark, shot a concrete dock instead and a bullet bounced and lodged near his femur. It’s still there. He was five and, for Speedy, that was a long time ago.

Long ago, when the bluebills were so think on the Indian River the ripples of the water were waves of a feathered carpet, so long ago, mullet jumping was not remarked upon by amazed youth and needlefish swarmed. So long ago, the pelicans needed only dip a bill and not dive into the muddy dredged depths. So long ago the Banana River could not be seen through the yellow hands of fruit. All there is now is the water, the name and the memory of Speedy.

Hurricanes did not come but the September Storms did. And why not? It was Florida and to be expected. Mosquito Beaters were hung by doors and used to beat away the buzzers before opening and used to beat away the mosquitoes that got in and plenty always did and a palm placed against a screen would create a living handprint of bloodthirst. And why not? It was Florida and to be expected.

Was it hot? Sure it was but we didn’t know any better, Speedy tells us. All that could be done was to breathe it in and breathe it out and Speedy never noticed. It was Florida and who knew any different?

And the WPA came in and brought jobs, and bridges and dredges. Pineapple plantations came and went along with Zora Neale Hurston and Stetson Kennedy and Jim Crow and The Folkways Project, Folklife Project, Florida Music Project, American Memories Project and Florida Writers Project and public works projects and change upon change.

And then came the war, WWII, and the subs sunk off the coast, torpedoes, blackouts, shipwrecks and who knew the war came so near?

Speedy tells us what you grow up with is what you think is right until someone shows you different. “Maybe cat isn’t spelled c-a-t but who knew” is what Speedy tells us about the civil rights movement and says desegregation was not a big deal and went pretty smoothly but then, says Speedy, he was one side – what it from the other he didn’t know. “Might have been rougher,” he ads, looking at the only black lady in the room.

He was a reminiscer.

 
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Posted by on July 12, 2006 in Culture, History, Travel

 

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