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Paper or Plastic?

I have been a user of canvas bags for as long as I can remember. From the first I became environmentally aware, I brought my own cloth bags to grocery stores. Later, as a business owner, purchasing boxes of bags showed me there were real savings to be had; bags are not cheap. So I never saw how bringing canvas bags to the store should be a seeming endless source of confusion on the part of nearly everyone, except myself.

As a fellow in my early twenties, I would go to Publix with my bags, toss them in the cart as I entered and do my shopping. This rarely ended in simply packing my goods in the bags and leaving. No. That particular chain likes to have bagboys. A sexist term, true, but it sounds better than bagpeople, which brings up images of unshowered unfortunates with rusted carts and thinned frocks with pockets full of cats. The bagboys (and baggirls) range in age from fifteen to one hundred and sixty. They happily pack your defrosting, sweating ice cream next to the soon-to-be soggy cereal for you and don’t like at all if you should pack for yourself. Instead, they insist on having their own people put the milk carton on top of the tomatoes. It is just one of the many courtesies they offer.

Lately, Publix has taken to hiring the developmentally disabled and the packing has much improved.

Still, I prefer to bag the items myself. I can pack them in fewer bags, know what is where, be less grumbly and, as my wife tells the bagpersons, it is just generally safer for them all around.

Approaching the checkout counter with my cart, I’d toss the bags on the conveyor first so the bagperson would see them and know, obviously, where the groceries would go.

“What’s this?” the cashier asks, turning one around, looking for a price on the sack old enough the words are hard to read, seams now only half-sewn.

I would, invariably, inform her it was a bag.

“How much is it?”

“It is nothing. It is old.”

“How do I charge you for it?”

“You don’t. It is a bag. You pack in it”

“Where in the store did you get this?”

“Nowhere in the store. I got it from my truck. I brought it with me. Does it really look new to you? I brought it to pack groceries in.” And she would look at me, turning the bag over again and again as if a tag would appear and make the liar of me. Then, she would toss them to the end of the counter and begin to tally my bill.

Not just Publix, of course. Winn Dixie, Harris Teeter, one Kroger, once, Food Lion, Shopright, Super Foodtown, Kash N’ Karry. South Florida, Central North Carolina, New Jersey.

The bags are in the hands of the bagboy. He also turns them over again and again, pulls them inside out, looking for goodies. He then opens a plastic bag on the frame and tosses my bags inside it, into the bottom, placing the food on top of them as the items pass the scanner. I watch.

Slowly, wide eyed, I ask, “Whachya doin?” the way one talks to a boy who has just put a bit of his anatomy in a lightsocket but you are more concerned with the socket than with him and, in the end, you might just flip the switch on just for the show.

“Packing.”

“I can see that. Don’t you think the bags inside the bag might be more effective outside the bag? Perhaps we could put groceries in them?”

“Oh, was I supposed to pack in those?”

“What on Earth did you think they were for?”

“I don’t know. I just packed them.”

“I know. I saw that. Not planning on medical school, are you?” I ask, with stress on each, individual word to assure understanding.

“Huh?”

He continues packing anyway.

“Undo it. Put the food in the cloth bag please.”

He scoffs, snarls, sniffs and grudges as he reverses course and out of the plastic bag comes the food and, finally, a clump of cloth.

I watch. He packs the food in the plastic bag again, my cloth ones laying beside it, empty, heaped. As he finishes the bag, he picks the top cloth one from the pile, opens it wide and puts the half-full plastic bag inside.

This is a matter of principle now. I’m not letting this go.

“Can you tell me what is the point in what you just did?”

“You said you wanted it in the cloth bag.”

“Why do I need it in the plastic bag first?

In truth, sometimes I do request an item in plastic. If it looks leaky. If it is wet. I didn’t want to go into that with this fellow. His water seemed muddy enough.

I ask, again, that it be undone. Packed into my re-usable bags.

He does so to a stream of barely audible mutterings. The cloth is still wrinkled and convoluted for all the extra room left by the little in it. He lifts the bag by the handle and, with great difficulty, as I watch, patiently, head cocked to the side like a confused dog, he lowers it into the plastic bag. I have three items inside a cloth sack, inside a plastic bag.

“Ok… I am confused. It must be me because I am not the bag-professional here, (I was a bagboy, truth to tell, but so what? My forte was offering carryout service to old women who had walked from no fewer than half a dozen blocks away. I would be out of the store at least two hours every day. No less. “Carryout is our policy.”) but can you tell me why I need my cloth bag inside a plastic one?”

He said not one word, lifted it out and threw the plastic bag away.

“Nope. My purpose in using cloth bags is to save the plastic and paper. How do I accomplish that if you throw it away?”

“Well, it’s used.”

“What? Is it dirty? It had packages in it just like the next set of packages it could have in it, to go home with the next person in line unless they have cloth bags too. Then you can torture them. At least, you could put it in the recycle bin instead of the garbage.”

I took it from his hand, smoothed it out, put it back on the frame and smiled.

I wish I could say this happened only once.

Sometimes I have fewer bags than I need. Some may be in the laundry or I have purchased more than my bags can handle and I opt for a plastic bag. Often, the bagger will put in one or two items. Why? Do they fight? I’m not saying I am against the separation of hot from cold or chemicals from foods; I am talking about cereal boxes. Surely, this cannot be a weight issue that a bag can hold only a box of Cheerios and a can of tuna. Why do I need to take home scores of bags containing only two items each? And if I ask for the items condensed, again, the bagger takes them out, put them in new bags and attempts to throw the original bags away. Foiled again. Why not throw them out? They are, after all, only a non-renewable resource.

Ah, you say, but some of the bags we use now are made of corn cellulose. Still, while corn is renewable, the fertilizers, herbicides and pesticides used to grow them aren’t. They are petrochemical in origin and none too good for our environment. And even if they weren’t finite, polluting and carcinogenic, why waste a perfectly good bag?

Bag in a bag? Bag my goods and put the bag in a bag? Maybe for an extra heavy item, a sharp one, but I have had a bagger do this with everything.

I once, just once, asked to speak to a store manager. I explained it might be good to tell the bagboys what to do with cloth bags. I asked for a ballpark figure on how much the store would save if bagboys stopped putting one item in a bag, throwing bags away, bagging bags in bags. He admitted it was a goodly sum and had actually looked into it. I asked, why not talk with them?

He explained he had tried once and it just doesn’t work. He shook his head. Indeed, let us continue concentrating on State-wide Highstakes Testing and No Child Left Behind. That way we can have a whole generation of people who can write a mediocre essay under pressure but can’t figure out how to use a cloth bag.

I wish I could say it was just the large, run-of-the-mill stores. I wish I could, but I can’t. I started going to Whole Foods and such places, in part, because they knew what to do with the bags. Or so I thought. I had, not along ago, a long talk with the manager of a Whole Foods on the issue.

I had one item. It was a jug. It had a handle. The employee put it in a bag. Because it was heavy, he then put that bagged jug into another bag. I suggested his employees should know better. I shopped there, in part, because I felt they did.

He said I was wrong and, if I worked there a week, I would swear the environmental movement was doomed by stupidity.

Walgreen’s. I purchase an item. A four pack of cassette tapes. Light. Easy to carry. He places them in a bag.

“I really don’t need that. Thanks.”

“Ok,” he says, taking them out of the bag, balling it up and –

“What are you doing with the bag,” I ask quickly.

He stops. “Why? Do you want it?”

“No.”

“Ok,” he says, shrugs and reaches under the counter to throw it away.

“Is the bag bad? Is it ruined? Is it being punished? It had cassette tapes in it. Does that mean you can’t use it for the next person? Can you tell me one good reason it should go in the garbage?” Does it have something communicable?

“No.” He is confused.

“Good.” So was I.

I still am.

Do the Earth a favour: bring your own bags. And next time a clerk or bagboy asks you “Paper or Plastic” just point behind him and tell him his mother wants him. Then, while he goes running to find her, bag it yourself.

Happy Earth Day.

 
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Posted by on April 27, 2007 in Culture, Food, Nature, Social

 

Funeral, Expurgated

My wife tells me she cannot believe what writers have to do. They must bare their souls, score their psyches raw and place what is inside, outside, on paper, in an artistic manner. And we must make it sound as though it was effortless and fun.

True enough. That’s the fun part. I think every writer is an exhibitionist to some degree and, perhaps, a bit of a masochist. Or martyr. Or minister. The act of writing, for me, must be sacred.

It also takes bravery to be a writer. This observation comes not from me but, again, from my esteemed helpmate, my goddess incarnate, she who is the Joy of the Universe and Queen of Creation: my wife.

She states she cannot imagine the difficulty of having scraped the emotion from the soul and then putting it out in public where the people will not only read of our own exterior and interior lives but those of others as well and then judge how artfully or entertainingly we have rendered them. How do we not hurt feelings, bruise hearts, hide that cause which is private while making public the effects? How do writers not end up either ineffective, with a social network intact, or effective and read but friendless and lonely? How do we not alienate our families and friends?

Who says we don’t?

I have struggled with this. How much to say? What to leave out? How does an essayist balance narrative with personal relationships? I have no idea but know I will struggle with this again and again in essay after essay. I expose what I need but leave out what does not move the concept forward, support the idea, make more clear the conceit and reality I wish the reader to experience.

But my idea of what needs to be exposed and what does not may be fully different than that of the person suffering the exposure. As a family member or friend is feeling left naked in the wind while I am thinking I did nothing more than describe his hat.

I am going to be brave now. It’s all I know to do. I’m sorry.

* * * * * * *

When I die I want to be dropped off a cliff.

Or left in a forest. That would be fine as well. Throw a party. Say what you will. Cry, laugh. Recall anything I might have done of worth. Remember anything I might have done or said that made you smile. Please forget any act or utterance of mine which might have caused hurt or pain as you’ll know it was not done of meanness or cruelty, but of the ignorance we all share as the fallible humans we are.

Make no marker. If my deeds are of worth, people will remember them. And the hunt to find my grave or remains may prove quite a cottage industry. On the other hand, if I have left nothing of worth no one will look for me. If I am not memorable, no marker will make me so.

* * * * * * *

It is Thursday night. The phone rings twice. Lee, my wife, answers it. It is late, nearly ten-thirty at night, and seldom does the house phone ring at any time but still less at this hour. Anyone we want to talk with has our cell numbers. Those phones are off now and this call is either a wrong number or important.

“It was your father. It sounds serious. He wants you to call him.” I do.

“I wanted you to know your grandmother is in the hospital. She is catatonic and the funeral will be anywhere from two days from now to two weeks. I’d like for you to be there”

I expect to hear more of her condition but he talks only of the funeral. I will be there and tell him so. I will go for him. There is no other reason.

A day passes and I look at my calendar, mark all the days a funeral would be an inconvenience. In the next two weeks is statewide testing at our school on that Monday and Tuesday and then two days of the same the week after. A writing conference the next weekend. I will miss what I miss but would rather not. I’d rather not go at all.

Monday comes and I ask about the bereavement policy of our school board. There is none. One takes sick leave. I fill out the forms in advance and leave them with the secretary. She gives me her home number in case I find, in the night or early morning, the need to drive south to Delray instead of to work or, when away, if I need to let them know I need extra days. Candy asks if I don’t want to leave now, to be there when my grandmother dies. No. That is not necessary. I don’t explain. She is kind, soft and I would guess knew her grandmother well.

Wednesday morning. Early and I am at school, as usual, by eight-fifteen. Monday was the first day of statewide testing. All day. Tuesday was the second. The next day for testing is the Monday to follow and finally I have the chance to teach. I have planned to introduce the concepts of archetypes and archetypal themes, characters and symbols and have the students search these out in a film before delving into written literature. I am teaching the first of five classes today and have barely finished one day of a four day lesson when my phone rings.

My wife has called, the front office secretary tells me, and it is important I call her back. Lee never calls me at work. I know what this is and, excusing myself to my students, call her. My grandmother died at eight-fifteen that morning.

I pause, wait, nothing. I expected not to feel much but nothing was much less than anticipated. There just wasn’t anything there. I say thank you, tell her I’m going to go to the office and let them know I need to leave as soon as is practical. I tell her I love her and put down the phone. My students are listening. The bell for second period rings and I leave the room, as the students do, to find the assistant principal.

Arrangements are quickly made and the AP, a kind, helpful soul, follows me back to my class where students are waiting outside my door. They know something must be up. We enter, I gather my things while I hurriedly discuss with Mr. Kaminski how to explain the lesson, written on the board, to the sub. I know I will have to redo this. He tells me not to worry and I grab my things and leave.

Off to my son’s high school five minutes away. I check him out and we head home to pack. We have no funeral clothes. What we have will do. Black dungarees, a black shirt and shoes for me, the same for Alek. All into bags. Bags into the truck. Truck onto the road south. It is barely edging toward eleven in the morning.

We drive. Alek asks me for no stories of her. He knows there are few to hear and he has heard them all. He has met her on a few occasions, his great-grandmother, but she knew little about him. She would talk to us continuously of her other grandchildren, the wonders they had produced and challenges over which they had prevailed. Alek would listen, politely. Always politely, quietly. She once offered him ten dollars to talk. What did he have to say? That is his memory of her. He is her second great-grandchild.

When my daughter was born, in 1985, my grandmother grilled my wife. There is no other word for it. It was the type of questioning often reserved for congressional hearings or associated with cop movies where the suspect sits, uncomfortable, in an interrogation room, under a bright bare bulb. What did she need, how much are such things? How hard was I working and why didn’t we have enough? In the end, she sent my grandfather out to the car to get the checkbook, wrote for a moment, enclosed it in a card, put it into an envelope and sealed, it handing it immediately to Lee. It was one hundred dollars. The total Sef received over time, given in one lump sum. All she’d ever give for her first great-grandchild.

My father would insist I visit, and we did. He would ask me to call and always I did, whether asked or not. The conversations were short, brusque. I would ask questions and she might answer or not. She would ask how we all were and the response to all my answers were either “That’s nice” for things that had gone well or “well, what can you expect” for anything that had not. As the years passed I learned never to mention anything that was not perfect and the conversations became deep with lies and facades.

“Call,” my father would say and then would tell me all about the land and buildings, the factory owned by my grandmother. He would explain of the inheritance and how much I could expect. That is one of my earliest memories involving her, in truth: his talk of inheritance and wills and the wrangling among him, his elder sister and younger brother.

I expected no inheritance. I never did. But I called and visited anyway because it was right to do so. I brought the children against their protests to sit in the uncomfortable, hard chairs, avoid the expensive antiques.

I do have some earlier memories of her and my grandfather. Some. I think of these as we drive to Delray on 95 and then the turnpike. The long childhood drive from New Jersey. Perth Amboy or Somerset. Interminable to a four year old, a five year old. Up to Rockland County, New York. To a large house on a hill. Steep, shallow slate steps up to a door on a wide porch. A kitchen door that swung either way. A closet with a door in the back and, behind that door, steep steps of stone through a narrow wood stairwell leading up to the attic and books. I sat up there, thinking I was in a secret place. It smelled of mold from the wooden walls, from the slate steps, the books. Moist and dank like a cave. Dark and quiet above the house feeling I was beneath it all. Today, I recognize that scent, that specific smell of mold from old books and wood. I smell it in caves. It is a comfort I cannot express and I don’t understand coming from the deepest part of the human brain, deep from the limbic system, the scent is warm and comfortable. My most fond memory of my grandmother is the smell of mold.

It was in this house, my mother told me again and again, she was offered ten thousand dollars to stop dating my father. Perhaps she should have taken it. It was in this house my aunt, my father’s older sister, accused my mother of wanting nothing from them but money. A strange accusation considering she could have taken the ten thousand and still dated my father but did not. My mother responded by slapping her.

That is all I know of that house.

My grandmother came from Austria. That is nearly all I know of my grandmother. She had money. She owned a furniture factory and she came from Austria.

At some point they moved to Israel. Then they moved to Delray, Florida, into a condo. My father would go up often on errands of a surreptitious nature. Anytime my grandfather wanted to buy something, he would have to ferret the money away and slip it to my father. Then my father would buy it and bring it over as a gift. A computer. A boombox. All were ‘gifts’ from my father.

If I were out with my father, regardless of the reason or destination, I would have to be quiet if my grandparents called on the cell phone. I do not know why this is. My father would mouth silent words. I cannot see well enough to read lips. He would not repeat what he said, ever, in any audible form so still I have no idea what he was telling me.

If we, my father and I, my parents and I, all of us and my children – regardless of the combination – if my father was there and we were going out to dinner, to a store, and his parents called, he would lie about our location or destination. He would tell me later his mother was never to know we spent money. How did she think my father’s house was furnished? Where did she think the multiple matching computers or identical matching half-dozen cell phones and the latest of whatever gadget was hot came from? She could not know money was spent and any money spent was a secret. Things purchased for my grandfather became tangible constant lies. Their condo was full of them. Nothing was his unless it was a gift.

Their relationships seemed always to contain this evasion. My father and his father. My father and grandfather and grandmother. Grandmother and grandfather. By extension, myself and my grandparents. Money was a thing to be hidden, not spoken of above a whisper. In their world, if you showed you had money, people would give you less. If you admitted to having spent any, they would withhold their gifts. From grandfather to father and I was expected to take my part.

We continue driving south passing the Palm Beach County line. West Palm Beach, Boynton Beach and it’s time to call my father and ask where to meet. Get off on Atlantic, left, Military trail, left. Look for the post office, left. Into High Point. Second stop sign, left, right. I call my daughter as she asked. She wants to go, for her grandfather. For her grandmother and for me but not for anyone else. She will not go until she knows I am there. I call her and she drives over from not far away. Boca Raton to Delray. From the mouth of the rat to the place of the kings. What does not sound better in Spanish?

I have parked but I do not know which condo it is. There are eight. Four in one section and four in another at right angles. All identical at this reasonable distance. I call my father to have him come out. I see him emerge from a corner unit and immediately begin to mouth words I cannot see.

He seems ok. I hug him and we enter the condo.

Once in I start to say hello. So does Alek. One by one. There is my uncle and his wife, Miral, a woman I have always liked. There is my aunt, Suki. There are some people I do not know. There is my mother. There is Erica, the caretaker, asking people if they want coffee, looking more after my mother than seems anyone else, Erika is the most animated person in the room and, other than my mother and myself, her French accent is the only speech that does not sound like New York.

There is my grandfather in the corner. My father is in the hallway mouthing words. I think he is telling me to say hello to everyone. Who can tell?

There is talk of the Rabbi. Talk of the Cantor. Who will do the service? My uncle is in from New Jersey. My aunt from Israel. My parents from down the road. Arrangements? No, it seems little has been done. A Cantor has been called. Or a Rabbi. I hear both terms over and over and she is due to arrive soon, was met with last night and is coming to help make arrangements.

They should be simple. A Jewish body is watched until it is in the ground. Prayers are said over it. My aunt and uncle are discussing the rules and traditions. I know as much about these as my uncle, more than my aunt who claims to know all and makes up what she does not, usually with a fanciful mixture of myth and absurdity.

Some rabbis will not do the service because the body is not being buried in a completely Jewish cemetery. Problems, problems. I hear there is no casket available. I ask about this, knowing better. No casket is needed. The body is washed and watched by the shomer. It may be watched by family as well. Within twenty-four hours it is in the ground unless that places it on the Sabbath. Then two days. A burial shroud is used or a plain box with holes in the bottom so the body can touch the Earth.

One of the people I do not know states how disgusting that is. “But worms will touch the body!” Exactly. Don’t hold on. Back to the Earth, back to dust.

My aunt talks about not holding on to the body, saying again and again, dust to dust, dust to dust.

So what is the problem with the casket? None needed. A plain one at best. We can build one from wood at a local lumber store. No nails may be used as it all has to disintegrate and decompose. Joints and glue. The casket was ordered? It is gold coloured says my grandfather. It has to have a crown.

I am confused at the mix of steadfast faux tradition and disregard of the same. The discussion continues.

It won’t touch the ground anyway, says my aunt. The casket will be in concrete, sealed. My father says it is watertight. An non-embalmed body in a fancy wooden box in a sealed, water-tight concrete underground vault.

Why underground then, I ask.

“A Jew has to be buried underground.” This I know.

My aunt continues to tell me, over and over, dust to dust, dust to dust. She’ll have trouble getting there in an underground set of Chinese boxes.

Why are they having trouble finding a rabbi?

My daughter arrives. She says her hellos. People ask me if this is my wife.

She whispers to me asking where the body is. Is it in the bedroom? No. But who is watching it? Strangers, I say. People paid to watch.

My aunt and uncle talk in Hebrew. No one understands them. The make their purpose obvious: they talk in Hebrew, these two native citizens of the United States, so no one will understand them. They talk and point.

My uncle says he needs to cover the mirrors. Shiva lasts seven days and during this time the relations closest to the deceased do not shave, shower, groom or care for themselves. Food is brought in for them, cooked for them. All their time, for seven days, is spent thinking of themselves and their relation to the deceased. This is a breather. Time off from the cares of the world for the sons and daughters, the siblings, the spouse, the parents of the deceased. They sit on stools, tell stories, sleep, think.

Mirrors are covered so they may not be vain, seeing themselves unkempt, uncombed, unshaven.

My aunt immediately looks at my daughter, thinking she knows little and tells her the mirrors must be covered because the soul will wander the house and get confused. She has melded Hebrew burial traditions with feng shui and my daughter tells her she is pretty sure it has to do with vanity and grieving.

The walls are mirrored.

We are waiting for the rabbi to arrive. Or the cantor. I hear both words mentioned again and again and do not know which to expect. It doesn’t matter as either can perform a funeral by Jewish and state laws. She arrives and is asked to take a seat.

She introduces herself and is referred to as rabbi. She is middle aged, well spoken, conservatively dressed and states she is a cantor. This is perfect, I think. The prayers will be sung instead of read, as they should be, as they were meant to be. She begins to detail plans. She is interrupted, in Hebrew.

My aunt and uncle are speaking Hebrew to talk to each in purposeful exclusion. My daughter, next to me, has remarked on the rudeness of this. This time it was ineffective. The cantor joined into the conversation. She is answered in English and my daughter whispers to me again noticing the proof these jaunts into Hebrew are no lapses but purposeful asides in front of their guests. My son has moved to the corner of the room, watching, quiet.

They have a problem with her – she is not a rabbi and the cantor explains she can do a service as well by tradition and law. Not in an orthodox service is the quick retort by my aunt. The cantor mentions their service is not orthodox. It is not in a Jewish cemetery, the body is in a fancy casket, it is in a vault. The conversation is fully, only, between my aunt and the cantor. Next to me, to my right, is my father. My uncle is across the small room next to my aunt. Next to my aunt, facing her, is the cantor. She is saying this:

“There are rules and then there are ways around the rules if you don’t like them. In my tradition we do not pretend to follow the rule and then find a way around it. We follow it or we don’t. This is not an Orthodox funeral. I am qualified. I have already done four this week so if you don’t want me to do this that is fine. You simply have to tell me. Now, if there is another reason you are not comfortable using me, please tell me now.”

“You are a woman.”

What does that have to do with it, is what the cantor asks. No matter. She stands and thanks them. She is upset. They knew she was a woman. They spoke with her on the phone. They knew she was a cantor or thought she was. At any point they could have called and confirmed her position in the religious community.

“I can give you the names of some other people you might be interested in asking but I would not wait.”

“Where are you going?” My aunt motions her to a seat again. “We don’t charge for seats.”

“You have made it clear you do not want me to perform this so there is no reason for me to be here.”

“Please, have a seat,” answers my aunt, slowly. “Let us figure this out.”

She sits again. They talk a while longer. It becomes clear the funeral will not be tomorrow. It will be the day after. Friday morning at eleven. I excuse myself stating I need to get something from my truck and walk out the door, into the parking lot.

Soon I am followed by my daughter. She asks me if I really needed something from my truck. She knows the answer. I walk over to my truck box, open it, pull out a box of my business cards and remove a quarter inch, ten or fifteen cards.

“See? I needed these,” I say, holding them up and smiling at her. My daughter is shrewd and there is nothing she does not see through.

My son comes walking out. He says they are nuts. He has never seen anyone treated so rudely. This is a bad example for him.

I want to apologize to her, for this treatment. I am use to it. She may not be. We wait.
Soon, we walk back to the condo and the open door.

I hear, as I approach, my aunt. “When do we need to let you know by if we decide to use you?”

“By the time I leave here. I’m not a yo yo.” The cantor gets up and walks toward the door.

“No no. Have a seat. We want to know what to expect when we find a rabbi.”

“You’ll have to ask them,“ she says and does not stop, walks by us as she exits, heads into the parking lot to find her car.

“I’m sorry,” I say to her back as she passes.

She keeps walking. “They’re nuts,” she responds, continuing on. Obviously she is not use to being treated this way and she has lost some of the composure she came in with. She slows and turns. Looks at me.

“You can see why I don’t visit often.”

She walks to her car a few feet away and gets in. “I can fully understand it” she says and shuts the door. We turn towards the condo.

Inside they are complaining she misrepresented herself as a rabbi, that a cantor would not do. I take my seat as before, so does Sef. Alek takes a seat as well. I listen.

Over to my father, to my right, I lean. I whisper no one has taken into account what my grandmother would have wanted. They argue, but not one person asks this question. He agrees this is a good point and asks me to say something. I tell him I’d rather not. I’d rather he say it. If I say it, there will be yelling.

“What?” asks my aunt. She has been prattling on in Hebrew but can’t abide being left out of a conversation. My father tells her, tells everyone I have made a good point. That we should listen. I state, aloud, I’d rather not.
“Speak,” she says. “We want to listen.” I am prodded and finally do.

“I do not hear anyone asking or talking about what grandma would have wanted. You are arguing over a rabbi while letting other traditions go. As you argue, the time to burial gets longer and longer. What did she want? What does grandpa want?

My aunt responds, loudly. She talks about how things are in Israel and still this has no bearing, seems to prove my point. No casket, she says. In 24 hours, she says. She says it is – and here she tosses in a Hebrew phrase – and then continues to talk in English but it makes no sense, disjointed as it is by a set of words I do not understand.

“Wait. I do not understand Hebrew. If you are going to talk to me it has to be in English.”

“I am speaking English. I didn’t speak in Hebrew.” She is raising her voice steadily with each sentence.

“Excuse me, but one thing I do know is English and that was not English.” Here I repeat the words in sounds as close as I can. My Uncle says she did not notice she used it, use to it as she is.

“That’s fine,” I say. “That I understand, but please don’t dismiss what I’ve said. Consider that if I said you did, I probably know English from Hebrew.”

She continues to talk, loudly, about Hebrew. Sometimes in Hebrew. No one says anything. I look at my father and say, aloud, “This is why I didn’t want to say anything.” I get up. It is about four in the afternoon. I have had enough.

Outside, myself, my children, we talk about where to go for dinner. My father follows and plans are made for dinner. All I want is quiet and a salad. Really, just the quiet would do.

Lee calls. She has arranged to be here tomorrow and should arrive by eleven. My mother will need her. I know this. Will I? Doubtful. Doubtful.

The next morning I wake early from my daughter’s couch, dress, walk. I eat breakfast, vegetable juice and herring I picked up the night before. Alek has eggs. My daughter has taken off the day. I call my father to find what time I should head up to Delray.

He’ll call me back soon. In a half hour. He is closing on a house, finalizing a contract. I’m not sure. I am supposed to wait.

We do. An hour. Two hours. It is nearing noon. We get ourselves ready to go. Repeated phonecalls are not answered and we leave.

A half hour later, nearing my grandfather’s condo, my phone rings. I am turning into the complex. You are leaving there? I’m just arriving? Why didn’t you call and tell me? No I’m not going to turn around and meet you at your house. That’s an hour the other way now. I hate driving here.

I pull in and we walk up to the condo. My father is outside. He is mouthing something. I think it has to do with going out for dinner but not telling anyone. Why? We don’t need to eat? Oh, with my brother and Amy. Why the secrecy?

Inside the house has been wrapped like a large roast from a butcher shop. It is all white paper on every mirrored surface. White butcher paper to the left and right. White butcher paper behind me. Directly in front of me, the glass cupboard reflects the entire room and I see myself, my children.

I say hello to everyone, hug my mother, my grandfather. There are people here I did not meet yesterday. People my age, younger. My cousins Duvid and Rom. Duvid comes over to say hello and introduces me to his wife, Arial, a gloriously charming and delightful woman. She is an acupuncturist in Hoboken and I know Lee will wish to meet her. Duvid is introduced to Sef and Alek. Erika asks if we want anything. Yesterday the coffee had no caffeine. Today, she whispers, she made caffeinated. Indeed, yes, please.

Sef, Alek, Duvid and I talk about music. He is a guitarist and has an artist’s soul. We discuss playing alone versus playing with and how sharing musical space is so hard for some who emphasizes personal ability over art. He and Alek discuss rock and Arial and I gab about New York, medicine, organic foods, health. She is a pleasure to talk with. They both are. I haven’t seen Duvid in nearly a decade. Before that, once. It was an afternoon when I diligently worked at convincing him he did not need his pacifier.

Duvid and Rom are not the cousins I hear of all the time. They are not the ones I was regaled about, compared to, measured against. There is no resistance here. We trade emails, phone numbers. Look at the butcher shop walls.

“It looks like we could sell add space. Or we should all autograph it.”

There is agreement. I pull out my pen write, tiny, at the very top corner in a space of less than half an inch “Adam was here.”

From a foot away, it is hard to see it as anything but a mark on the stark white. My uncle walks over, looks up and says, “Discrete.” It is. My name. Inobtrusive. Hardly there. Apparently easy to forget.

The day wears on and groups have formed. The siblings are off in corners discussing wills and arrangements. It seems continuous but more so regarding the disbursal of money, the purchase of the building than the burial of the body. Through this I hear snippets but try to not listen. Each person having received forty-two thousand, grandkids getting this or that, grandpa’s new Lexus immediately switched with one of the kids for his old one.

Through it all one person has not stayed long in any group. Everyone seems to know him but me and my kids. Irwin.

He appears to be in his seventies. Tall, broad, white-haired. He seems nice. He seems gentle. Who is he, I ask. Grandma’s brother married a girl, she died. This was their son. Soon after, he married his sister-in-law and then, sometime later, the brother died. Does that make Irwin my cousin? I think so. He talks with my parents before coming over to me. We speak. He seems oblique in his questions though fully friendly and comforting in a way no one else has been. He alone either does not know there is nothing to comfort or he alone needs comforting and has generalized that to me. To all.

The day moves on and we cousins talk more. No other cousins will be coming in. I shall not meet any of those I am held in comparison to. They will not come.

The funeral is at eleven tomorrow. We are asked to meet here at nine as that is when the limo arriving. I am not the only one asking why we’re all meeting here if the limo will only hold the siblings and husband. Most of us state we’ll be at the cemetery by eleven.

Evening is coming. It is nearly five and my daughter is hungry. My son is hungry. I probably am as well. My father mouths something and I tell him he’ll have to break tradition and at least whisper instead. He tells me they will leave first and then we can leave but don’t make it look suspicious. That we’ll have dinner with ‘your brother’ and Amy. They leave.

What is long enough to not look suspicious? What else am I supposed to do and what is wrong with going out to eat with my brother? There is no food in the house so everyone here is going out, as far as I can see. Frankly, no one seems to care.

A few minutes later my cell phone rings. It is my father giving me instructions. I ask, “Which way do I drive?” and immediately he tells me, “Don’t use the word drive.”

I have walked toward the front window. Out of earshot? Probably not.

He tells me, “If you use the word drive, they’ll know you’re going somewhere. Walk over to the window.”

“How did I get here? Of course I’m driving. Do you think someone will decipher a diabolical dinner plan from me asking what direction to drive, considering I don’t live here and drove two hours from Palm Bay?”

“I’m going to call Dana and find out where they want to go. I’ll call you back. Stay put ‘till then.”

We say our goodbyes and leave. In the car I call Dana. My father wants us to drive to his house and go from there because he wants to cruise around and look for a place we’d all like. That sounds like a warmed up version of Hell; Ft. Lauderdale traffic, back seat car-sickness and squabbling over what place is healthy and what place not. I suggest just picking a place and meeting. We agree this is a far better option and he suggests The Cheesecake factory. Just tell me where it is. Where? That far? What time?

Sawgrass Mills; third largest mall in the US. From the air it is shaped like an alligator. From the inside it is shaped like a mall. We are a bit early. We find the Cheesecake Factory and I walk inside to use the restroom leaving Alek and Sef outside in the courtyard of the Oasis section next to the Blue Dolphin entrance or the Pink Flamingo lot or something like that. When I come out everyone is there, gabbing about who was there today. I ask, “So what was up with Duvid getting married and no one getting an invitation?” Several people gasp ‘Oh Geeze” and my brother says that’s why he doesn’t give them any more than a hello and a goodbye.

“We just finished talking about that” he says.

“I’m sorry. How the hell was I supposed to know? It was an innocent question. They way people run lives in that (I am careful to say ‘that’) family I figured their wedding was the last thing under their control. I’m careful not to judge intent. I was just curious.”

“Well I don’t want to talk about it,” is his immediate reply.

Lee and I eloped. Actually, we reverse eloped. My parents said they’d throw us a wedding if her parents weren’t invited. Her parents said they’d throw a wedding if I wasn’t invited. We waited for a weekend both sets were out of town and got married.

There wasn’t even an announcement for my brothers. Not that I recall. I never thought about that. Not until now.

We hear our last name and file in.

It is eight-thirty in the morning. I am putting on the best I have and so is Alek. I had dress black pants, but Alek needed a pair for something and by the end of the evening he had ripped them beyond repair. Sef’s best is much better. South Florida has far better thrift stores.

We are into her car, feeling late at ten-o’clock. Driving up 95, we exit at Hypoluxo Road, go too far by three miles into Lantana, turn around, find the correct road and the cemetery with its length directly boarding the highway. It is ten-thirty. We have not eaten and drive a mile the opposite direction looking for something I want but should not have. A bagel.

We finally come across a Dunkin Donuts and, in a place you would think would be rife with delis, it is the best we have found. Inside. It is crowded to its seeming capacity on this Friday morning and we each get coffee. I get a bran muffin, not giving in to my wants, and each of the kids gets their bagel. Dana calls. How far away is it? What road is it on? Join us, I say. We are five minutes away but there seems to be too little time and we finish our breakfast and drive back to the cemetery.

Pulling in at ten ‘till eleven I see no cars we recognize. I park by the tent, as directed. The first tent. There are three. When my father said “We’ll be at the tent,” I knew that would be problematic. I asked which tent and he told me there would be only one. One? “Do they only burry one person a day?” I asked. This was a fair question asked in an unfair way, I grant. But this was the man who once hit me for insisting he was wrong when I asked what flavour ice cream was with no flavoring added. “Vanilla,” I was told. I said vanilla was a flavour. Wouldn’t it taste just like milk? For some reason that deserved my being slapped. I learned to ask questions in unfair ways.

We walked and found workers, asked them where Tritt was and they pointed to the large building close to the wall that divided those who had already found death from the eight lanes of those speeding toward it.

We walked. We entered. Lee called. She had called several times that morning, while we were waking, showering, dressing, to tell us she would be late, each time keeping me on the phone as I tried to rise, shower or dress, telling me in great detail why she would not be there on time. Finally, I said it was ok. She had no need to call to tell me she would be late as a device to take-up time so she would be late. It was a trip, for her, of just over one and a half hours.

So she called Sef. Sef was not as charitable and told her squarely if she got off the phone and stopped complaining about being late, she’d have been on her way. But what does she wear? It doesn’t matter. Bring clothes for later, yes.

Now we are waiting at five minutes to eleven and Lee tells me where she is, that she may be late. I let her know she is fewer than five minutes away and I will wait for her. Two men in black suits tell me the ‘family’ is in the office and will enter together. More people arrive. Lee arrives, hugs me and, walking the long hall between the twenty-foot walls of vaults, we go in.

In the front of the hall is an ornate, gold-toned casket. To the right of it, in the corner, is the lectern. There are seven rows of seats and ten seats to a row. The first row is empty, the second mostly full, the third, full from the far end halfway in. Behind, they are empty. In the last of the half-full row is my brother and we take our seats – I, next to my brother and Lee next to me. Alek and Sef sit in front of us with their second cousins.

I look for my mother and do not see her. Then, I do, at the end of the second row, thin, in a cap, small and frail, she looks to be a little boy. Next to her is Erica.

There is talking, quiet laughter, joking. Is she missed? It is hard to say. Not by her grandchildren, it would seem. At least not by all. Not by her great-grandchildren.

The two men in the black suits enter and ask all to stand for the family. We do and they enter, single file, my grandfather at the lead, on a cane, then my aunt, uncle and my father, last. They sit. We sit. The Rabbi enters.

He is dressed in black, black and black topped with a wide-brimmed black fedora. Behind the lectern he stands and starts by opening his mouth and pausing, says he did not know the deceased, pauses, looks at his notecard, and says, slowly, “Mrs. Tritts.”

He is corrected  by a voice from the assembled.  “Tritt.” But there are four Mrs. Tritts in the room: three living. One Mrs. Tritt not present. One Mrs. Tritt to be and one Miss. Tritt. I look around and see I am not the only person to notice this. I look at Lee and, turning, find her eyes instantly.

He continues to call her Mrs. Tritt, eulogizing five women in one. He talks to us about her being a daughter of the Jews and his sister and, therefore, knows her just the same. His sister, Mrs. Tritt. He starts with the prayers.

He reads them in English quickly. So quickly I can barely follow. He then says them in Hebrew because, he tells us, the soul understands its native language best. He says them at a speed that is ferocious and fluid so there are no divisions between the words, no melody, no rhythm. These are prayers and he says them as though they are a pharmaceutical insert, skimming out loud in search of some hidden important information. They are songs he reads like dosage instructions. He reads from the Song of Songs even faster as though there is a schedule to keep and melody would only serve to slow things down, beauty would only get in the way.

He calls up Irwin to give a eulogy. He has cards, prepared, he says, so he would not falter. He means it. He means everything he says and it is all beautiful. He doesn’t look at the cards, cries, talks about that which is lost, how good and kind she was, his love for his aunt, the matriarch of the family, her strength, her support. He means every word and I hold tears but they are not for her. They are not for her.

I turn and Lee is looking at me. She quietly says she has no idea who he is talking about but it isn’t the woman she knew. It isn’t the woman I know either. Not at all. She holds my hand. Irwin steps from the lectern, shaking his head. “I just loved her, is all. I just loved her,” as he moves to his seat. And the service ends.

The two men in black tell us it is time. We are to move to the graveside, at the tent. The family can take the limousine. The kids and I walk with Lee and Erica pushing my mother in turns. In two minutes we are at the grass and across a short field of six by twelve inch bronze plaques laid flat upon the ground, marking the heads of graves.

In the green field is a reflection of stark gray marble slabs longer each than a body, wider than a coffin, nine widths long and two across: an interruption of cloud in the grass. All but the last one, the side close to us. It is open and concrete. Next to it, the tent. About fifty feet further to the right a dull yellow backhoe. On the grass, attached to its shovel, by four taut chains, is a concrete slab and next to it, a marble one: another cloudy hole in the green earth. And all around, six by twelve bronze place-markers of people who were.

My mother stays at the roadside with Erica. We walk to the tent. There are folding chairs beneath it, three rows of six, and they sit on several pieces of plywood. Everyone sits. In the front row, my grandfather, aunt, uncle and my father.

The casket arrives on a draped cart pushed by men in blue workshirts. The cart is positioned over the open bunker and the drapes hide the hole beneath. The rabbi starts rapidly again and a switch is moved on the cart. The coffin descends slowly to settle into the pit.

Sef has stayed with me the entire time. My son, no further than arm’s reach. Lee at my side. My brother close. They all retreat. Lee tells me she is going to go stay by my mother, that she needs her and I have no doubt she is right.

I am by the grave, by myself except for the workers. Watching.

They move mechanisms at the wheels and the cart unlocks itself from the grave, is pulled away. The rabbi continues, holds a baggy of dirt from Israel that the daughter of Zion be buried in Jewish soil, in Florida, in this bunker, covered in marble. The workers leave.

The two men in black tell me I must move. Those seated under the tent, milling, pacing, they must move. The tent must move as well. The backhoe rumbling, suddenly, and the slab is leaving the ground, swinging from the bucket by its chains.

The tent is picked up and walked by its four corners, the chairs are taken away and I help fold them. The plywood is relocated from the graveside to in front of the backhoe tracks. More plywood, uncovered as the top sheets are removed, are relocated as well, making a narrow road for the tracks from where it sits to the vault.

I look into the hole. It is not right that she is not buried, that the full measure of soil there is only a baggy of Holyland. There is no shovel. There is no pile of soil. I ask the rabbi, “Is it alright if I throw some dirt in? It doesn’t feel right if I don’t.” His answer is, “Of course. “

I crouch over the grave, look down, reach to my right and grab a handful of sandy soil, talk quietly, drop grit as I speak.

“I don’t know why you never treated us the way you treated everyone else. Apparently you were very good to many people. I don’t understand. But I thank you for what you did give me. You showed me how not to treat people. I know how to be good and kind because you showed me what it was like when someone isn’t. How much it hurts. And thank you. If not for you, I wouldn’t have Sef or Alek. Here. Here is the only dirt in your grave by a relative. Just me. Goodbye.”

And with that, my handful rains down. I stand up, stand back as the men in the black suits ask me to watch out. Here comes the slab.

As I back up, Irwin comes up to me. I think of his words. My eyes begin to tear. “Everyone will miss her,” he says, and puts his hand on my shoulder.

I am surprised to be talking to him. I am surprised to be crying.

“That’s not why I’m crying.” I say this and am shocked I have spoken but more so over what words have come out, that I am being honest. I continue as he looks at me. “I hear how good she was to everyone and how wonderful and I want to know how come I was cheated out of that. Why did she treat us so badly? Why did everyone get this loving grandmother and we got nothing. I’m crying for me. Not her.”

He apologizes to me. He means it. Not for how I feel, but for his lack of understanding, for her. He continues. “I don’t know why she treated you the way she did. She wasn’t like that with anyone else but you and your brother and your mother. Your mother is a wonderful person. I know her and Franky a long time and I never understood it.” This he says shaking his head. “It was unfair and I never understood it.”

I appreciate this and he leaves me with a hug. My tears become sparse as my brother approaches to me. Irwin spoke with him as well and the conversation, while ending the same way, started quite differently. He had no idea who we were. We were never mentioned. Not by the grandparents. Not by my parents. Not in his memory.

He was amazed to see not because he was surprised at our presence but at our existence. After stepping on that with my brother, he was kind enough not to repeat it to me. That I found out later is of no consequence to his kindness and I will always appreciate his candor and restraint in a time of such difficulty for him.

I am shocked. How does a parent not mention their children? In forty-two years? My tears dry. They are used up. I am empty and, suddenly, much more alone.

The backhoe is over the grave, the lid, swinging, guided by workers, descends and my father talks to the men in the black suits about the guarantee of water-tightness of the vault. They explain there is no such guarantee. There never was one and especially not in Florida. Gaskets? No. Seal? No. His face drops. He wants her sealed and safe. Permanent.

I think fallout shelter. I think Ziplock. Tupperware.

One blue workshirt leans over to adjust the top so it lowers just right. He jumps into the vault to undo the chains and the backhoe retreats, beeping.

As it does, the driver misses the plywood and runs over plaque after plaque, hitting the corners, pressing them into the ground as it pops cadi-corners in to the air one after another until the row becomes a line of bronze diagonals. I had been doing my best not to step on the head-plaques.

Now comes the marble cover. It too is brought over at the expense of plaques and noise and I watch it put into place, positioned perfectly before I walk away. All is done.

Erica will drive the van back. My mother will ride with Lee. I have the kids. All back to my grandfather’s house. Twelve-thirty.

Once back, Erica is busy putting the food out, all cakes and sweets. I was told I need not bring anything. Nothing was needed or wanted. Food is supposed to be supplied for the people sitting shiva. I should have brought food anyway.

Here are cakes. Cookies. Breads and crackers. No food to sustain. Here are also cardboard boxes printed to look like wooden benches for the family to sit on. Within the hour my father has crushed one under him. Cakes, cookies and breads.

My brother walks by me, asks quickly, quietly for whom the funeral we attended was for. He did not know that woman either. He walks on.

We talk. I introduce my wife to Arial and they talk shop at the table about their practices, laws, medicine and get along well. There is wine and my aunt drinks one, two three cups nearly immediately. I know this because she counted them out loud and had five within the next two hours. It showed.

Erica is busy, stays busy, out of the way. The siblings have moved to the far, deep corner of the kitchen and are discussing in hushes. We talk with the cousins. There are others.

Soon, my aunt is drunk, the conversation is loud, my wife and children are hungry. It is nearly five in the afternoon. I say my goodbyes. Hug my mother, my father. Take my cousin’s email addresses and phone numbers, thank Irwin and say goodbye to Erica. We head to Lee’s sisters where we will spend the night.

We change. Where to go for dinner? The Whale’s Rib in Lighthouse Point, but five minutes away from the house. It is crowded, inexpensive, comfortable and, I think, what we need this evening. We sit, wait for our table and talk.

I ask Lee questions. I ask how parents neglect to ever tell relatives about their children, how a grandparent treats some grandchildren well and leaves others ignored.

I tell her, today, I feel cut loose. Today, I have less of a family behind me. Today, less of a family in my past, that fewer people care. I feel I was deluded. I feel the family I have chosen, a blessing, and those I was born with… I do not finish. I do not know how I feel. Maybe I do and don’t want to say.

I know my father as weak. Did he ever talk about the lack of parity? He seemed, always, to simply accept all as it was, to question nothing his family did. Perhaps this is unfair. I don’t know. I have been undefended, unmentioned, unknown. As though I was not there.

We sit. Lee talks to me and I am glad of it. I listen closely and ask her to write down what she has told me. I want to see it, to read it, again and again. To know it was not just me. She did and I include it here. It is a bit more than I had anticipated. It is unedited.

I felt I needed to add my two cents to your essay. I was a participant also.

How sad for her. How much hate can cheat you out of life. This poor, ignorant woman who was afraid her daughter-in-law was after her money cheated herself out of life’s joys and died bitter and hating. Although she lived to a very ripe old age of 94, she cheated herself from knowing and loving not only her grandchildren, but her great-grandchildren. How horribly sad for her. In her worry about being robbed, she not only cheated herself, but three generations behind her. She cheated my husband and his brother from having a grandmother who loved them. They also cheated themselves out of knowing their children, grandchildren and great-grandchildren. How sad is that?

My children, her great-grandchildren, who are lucky enough to know their great-grandparents, do not like them. They are duly compensated however in having the loving grandparents that my husband and his brother do not.

So who did she hurt with her hate? Let’s see…. Her son, his wife and their two sons. But the list does not end here. It also includes others in the family who are baffled by this hatred. The non understanding that was prevalent at her funeral. Questions unanswered as to why this had occurred.

Uneasiness all around by the few other friends and family members who showed up.

I think there were six of them.

She continued.

Erica was not in the kitchen the entire time. Part of the time she spent with Lee. Upset, she needed someone to talk with, to vent to. She knows Lee. Lee is not part of the family. Not by blood. Erica knows how she feels and Lee is safe.

Erica is angry. She ranted on and on about how the brother and sister treat my father like a dog. Dog is the word she used. Over and over. As we wait near the bar, Lee goes on, more and more. She needs this off her, out of her.

Erica was there when grandmother died. She was there for her last words.

Grandpa came near. To him she says, “I always knew you’d steal my money.”

And then, “Get away from me, you bastard.”

And she died.

There is a break at the bar. They have Guinness on tap. It is four dollars and a quarter a pint. Four and a quarter and far too many calories. I don’t actually need this. I order one.

The cliff is always closer than it appears

.
Posted by Adam Byrn “Adamus” Tritt
Labels: Culture, Family, philosophy, Social
10 comments:
Nanu said…
My dear, dear friend… I weep for you.
8:09 PM
werewulf said…
Oh Twin,

My Grandma Wills talked too much, all the time. She made jam and jelly and gave amazing cookie smelling hugs at the drop of a hat.

My Grandma Deemy was the cool travelling grandma. She was always going on trips to exotic places and bringing us back neat presents. She is the grandma who always came for Xmas until she got to old to travel. At that point I packed up my kids and travelled out to visit her every summer until she died.

My Great Grandma Davis was small and flexible. She was a bit scary because she was so old, yet she could stand on her hands at age 93 and do complete splits like a gymnast. I thought she was embarassing when I was 10 but I worshipped the ground she walked on because she was so danged interesting.

That’s all the grandmom’s I knew, but they were all worth having around. I am so SO sorry that you had such a sucky grandma. This is something I’m glad we didn’t have in common cause mine were stellar and amazing and it still hurts every day that they’re gone. Share them with me.

Love from your Twin
8:47 AM
Carolan Ivey said…
[[silent hug]]
3:49 PM
Anonymous said…
Thank you, Adamus. What an incredible story (and so very well written). It always amazes me what people will do to other people and how terribly they will treat others. It’s just inexcusable! — Chris (MrPher)
4:12 PM
Anonymous said…
It sucks to have such a grandmother. While mine wasn’t wealthy, she was just as nasty. I was not sad when she passed, other than I did not get to leave high school to travel to CA for the week my mother was gone. How is that for a callous teen?

I have two memories of my grandmother. The first being crushed when I met her, looking for a loving grandma like my friends had, I was greated with, “Fat thing aren’t you?” Always great words for a 7 year old.

The other memory was visiting my aunt when grandmother was too feable to live on her own any further. I saw her twice on that trip and she never said a word to any of my family other than my mother.

I don’t know the story, and probably never will. It doesn’t matter. As your wife so eloquently put it, a hate filled life hurts the hater much more than the person rejected. The rejection doesn’t envelope your life, the hate does and leaves one bitter and alone.

Dan from GoaD
4:55 PM
Anonymous said…
I keep reading this, again and again in total disbelief, and I was there!!!!! The experience was too surreal for the brain to interpret.
Lee
9:30 PM
Lisa said…
Hello dear friend….

I am saddened to read of your Grandmother’s loss…and also saddened not that she died but that she never really lived. I hope you are well. My love to Lee and the kids.

Lisa
9:32 PM
Anonymous said…
A horrible memory, beautifully written. You have true talent. Thank you for sharing.
5:14 PM
Avilyn said…
Adamus,
I weep, for the loving grandmother you never had. It is one thing to grow up not having or knowing family, but to know such bitterness from the family you do have is a hundred times worse. I am glad that you have built such a loving, caring family with your wife, and have broken the cycle your grandfather and father were in.
9:22 PM
Indigo Bunting said…
Wow. Wow.
7:32 PM

 
10 Comments

Posted by on April 15, 2007 in Culture, Family, philosophy, Social

 

Tags: , , , , , , , , ,

Passover and the Industrial Revolution

From my collection, Yom Kippur as Manifest in an Approaching Dorsal Fin.

Every Passover I bake matzah.
I wait until there is
Nothing left to do,
I wait for the lull
In the torrent of business and busyness
And preparation for the unexpected guest,
The soup is bubbling slowly
Covered, tsimis done,
Chorosth setting
And Passover plate
Covered, in the fridge
Next to the gefilte fish.

When there is nothing left to do
And everything is finished
I bake
I work as quickly as I can
Rushing, like of old
When there was everything to do
And nothing to be done but hurry.

I work to make bread
Matzah shemurah,
‘Watched matzah’
As of old,
Before the machines were invented,
Before 1838 and the rollers,
Before 1857 and the mixers and kneaders,
Perforators, machines of the
Industrial revolution.
In fewer than eighteen minutes
From flour to done,
Nothing can rise
But the realization of the mitzvah,
Purpose for preparation,
Intention
And prayers.

At a temperature I can comfortably reach my hand into
They bake.
Quickly
Like bare feet on desert sand.

When they are done
They have opened in the
Center, crisp and brown,
Heavy and thick,
Empty. Receptive…

This is not like the matzah
From a box.
My matzah is not a gigantic saltine
Stacked like x-ray plates
Or cards
Or slates.
Although…

When I was seven
I went on a field trip
Through the Jersey Countryside
To the clogged vessels of
Dense New York streets,
Sitting in the Yeshiva bus,
Staring down
At the faces in the unmoving cars
We slid, heated, halting,
Metal to metal cells, fuming forward.
Finally, stilled, we gratefully
Disembarked, stood and walked along

Delancey Street
The lower east side
Of Manhattan,
With my school class,
We visited a temple during minion
Sat separated
Girls from boys
On an austere balcony of
Dark woods and dark ages
Staring above the vaulted steps
At the dais of black-coated men
Listening to the song to their beloved
Carried with the audible overtone of the holy
And an undertone of confidence
The song was surely heard.

We were there for days or minutes
And fidgeted, fussed, squirmed
In the presence of the Universal King.
After, released of our confinement
Reconfined to sturdy lines to walk
On to the great mystery of the
Matzah factory.

Past the pickle barrels
On the sidewalks
Where for ten cents
We all got to dip our hands
And pull a half-sour
From the briny cask,
Close by,
And brick-built
Red and high-windowed
Was the matzah factory.

We entered though the loading dock
And never wondered if there was
A door, an office, a warehouse but
There were ovens
Vast and hot.

We stood on a balcony
Over the open factory floor,
Vats and vaults
Mixers and all over the smell of flour.
Rolling from the vat,
Poured onto a sheet, rolled into the ovens
Pressed by combs
For perforation
For ease of use

For profit
For Horowitz-Margareten,
Streit’s, Manischewitz
The Matzah Monopoly
For tables during Passover
For people to gingerly, slowly shop for
In Pathmark, Shop-Rite, Foodtown
Kids in cart, mamma picking her box
Of matzah, plums, salami
And, if she was in a hurry
It had nothing to do with
Evacuation, or the Pharaoh
Or Moses except that
We’d read it in the Haggadah
And break the matzah,
Ask the questions, dip the
Parsley, spread the horseradish
And bite.

The factory was hot with baking
And we left, sweating, drenched
Flour-powdered without and
Within, samples of matzah,
In a single-file exodus from the ovens.
Which, every Passover
I recreate in my kitchen.

The bread of affliction
Is my joy, my revolt,
My exodus and cry unto the wilderness
To my own kind –
“Let my people go.”

 
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Posted by on April 1, 2007 in Culture, Family, Food, Poetry, Religion, Social

 

Powwow Suite

Those constant readers of my work will notice a theme running through much of my poetry: degradation or loss of cultural identity.

In 2005 I attended the Intertribal Powwow in Melbourne, Florida. I went at the request of my parents who are fans of such things.

What I found was how much was not there. People will tell me one finds what one already sees. In part, true. But if I find loss in the cultural heritage of native peoples, I am neither alone nor the first. Indigenous peoples all over the US are starting to question sending their children to state-run schools, have begun to teach their native languages, held on the tongues of only the eldest members of the tribe and often in danger of being lost, have started re-co-opting celebrations brought to them by the missionaries with their own, replacing the new myths with their old. Everything old is new again.

Some have handled this by bridging the worlds Native and Christian. They see syncretism and commonality in worship, celebration. They hold on to their heritage but practice, in many ways, an amalgamation. They flow back and forth and fit in.

And some hold on to their chains.

This is true of Native American groups.

This is true of African groups.

This is true of European groups.

It is true of me.

*****

In his essay, “Jesus Is Lord on The Crow Reservation,” (Notes from the Dreamtime) Craig R. Smith discusses his own suprise as an outsider experiencing this degradation during his travels across the West.

So, here is an essay wrapped in a poem. Or a poem in essayic clothing. Either way, it’s a shame.

*****

Powwow Suite

Enter

An Intertribal Unity Powwow
Is being held at the field at
The local community college.

Come early and stay late
We are told
Bring a chair and enjoy the festivities.

It advertises $10,000 in prizes for dancers
Education in tribal heritage
And a spectacular Grand Entrance.

We pay $5.00 each to get in
At a booth run by
The Boy Scouts of America.

We enter along into the Indian World
Row of vendors, frybread, hides, giant belt buckles
Plastic spears, buy and sell jewelry and kiddie bow and arrow kits.

And everywhere there are pictures of Jesus as an Indian.

I

Only 1% of Native Americans are recorded as following an aboriginal spiritual path.

Jesus Leads The Grand Entrance

It is Grand Entrance
And the participants enter
In silver and feathers.

Headdresses and hides flow
Over iridescent polyester dresses
And buckskin pants and flashing flag buckles.

Traditions succumb to Wal-Mart
As the sequined parade
Shines its way to the arena.

A snake through the fairgrounds
Dancers follow in a line
Behind the headman and headwoman.

In beaded regalia they lead
The troops of nostalgia
And Indian style.

Women march with children
All dressed in blue print covered
With small white crosses.

And I can’t tell
If they are offering themselves up
Or laying themselves low.

I cannot tell
If it is a symbol of sacrifice
Or ownership and surrender.

But I wonder
Who has nailed you to these
And sells you to the willing crucifixion?

In old Hollywood westerns the cavalry
Would come over hill
Just in time to save the Christians.

By killing the Indians
And leaving the skulls to bleach,
Each a small Golgotha.

Now, without bidding
You march your nations
To Calvary.

And you bring your own nails.

II

Identification with the aggressor is a well-documented defense mechanism.

Opening the Powwow

In the arena
The microphone passes to the MC
And he begins the Veterans’ Dance.

Joined by Vets from the crowd
In a circle they move, stomp, walk
Following the Flag of the United States.

Next to me stands a man
Wearing a T-shirt showing
Four Comanche warriors.

The picture is pulled crisp by fat
As he stands to attention
I read the caption.

Homeland Security
Fighting terrorism
Since 1492.

As the dance closes the MC
Leads the prayer
To open the Powwow.

The Veterans are blessed,
The dancers are blessed and
The venders are blessed.

But the grounds are never blessed
And the sky is never addressed
But they are thankful in the name of Jesus.

Or they are walking proof
Of the Stockholm Syndrome
And where is the great father now?

And what has Jesus done with your buffalo?

III

By 1885, the government estimated only 200 buffalo were alive in the wild.

Sawhorse Buffalo Guards Coyote

Spotted Pony Traders has a sawhorse out front
Higher than your head
Longer than your father’s body.

It takes the place of the bone and integrity
Of a buffalo whose skin
Rides the horse.

Draped down the sides
Massive and empty
Smooth and soft and I swear.

I pretend I can feel some
Remnant of the life that was once
So much a part of the beast.

Hanging lifeless
One could hardly picture it
Herding across the plains.

As creature of beating heart and pounding hoof
One could scarcely imagine it
A sawhorse hide.

Inside the booth, faces
Fox faces, Raccoon faces
Coyote faces.

Five dollars each and two for eight.
I never pick one up
But lay my eyes, my hand on the table.

Atop the tipping piles of faces,
Feel the fox nose,
Another kind of skin.

Feeling the ears and finding an opening
My finger slips inside
I realize.

This is where the brain was,
The seat of the living,
Once breathing fox.

I never touch the coyote.

IV

Native Americans are 2.8 times more likely to have diabetes than whites.

Fast food Native American Style

I don’t know if the old Sioux
Knew he was stuck,
Blind, he was in his wheelchair.

Pushed by his old wife and his daughter
He ended three inches deep in the mud.
The women linger over him.

He cannot get out of his chair,
Stares ahead from his seat.
But he doesn’t see anything.

The old woman pulls at the handles.
These are part of the old man now
And she cannot move him.

Her daughter pushes it this way and that
Wiggles the chair but the only thing that shakes
Are the old handles.

She slips in the mud.
Her moccasins are covered with mud
Her mother’s moccasins are covered with mud.

I’m wearing crapstompers and dungarees
And don’t care about mud
As I wade in.

I pull hard at the wheelchair
To free the old Sioux
Of the mud.

It is nothing to do.
He is old and pale,
Wan, disappearing.

He is ancient, waifish,
Head to toe in buckskin,
Clothed in heritage.

The old lady thanks me
And I tell her it’s nothing,
It was nothing to do.

And it is a blessing
To be of use and
I’m happy.

She tells me how hard it is
To take care of him, blind,
Lame, and diabetic, as is she.

And so many of her relatives
Her tribe, Other tribes.
Her daughter.

It’s a long line for frybread and lemonade,
Elephant ears and curly fires and coke
At the booth marked Indian Food.

Frybread is the symbol for Intertribal Unity.

Exit

We are admonished to come early
For the Grand Entrance
And stay ‘till dark for the exit.

For all the great dancing between,
The vendors and
Fun to be had.

Stay for the Closing Dance
We were told.
A one of a kind event.

And the closing ceremony
Prayers and the
Magnificent Grand Exit.

At the Melbourne Native American Indian Intertribal Unity Powwow
We spent a little under three hours
And $44.28 including admission.

That is my willing sacrifice.

 
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Posted by on March 17, 2007 in Culture, Poetry, psychology, Religion, Social

 

Gone SWIMming

I recently attended a winter camp in South Florida, way way out in the west of Palm Beach County, past the city, past the towns, past the paved roads and into the Everglades. A weeklong retreat sponsored by the Unitarian Universalist Association, it is called SWIM – Southern Winter Institute in Miami. Of course, this wasn’t in Miami but why let a fact get in the way of totally great acronym.

At the check-in table, I was greeted by a pirate who insisted he take my picture. In full plundering regalia of a tricorner hat, shirt open to the waist, short balloon pants and a lower limb that would have been perfect as one of four legs of a pine dining table, he appeared complete. With the exception of a missing parrot, he was the archetypal buccaneer. I will be honest here, my first reaction was “Holy Crap, that’s a real peg leg,” as I could not figure how he would fake something so realistic.

He wanted to take my photograph and gave me a half sheet of paper to put my name on. I did what he asked because, after all, he was a pirate, and was missing a leg and, more importantly, his parrot, so he was probably surly as well. I wanted to ask him if he was a Pastafarian.

I printed as carefully as possible (which means it was barely legible as he read, in a faint southern accent) “Yo Yo Ma. Because there is always room for Cello.” He looked up at me, slowly. My real name, he insisted, with what seemed a bit of quiet, fatigued humor. I gave in and, after lending my visage to the camera, went to set up camp. I’d be here for a week.

There were workshops and dances and games, evening community meetings, night-time coffeehouses and two in the morning kickball games and cookouts and it is not now my intent to report all that transpired within that week at this Pagan Holiday meets Geek Central. As I packed for my trip, it was my intent and I took my computer with me to do so but the plan fell to pieces because, frankly, I was enjoying myself far too much to step out of life and write about what I could instead be doing. I took notes and, now that things are boring again, I will relive the highlights only and you may, if you like, do so with me.

In truth, much the same thing happened day after day, games, dances, music, meals, so why write about them again and again. There was that peculiar joy of not being able to tell what day it was, not needing to keep track of the date and so, at completion, in memory, I am left with a soft-focused, diffuse feeling of enjoyment and delight over the entire week and need not attribute it to any particular time, episode, day or series of events. Joy ran into joy into joy.

I was there with my Lee, son (Alek), my dear friend Valerie and many people I had not seen in a year or more and others from as far away as the distant edge of the farthest island off the coast of British Columbia. From Wales and France and across the United States. All among the frogs and gators and our one drydocked pirate.

* * * * * * * *

Pop Psychology or My Life as a Made for TV Movie

It was nine-thirty in the morning and I was in the mood for some self-improvement. Lee had, after breakfast, gone off for a bit of a walk with her new buddy from the far side of a large island off the west coast of Northern Canada. But, in order for my self improvement to be fully appreciated, I needed my dear wife to be there and experience it, improving right along with me. So I walked off to look for her.

It was quarter to ten, hunting here and there, before finally finding Lee, She didn’t look ready to go to a workshop, lying, as she was, naked, on her stomach, in the sun, making a careful survey, with Jennifer’s assistance, of precisely how differently massage therapists from B.C practice as opposed to their Florida counterparts. She appeared to be deep into her study.

“Lee, do you want to go to a workshop with me?”

I know she heard me because, knowing she was concentrating, I knelt next to her, speaking loudly and slowly.

“Go away.” I know this is what she said, though it sounded very much like a mix of mumbling and cursing, but after twenty-five years, one learns. However, just in case, I asked, “Are you sure?”

Her next response was much more clear but I heal quickly. Off to the workshop. But, knowing how much more fun such things are with a buddy, I set off find Valerie first. Finding Valerie lying about naked isn’t terribly uncommon, but hopefully, not all of my friends were prone in the sun.

We spent a while, Valerie and I, looking for this class. It was called “Poncho’s Never-ending Workshop” and we had no clear idea what it was about. That was why we wanted to take it.

It was supposed to take place at the fire circle on the island. The island was maybe one hundred feet across and in the middle of a small lake surrounded by alligators and turtles, wiregrass and victoria lilies. One walked to the island by means of a three hundred and seven foot wooden walking bridge. (I paced it. I thought you should know.) It was empty.

We found others walking, seemingly searching, on our way back. Another workshop hopeful suggested the name be changed to “Poncho’s Never-beginning Workshop.” We walked and searched, hand shielding eyes against the ten in the morning sun.

We checked everywhere and finally found it, after long search, starting late on, of course, the island. We took a seat in the innermost row of three circles of long benches.

Once there, we were asked to tell everyone our name, loudly, clearly and then, applaud. We would all clap just because we were who we were. I, among the thirty-two people there (I counted them. I thought you should know.) spoke more than my name when my time came.

“Please don’t clap for me.”

“Why?”

“I didn’t do anything. I was born and I haven’t died. Neither one of these things is an achievement.”

People grumbled about attitude, how I should feel deserving, how I should do as the facilitator said.

“If I have done anything, it is that I am doing something different right now than the rest of you.”

Applause. I can’t win.

The facilitator, Poncho, told us we were going to learn to discover our fears and design our lives by what we discover. We were going to start by being honest. Poncho went on to tell us how nervous he was, how he hated speaking in front of groups. Even small groups like this. He was sweating and worried he wouldn’t do well even though he had done this many times and told us we should all strive, today, in this class, to be as honest as we knew to be. Applause.

I raised my hand, was acknowledged by Poncho, and looked at the mass of pop-psychonaughts. “I just want to point out that when Poncho was honest, you applauded. When I was honest, you grumbled and, and, I just want to point that out.”

I’m use to being stared at.

We were given a choice of “A Scary Movie of My Life” and “A Million Dollar Movie.” Each was a form with blanks to be filled in; a self-discovery Mad-Lib a full page long and we had, in pairs, five minutes each to complete these with one person reading the words and writing-in the dictated blank-fillers as the other person responded to the prompts. Once filled in, they would read like a 1950’s B movie trailer. I chose the scary one.

After it was handed to me, I nearly immediately changed my mind. Don’t I spend enough time thinking about all the myriad worst-case scenarios of my life? Not this time. Let me at that Million Dollar Movie!

We started work, Valerie and I, and were immediately shushed. This is because we were immediately laughing like a pair of weasel escapees from Toontown. Mad-Libs are supposed to be funny, right? We just couldn’t help it. Five minutes passed and we had barely begun. Time to switch. Five more minutes passed and we were supposed to be done with both and start reading them, one by one, to the thunderous power-clapping of the group. We listened to one or two and then, quietly rose and left, back over the bridge, our million dollar movies in hand.

Anyone know an agent?

* * * * * * * *

Sadam at the Head Bangers Ball

A week had passed since having my mugshot taken by a pirate and in that week I learned to dance. I don’t mean I became good at it. Certainly that is not the case at all.

I was asked to take a salsa class. I must have misheard but cannot now recall what I must have thought I was asked. It must have sounded quite a bit like salsa class but, surely, if I had heard correctly, I’d never have said yes.

Salsa is a violent sport. The way it was taught, the guy is in charge and he decides everything while the woman’s job is to make him look good. Salsa is the dance of misogyny.

Our teacher would pull and flip his partner, stating if he wants her head here, pointing to one side of him, he just shoves it there and it is her job to follow it through, though, in this case, it resulted in a very confused and rather “you must be kidding” stare from the quite taller than he, willowy lesbian he had chosen as his demonstration partner. I suspected, after having her head shoved sideways under his arm to change her position from in front of him to behind, she would need a chiropractor.

My partner was Valerie. She is a professional dancer. I didn’t know where my feet were at any given moment and happily let her lead.

The speed was ferocious but Val danced with me at half pace so I could attempt to keep up. She didn’t know how to Salsa and was learning as I was. Our teacher would come over to show us a step and she would immediately understand, nod, execute. I would wonder what he had just done and, if I recall, at the height of my frustration, began to pogo to a Tito Fuentes number.

Two classes of this and I begged out. Two more to go. No, please. No.

But there was contra dancing and I can contra, after a fashion. Turnabout seemed awfully fair and I asked Valerie to be my partner. She wanted to know if contra dancing is done to gunfire and ordnanced insurgency. Yes, I told her. Yes.

A gentleman wandered the hall from front to back. We had all been asked to form groups of four, two ladies and two gents, and put those groups in a line. This fellow, Sid, joined a group, left a group, joined the next, left it, in order from farthest to closest, appearing to be doing the contra equivalent of the moonwalk until he came to us and we were but three. What good fortune had befallen us?

A short introduction was given after a brief stroke on the fiddle. Here are the moves, we were told. Here is what they look like, we were shown. We copied what we saw. I didn’t do too badly. Poor Val. I had never seen her confused on a dance floor. But Sid did his best to help.

As the live music played a tune appropriate for the buckboards, Sid started to yell. He ordered her where to go, how to move and, to all appearances, he did not quite have the apparent command of the dance to carry such authority. Then, and this was not a dance move, he grabbed her arm and relocated her in a way hat was abrupt, at best and designed to move her to a designated spot. I thought, hey, it’s the Salsa again.

That was it. In the middle of a practice dance, through the music, Valerie stopped cold, looked at Sid, stared though Sid, and he became smaller and smaller as she told him just what would happen to him if he touched her again in a way that had nothing to do with dancing, that she was a professional learning a new set of steps and for goodnesssakes, she couldn’t believe he actually wore a pen-filled pocket protector to a dance!

The music continued but the dancing did not until Val had finished diminishing and emasculating her ever-shrinking partner. Then the music ended, started again and we were dancing, dancing, dancing, in and out and around and weaving with swings, promenades, dos-à-dos, allemandes and for two hours Sid behaved like a gentlemen, mechanical pencils clicking in time to the music.

The next day it was the talk of the camp. Someone had put Sid in his place. It was about time. It was about time. She was congratulated, thanked and, graciously, Val was the model of civility to Sid regardless the entire rest off the camp. But that they would hit the dance-floor together again was doubtful.

The next night was New Years Eve. “You are going to dance with me,” Valerie told me. What could I do but go to my wife. “Your’re going to dance with me.” I saw her face. “Right?”

“We’ll see,” she told me. I know what this means. If she is comfortable. If the people there are friendly. If she doesn’t feel claustrophobic. Lee hasn’t danced with me in years and I know it has nothing to do with me. We had not found a place she felt comfortable. But she had been comfortable there and I had high hopes.

But just in case, I did my best to find a way out. I told Valerie I’d happily dance if they play the music I like. I had seen the play list on the computer during a surreptitious glance and the mp3s were one after another hip-hop, rap, oldies, disco. I was safe. Away went the fear I’d have to dance. Away went the panic of the thought of being on the dancefloor, having to actually do something coordinated with this body as people watched. Away went my certainty I would look a total fool. I could ask for my favorite numbers and they’d never come up. I could make DJ requests ‘till the cows came dancing home and the cows would be dancing without me. So would Val.

“I’ll dance if they have ‘Don’t Fear the Reaper.’ And, ‘What I like about You.’ I’d dance to that. I’ll go request them.”

The dance was due to start within the hour. I walked up to the DJ. I made my requests and he said he’d see what he could do. I went a step further and asked if he’d play The Eagles’ “Get over It.” I offered to supply it as it was sitting on a flashdrive in my pocket. I knew it wouldn’t fit, would never be played and but would certainly demonstrate my sincere effort. I tried.

Why did I have a flashdrive in my pocket? The gods work in strange ways. “Sure I’ll take that.” I handed him the drive and he popped it in. He asked if he could look through the music and I, of course, told him it was fine. There is quite a bit of music but also books and documentaries and such and I’m sure there is nothing you’d be interested in but. “Fraggle Rock! Man, I can’t believe it. Can I take that?”

“Excuse me?”

“I want to play the theme from Fraggle Rock. And here is your Eagles song. Oh, and look at this. Some bluegrass. Hey, thanks. I was looking to mix up the music some.”

“Sure. Yes.”

Thanks.

Ten in the evening came and the music started in the hall that was crowded but not compressed. I had spent the week with these people and I was not as nervous as I had anticipated. Dancers filled the floor moving to a tune I did not recognize and had no desire to dance to. Loud with bass for no reason other than bass. Bass supporting nothing above it; a foundation with no building. I so very much dislike, boom boom music but, this time, I loved it. It meant I’d be safe. There is no way my requests would be played.

Suddenly, The Romantics pumped from the speakers. “What I like about you…” and I was pulled from my seat, lead by my arm, out to the floor and was wondering where my feet were as, certainly, they must be behind me somewhere, back at my seat, astounded to find themselves behind the action, at the wrong end of the chain of command. I was on the dancefloor with Valerie.

And having no idea what to do, I just started jumping up and down.

And looking to my left, Val was doing the same.

And looking to my right, my dear wife, dancing beside me. I nearly faltered in my disbelief. My wife, dancing. Dancing with me. I was flabbergasted. I was amazed. I was delighted and smiling larger than I can remember in an awfully long time. And, to my further joy, so was she.

Then the song ended and the next began but why sit down? Song after song and then, “Get over It” by The Eagles and what was there to do but headbang?

Apparently it was the right choice and we were all headbanging. My son’s friends came over to join us. All of his friends. Not my son, of course. Not Alek. I’m sure he’d rather have had his toenails pulled off.

Later than evening, Alek, quietly, when his friends weren’t looking (so he believed) walked over during a slow song and danced with Lee. One minute. Maybe two and there was that wonderful, rare, expansive smile again on Lee’s beautiful face as Alek spoke though his own smile, “There, are you happy now?” And she was. Quite.

“Don’t Fear the Reaper,” another request, made sure I had no excuse to sit. More headbanging. Then, suddenly, we were all in a line dancing the in the most appropriate way for anthem of nihilism – the hora. It seemed quite the right thing to do; to hora to Blue Oyster Cult. It still does.

I sat down when Michael Jackson was playing. I needed the break and it was now a little past eleven. People were dancing to “Thriller” and, it seemed, all doing the same dance as if choreographed. I was told latter, by Valerie, of course, this was the dance from the video. I had an idea.

“If I could get them to play ‘Godzilla’ by Blue Oyster Cult we could dance the same thing nearly. We could stomp Tokyo with our claws in the air.”

“Do you want me to request it?”

“No, please. No. I’m afraid he’ll have it ready to go.”

Headbanging again. “The Twilight Zone.” Lee, Valerie and I, and then a yelp and Lee was holding a thumb front of my eye.

“You hurt me.” But she was, incongruously, laughing.

I felt terrible and apologized. She laughed at her unlikely injury, told me she would show it to everyone though no-one would accept her story because who would believe I was dancing. And already it was swollen, turned black and blue. And she laughed even more.

A Salsa. I went to sit thinking Lee and I would take a breather. I turned to find myself, amazed, alone and, on the dance-floor, Lee, my Lee, in the midst of a meringue and I didn’t know, after twenty-five years together, I didn’t know she could salsa. How wonderful it is that I can learn new things about a woman I have spent so long with. What a joy.

Sid had approached Valerie. She was surprised and it showed, albeit briefly, as he asked her, as politely as anyone could ask, for her to dance. And, to her credit, she gave him his second chance and said yes. Off they went, dancing as the next song started and I rejoined my wife in the crowd.

It was nearing midnight. Another fast song and we bounced some more; up and down to a shred so fast I could barely keep up and on the wall a newspaper front page had been clipped and on it a half-page spread picture of Saddam Hussein hanging from a rope, lolling tongue and limp.

I froze. Instantly. I had not seen a newspaper in a week. I did not know this was to occur. Perhaps the person who posted it thought it right. Perhaps he or she thought it a service that we should be kept abreast of events. Perhaps he or she thought it appropriate for a double celebration; New Years and a hanging.

The music had stopped. A hand tapped me on the shoulder and gave me champagne. Lee. And that same hand clasped my free hand, led me away as the countdown started at ten.

* * * * * * * *

Broadway Name that Tune

I was the last morning and the last workshop before we were due to fill our packs, sweep the cabins and head back to everyday life in this first day of the new year and an unlikely workshop it was under any circumstances but especially for a retreat designed to revive the spirit and renew the soul. Broadway Name that Tune. Of course, I had to go. If I hadn’t, I’m sure Valerie would have wondered who had replaced her friend with a pod.

It was held in the spacious dining hall and three other workshops were there at the same time. One was by a life coach, another was a tarot workshop and a third was on Hinduism. We had one half of the dining hall which had all the tables, save ours, removed and the other half was being shared by the three other workshops. Down the center was drawn an accordion wall that did little to insulate for sound. You would be surprised how loud a tarot card can be.

It was facilitated by two supposed Broadway Musical experts and expert they certainly were. Kay and Tom created four sets of ten questions each. They would sing a line or two and we were to know the musical. If it was in a movie, we might be asked who sang it originally. I expected to bomb. If we knew the song, we’d all sing it. This made Broadway Name that Tune the slowest trivia game I had ever played.

I guessed with the most ridiculous responses. Yet, in the end my scrawling of “Oklahoma” and “Flower Drum Song” won me the first round. Even my guesses of “The Secret Policeman’s Ball,” “Ren and Stimpy” and “The Itchy and Scratchy Show” didn’t keep my dismal score from being significantly less dismal than the other six people. I had a better score than Val. That was a no-no.

The second round she and I were tied but overall I was still ahead by a few points. By the end of the third round she had learned to write smaller so I couldn’t read the answers on her paper.

Inexplicably, she was now winning.

By the end of the fourth round she was ahead by four points and was handed the prize. A perfect award for her: a compendium of Broadway tunes with music, words and history of the shows. She had won and it was time to stop competing and sing. Selection after selection from the book was sung with exclamations of I didn’t know this came from a musical from some one or two surprised participants prior to every other song.

Including “When You Walk Through a Storm.” Some showtunes show up in the strangest places. I knew this song was sung by the Lettermen and Gerry and the Pacemakers but I didn’t know it was from a show. When “Beautiful Dreamer” was sung, I pointed out it was featured in “Space 1999” when the aliens were putting Earthpeople to sleep in rather permanent ways. Many tunes, in fact, were used in science fiction movies and television. So when the question of what show “When You Walk Through a Storm” came from my answer was immediate.

“Hitchhikers Guide to the Galaxy BBC Mini-series. Eddie the Shipboard Computer sings it as two missiles from Magrathea are headed toward the ship. ‘We would like to assure you that the guided missiles currently converging with your ship are part of a special service we extend to all of our most enthusiastic clients, and the fully armed nuclear warheads are of course merely a courtesy detail. We look forward to your custom in future lives … thank you.’ And Eddie starts to sing and continues to until Arthur hits the Infinite improbability drive and one turns into a large sperm whale and the other a bowl of Petunias and all it wants to know…”

“What?”

“It was sung in a sci-fi comedy by a computer.”

Kay responded with her head shaking, “I know better than to ask if you are kidding. But it actually came from “Carousel” by Rogers and Hammerstein” and she commenced to sing:

Walk on, through the wind,
Walk on, through the rain,
Though your dreams be tossed and blown.

We all joined in.

Walk on, walk on
With hope in your heart,
And you’ll never walk alone,
You’ll never…

And the boys ran in. Two, including the pirate fellow. Boys, men, in their thirties or forties. Of course, over the last few days I had spent much time with Charlie and never a peg was in sight. He was chased into the room by Joshua. Up went Charlie held around the middle by Joshua, down went Charlie to the floor held around the middle by Joshua. Face toward the floor, hands on the floor, knees on the floor, and Joshua, holding him down unsteadily with one arm, reached under his dungaree hem for Charlie’s right ankle with the other and pulled. He pulled as Charlie struggled, laughed, struggled. Both laugh and we watched.

And his leg grew longer. As Joshua pulled, Charlie’s leg stretched, slowly, an inch, two, slowly, slowly, then, all at once, it simply pulled out of his pants and we gasped, song stopped dead, and Joshua got up and ran off with three legs as an arisen Charlie hoped after him with one.

Just as many legs went out as came in but not with the same people.

Mary Ann walked by, Charlie’s Mom, Coordinator for the camp, and said as she passed, as though it was commonly known, “They’ve been doing that since they we were ten.” She kept on walking. My mouth was, I am sure, still open because I know Valerie’s was. So were several others.

And I can’t remember what we sang after that.

 
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Posted by on January 31, 2007 in Culture, Family, Religion, Social

 

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Giant Peace Dove Nails St. Nick in Float Flap. Sullied Santa Declares Parade “Big Hit.”

It started a few days ago. I had been asked to appear in a film short being produced by students from Florida Metropolitan University. There is a film school there of some repute (notice I didn’t say good or bad, just some) and apparently there is quite a bit of work for short Jews.

I auditioned. It was easy. I read well and the other people who showed couldn’t read at all. I am always amazed, and I say this not as a cliché but truly amazed each time I hear a prospective, hopeful actor state reading is not that important a skill. Sooner or later they either change their mind failed audition after failed audition or they find ways to blame everything and everyone but their own lack of ability to read a script.

In this film, a detective makes a living by finding missing persons. He then augments his meager existence by making sure the missing people continue to stay that way.

I was to play an el sleezo businessman who had a bit of fluff on the side and then paid to have her disappear. I was to act nervous. I can do nervous.

The script read like walking through soup. A mix of Raymond Chandler and Elmore Leonard, it hit neither well and slogged from page to page. I asked to be able to redo some of the dialogue and, after hearing some of my suggestions, small snippets of changes, saw in the face of the director, Jason, it would not be so much a problem as a blessing.

I have been reading opposite Beth. Evanne is there as make-up artist. Melissa, in film school and of Wild Oats and of the last film I was in, is there as well. Melissa is a good enough reason to be in this film and is great to work with. She seems to have a sharp artistic sense mixed with a bit of frustration over not being able to plunge into her projects or find people who think her ideas have the same merit she does. A frustrated artist. Who’d have thought any of those in film school?

I make a suggestion. This idea is, perhaps, too fundamental a change and is not met by the director with the same enthusiasm as the other suggestions, though, to Jason’s merit, he does listen and hear it out, debate and all. I suggest making the detective female. Females are not thought of as hit-men or contract killers or, largely, as murderers at all. When the end scenes come to play and the detective finds the missing gal and abruptly, brutally ends her life, it will be surprising if it is a guy but utterly shocking as a gal. From the opening scene, with the detective kicking what the director calls a ‘strawberry’ out of bed so he can start his day, I suggest they will be hooked if we discover that “Jack” is Jaqueline.

The ladies agree. And since Beth is, at this moment, the pick for the strawberry, and, according to the screenplay, the strawberry is in bed covered in nothing more than panties and the cool Central Florida December air, both Evanne and Melissa insist they would be best for the part of detective Jack.

Jason laughs. Evanne is, as my dear readers have previously, no doubt, noted, four foot ten, rounded, soft and adorable. While statistics show she may be the person most likely to actually be a serial killer, and she has, herself, pointed this out to me, Jason is sure it simply won’t work for the viewing public who know, in reality, little of the makeup of murderers. Perhaps this is pushing the believability envelope a bit. But Melissa is wiry, tough and, though from Georgia, looks as though she has come from casting marked ‘The Bronx’ and could pull this off handily.

I rethink my idea. Come in slowly on the bed, filming closer and closer and then the voice over. The voice is Melissa’s and it could be female, but it could be male, The audience thinks male because they have a preconception, an expectation, of a detective being male and, then, suddenly, it is male ‘strawberry’ kicked out of bed. I instantly put myself up for the part.

I am reminded I am El Sleezo Georgie Porgie Slickie Sickie Businessman and that, as a teacher, I can’t do a nude scene. I make a note to quit teaching.

But I’ll be wearing undies, I protest. In the end, of course, the entire idea is shot down. No-one will believe a female serial killer.

Evanne protests there are no good parts for women in theatre because no-one will write them. She is right, of course, and I fully plan on doing my part to remedy that.

It is of no matter, anyway, Jason tells us. No-one will be in bed with a barely-clad berry because the producer’s wife has protested, has decided so. She does not trust her hubby, Papa Producer. I am told she has reason, but, all the same, this is a film and she seems to be calling wardrobe decisions. Decisions that affect conceit, concept, nuance and character. The strawberry, the loose girl, playmate of the private eye, one night stand, will be clothed in more. Much more.

She wants her to wear a shirt. And bathing suit bottoms. In bed? A bathing suit in bed? After a night of supposed carnal indulgences, waking up in a bathing suit? I suggest the viewing audience will think enuresis.

And they think a female killer stretches the bounds of believability.

Break comes. I pass small boxes of raisins I’ve brought with me to make sure Beth and Evanne do not become Low-Blood-Sugar-Girls and, while the room is filled with the soft sound of squishing raisins, Melissa and I make plans, tentative but firm sounding, to do the script over, make it the way we think it should be and do it in the most shocking way possible. Would I write it? Of course. Of course.

She will cast Beth as the Strawberry. No doubt.

* * * * * * * *

I was given a shooting schedule. No problem as it worked well around my days teaching. Then an email from Jason, the director, with changes to that schedule. Part of the schedule was created using a Julian calendar and part using the Gregorian. It is all I can figure. My reply:

You have listed on the spreadsheet: Sunday, Dec 10, Saturday Dec 11th and Sunday Dec 13.

Obviously, there is a bit of a snafu there. According to my calendar, Saturday is the 9th, Sunday is the 10th. My scene (19) is listed as Wednesday, Dec 13th. That is an actual date, to be sure, but I will be at work before you have call and leaving work after you have wrap.

Adam

I got a reply with corrected dates. These didn’t stay firm. No surprise there, but at least the dates existed and existed all in this present year.

I replied to the corrected dates:

I have been told stories about the last short film of on-time folk waiting and waiting and waiting for people to arrive. It is my hope this isn’t going to happen. I know I don’t have to tell you this, you know this already, but time volunteered is still valuable. Even more so than time paid for. I am, it seems, supposed to be getting ready for the parade as well, so I fervently hope to be productive and streamline.

Please, please let me know if you foresee any difficulty.

Thanks.

Adam

Jason wrote back he felt as I did, that volunteer time was most valuable, promising me to arrive on time and he would let me know of any changes.

I never asked if we would actually start on time. I asked about arrival. My mistake.

Saturday. I have made arrangements to meet Jason at the 7-11 at the corner of US1 and Post Road. From there I will follow him to the park at which we are to rehearse, joined by the producer and the star of the show, our psycho-killer, ques que ce, Marcus.

It is eight in the morning. I am there, Jason is there. He tells me, though, Jaramy, the producer, is running late. By the way, you may have noticed Jaramy is spelled funny. Not my fault. Odd though, and not the last odd bit of working with Mr. Jaramy.

Jason gets a call some minutes later. Park, no. House, yes. Jaramy’s house. Around the corner. I get into my truck and follow Jason a few blocks down US1, along the contour of the Indian River and turn East into a neighbourhood close by. Down the street a few houses, he pulls over half off the street, half on a yard and I pull in behind him, getting out.

I have dressed the part, as I was asked, be-suited on a day no-one should wear a suit which, for me, is every day. It is getting, already, warm. Jaramy is not there. He is late arriving at his own home for his own film. We enter the house without him.

Remove your shoes, I’m told. I am dressed in a suit and am removing my shoes. Mama Producer has just washed the floors. This doesn’t keep her from walking the tiled floor in high heels, but I remove mine.

A smallish home in a working-class neighbourhood, It is immediately clear these people are upwardly mobile but have started from a place that means Wal-Mart chic as a home décor theme is an upward thrust. I, too, have furniture I had to assemble. I had more when I was younger. Some furniture is just too expensive for too little quality so why not get cheap? Sometimes what one needs just isn’t worth spending the cash on for the advanced quality when it can be found, serviceable, at a good price and good enough for the job. As time has moved on I have a bit less ‘place flange bolt B into barrel nut DD.’ Of course, when I was younger the instructions were not that clear. They were Chinese translated into Korean and then into English. Sometimes they had pictures.

At no point did I furnish a whole home with furniture covered in wood-printed paper. The difference is this family thinks this is great stuff. It’s not about lack but tack. New expensive cars take up the space outside, big expensive electronics take up the space inside. Mama Producer shows me around the house and there isn’t a stick that isn’t prefab. There isn’t a stick at all, actually; it’s all particle board Often that’s hard to tell though because everything, every horizontal surface and most vertical ones as well, are covered with objects memorative or decorative and each was either old or new, antique or made by a six year old in China. Somewhere in there was a small birdhouse that read “See Rock City.” I have no doubt this was a feature home in White Trash Digest.

Mama Producer had two cordless phones hanging from the belt of her low-rise, high-cut dungaree-shorts which made them a bit lower-rise than they might have been designed to be. She had one cellphone which was not apparent until it vibrated and then she jumped ever so slightly and placed her hand to her chest, over a yellow tanktop which looked a bit too tight to be comfortable. The muffled ring that followed became louder as she extracted the phone from her cleavage. She talked as she made her way to the table and motioned for me to sit. There was a child in a highchair. The big screen TV was on, so was a TV in another room.

Jason said this would be where we were rehearsing, at the kitchen table. Ignore the six children, he told me. He talks to me about the script while Mama Producer talks about things of which I paid no attention. Most of her conversation consists of cursing and did not seem to require actual participation. Then the phone rang, she answered it and the cursing escalated. Not particularly creative cursing but rather run of the mill one word here, there and everywhere. I gather it was Jaramy.

Marcus has arrived. He joins us. We start to read the script in and around the household commotion of the constant phone-ringing and baby-yelling, child-feeding and husband-cursing. Once through and I mention I thought we’d rehearse with blocking, working it out as we did the lines so we could, as we memorized our characters, commit the lines to memory muscular as well as verbal. A second time through we were interrupted by the arrival of Papa Producer, in the house in a rush, nearly an hour late, apologetic and introducing himself. We finish the script to the end of my scene.

Papa Producer looks amazed. “Damn, he’s good. Like Woody Allen.”

“See,” I knew this was coming. “You ask a short Jew to act nervous and the next thing you get is a Woody Allen comparison. The whole race is typecast.”

They look worried. He says it’s a compliment and I assure them I understood that. It was just a joke. A joke. Can’t they take a joke? I was only kidding. Woody’s fine. Give me more acting jobs and you can call me anything you want.

“Ok,“ I announce, “Time to try this at a car, like the script says. I’ll be outside.” I am followed, stopping to put on my shoes and leaning against a wall balance as I put them on..

Again and again we go over the lines. They thud, slush, fall. More and more I change them and each time, the Papa Producer smiles, shakes his head “Hey this guy is good. What is he a writer or something?” Jason the director tells him, yes, indeed, El Sleezo Businessman he is a writer.

I change sections around. Build the intimidation instead of letting it drop, rise and fall again. I’m asked to adlib and I do while Jason takes notes for a rewrite. All the while, Mama Producer is commenting, cursing, commenting, cursing, complaining, pulling Papa away. We ask her for coffee, for paper, for water, for anything that will send her away for a few minutes. It never lasts long enough.

The bees are everywhere. Amazing how many there are and I, allergic to bees, am a magnet in that I am wearing black. Mama producer continually swats bees on me, at least, I think she is swatting bees as I run the lines and reform the script. Swat, swat, swat. She might just have been mad at me.

We break after several run-throughs and Papa Producer reads another part of the script. It is full of euphemisms and childish replacements for body bits and carnal activities. He asks me for better childish replacements and more appropriate euphemisms. I listen to them run through term after term and I find it all distasteful and then break in. “How about going with the metaphor instead of the cliché? You want Chandler? Ok. We brought in the dawn together playing games you don’t find in a children’s book.”

“Hey. That’s great,” says Papa Producer. Jason agrees. Papa Producer wants to know if I am interested in a writing job and, he tells me, he has the part of a psychokiller that is just right for me; cold, clinical, quiet and not nervous at all.

All this time the cigarettes are puffing and the cursing is flowing and Papa Producer and Jason are discussing the murder scene, to take place in a bathroom, figuring out angles and logistics while I wait, and wait and wait. Walking back to my truck, running lines again with Marcus. After about a half hour I tell Papa Producer if I hear anymore about bathrooms I’m going to go home and use mine. In the meantime, I want to know where his is and, when I come out, I’d like to finish what they called me here to do. They apologize and tell me we’ll get back to work when I come out and, this time, as I walk into the house to find the bathroom, I do not take off my shoes.

When I come out, they are discussing wardrobe for the opening scene. Mama Producer wants the strawberry to wear a suit of armor. The compromise. It will be chain mail.

* * * * * * * *

It is two in the afternoon and there is little time before I must be at The Henegar Center to dress for the Winter Parade. It is called the Winter Parade, but I know it is a Christmas Parade. I know what the tenor of it will be and I’m doing this anyway.

Two weeks ago, a phone call. “Would you be willing to be in the parade?” Evanne asks.

I have seen one holiday parade and that was in Mebane, North Carolina. Never heard of it? It’s near Efland. Does that help? It was a whole lotta Christmas.

“No guy is willing to do it and we need someone to sit with the ladies on the float.”

She knows I’ll say yes. Just because no other guy will do it and she seems to need someone for this. She seems stuck without a guy. That’s enough reason for me. That she asked, really, is more than sufficient reason for me. Shh… Don’t tell her. So the answer is yes.

“The float is called ‘The Drama Mamas’.”

Really.

“You won’t mind dressing like Charles Dickens, will you?”

Four in the afternoon is the deadline. I have a rocking chair in the back of my truck to be dropped off at the parade start, where the float must be prior to four. I head past downtown Melbourne. I am stopped at the parade-grounds gate and the float isn’t there. I leave it at the gate with the guard and pop a note on it written on a post-it, stained salvaged from under my truck seat.

Kitty was supposed to have picked this chair up and, since her truck is being used, take it with her in its vehicle of destination. Instead of responding to my emails suggesting this, she wrote Evanne, called Evanne, never wrote me. Kittie lives two blocks from me. The rocking chair I just dropped off was hers just two months ago, purchased from her for ten dollars at a garage sale.

“What Church do you go to?” She wanted to know. I don’t, I tell her. I’m Jewish. “Oh,” she exhals, slowly, cocking her head, “I guess that’s ok.” Of course, it is, I answer. That’s how God made me. She looks puzzled. I ask her, You would agree he knows best, yes? On the tailgate of her silver Ford F150 is a magnetic fish on a white background. It is three feet long by a foot and a half high.

Some weeks later, after being approached to be in the parade, I take Evanne, who has been a guest teacher at my school all that day, south a half hour to Grant to work on the float. As it is for Stage 1 Stars and, specifically, the homeschool drama class, I know many of these parents in attendance here, working on the decorations. The home is large, on an acre, right on US1, and I see many people I know, working on tin and hay and fake snow in Jill’s garage. I also see the back of a silver Ford F150 with a giant fish on it. Now I understand why phone calls to Evanne have lasted longer than normal. Her comment to me, “When I’m talking to you, other people are not asking me questions,” is just as obvious but no longer cryptic. Now I understand why Evanne has been having headaches all week.

After a string of questions Kittie asks Evanne to which Evanne answers either yes or that hasn’t changed or I don’t know I’m just decorating the float, I call Evanne, four feet away, on her cellphone. She excuses herself from Kittie to answer and I hang up when she does. Evanne, catching on, proceeds to walk away, into the yard, behind the garage, away from Kittie. She is still talking on the phone as she rounds the corner having a pleasant conversation.

Kittie comes over to me.

“Don’t you live down the block?”

“Sure do. I bought a rocking chair from you.”

Is Evanne your wife?”

Time for some fun. “One of them.”

“Oh… I see. One?” Her face becomes flaccid.

The day of the parade she did, finally, in a rush, come to my house looking for the rocking chair, started to take another, fully different chair off the porch than the one she owned for so many years, stood in the flower bed, walked on the lilies. I’m surprised she didn’t walk through the fishpond.

It is this no-longer-on-my-porch rocking chair I am delivering while she is tiptoeing through my tulips. And I am going to lunch.

Her daughter, Anwwn, is fourteen. She’s going to be a goth. I know it.

* * * * * * * *

I am treating myself to lunch today. Across the street from where the floats are slowly joining into a parade force, is a Chinese buffet. It’s one of my favorite places in town to eat and I go there rarely, partially because I don’t like to spend money out on food and partially, largely, because I have great difficulty in gauging how much I have eaten, how much is too much. And, ultimately, I’ll be mad at myself. Not angry. Mad.

We go there several times a year and at Christmas without fail. The owners are Buddhist and Christmas day at King’s Buffet is like going to temple; you are not guaranteed every person is Jewish, but chances are good.

In the past, I’ve gone quite overboard. I hadn’t thought so, but, in retrospect, knew I had eaten far more than I should, felt shame, disgust, loathing. In asking those with me, however, I’d discover I had barely eaten a thing. I would wonder why I was hungry later in the day and hear from my wife she wasn’t surprised since I had barely eaten. My ability to gauge the amount of food I thought I had put on my plate and into my stomach seems to have little relation to anything happening in reality. Still other times I would think I had taken little and hear amazement at how much I had managed to eat. Reality rarely sits down to dinner with me.

Over time, I have learned to take small amounts and not go back more than twice. Small plates and small portions. A chicken wing? Sure, but just one. Once on my plate, I’d take a bit and not eat the rest. The banquet is in the first bite, I tell myself. The banquet is in the first bit.

I go for the vegetables first, staying away from anything with butter, most things fried. Steamed vegetables, Mongolian grilled, stir-fried vegetables and shrimp. Desert? Tiny bits. I was delighted to discover, lately, the softserve ice cream at such places is nearly always, and it is so at this one, low-fat and has the same fat and only slightly more calories than low-fat milk. Still, small amounts.

This is what I did today. Vegetables, broccoli, onions, peppers, shrimp, bits of duck. No peppersteak. I like froglegs but battered, fried and laid in butter? No. Broiled salmon instead. Then fruit, some softserve and, after the bill comes, breaking the fortune cookie. I never eat these, just break them. Not only have they too much sugar, but they just aren’t worth it. Most of the fortune cookies I’ve had were stale. This one is no exception but, even more stale than the orange hued cookie is the fortune inside. Fortune? This is a bleached slip of pale cliché. After looking at it for a moment to focus, I can start to make out the words. It tells me “Good friends are worth their weight in gold.” It tells me what my lucky numbers are but they are too small to see. It does instruct tell me Yu Ping means duck. That is more useful than the fortune. No, that won’t do. I stop the waitress or, as close to a waitress as one gets in a buffet. I ask for another. “Writing is a skill, not an art.” So much for fortunes. Perhaps I need more practice.

Still, these are far better than what I found in one Gainesville Chinese takeout. They started giving “Southern Baptist Fortune Cookies.” After each meal I would open the cookie and discover one more way Jesus died for me. Some days I would open them and to find a slip telling me I was a sinner or instructing me to visit the church of my choice or suggesting I abstain from sex until marriage. Quite a liberty from a cookie that doesn’t even know me. I chose, instead, to abstain from eating at that takeout.

I pay my bill of $4.25 and head to the Henegar Center while I begin, as usual, to doubt my ability to measure and start to berate myself, thrash myself for the bad choices I must have made over lunch, imagine my portions as they grow in size with each full recounting of my meal, swear I’ll not eat that again, will eat lightly tomorrow, the next few days. Will exercise more tomorrow, when I get home tonight. This is a constancy I can do without. Costume time.

* * * * * * * *
I arrive at five minutes to four. Most of the people are there already and Evanne is costuming the kids and adults alike. She hands me a red evening jacket and asks me how the morning went and I promise to tell her later, that it is far too much to recount while she is busy. She has a collar for me and I try to put it on but it doesn’t fit. It is too tight. She tries but, if I want to continue breathing, this collar will simply not do.

I have to wear black pants, a white shirt, black shoes. These are the same clothes I needed for this morning so most of what I required is already on. As she pulls this here and that there, others are putting on hats, cloaks, skirts. Beaner, a sixteen year old girl of my acquaintance, a homeschooler who, I know, will someday give me the opportunity to cast my vote for her for president, arrives and immediately grabs her costume, disrobes and starts to re-dress. I’m use to this from Beaner.

Beaner and her mom, Jan, are naturists. At fourteen, Beaner even went to trial over her right to top-freedom when arrested as part of “The Topfree Ten.” I actually helped raise money for their defense with a clothing optional poetry night held at the Civic Media Center in Gainesville. Kayla Sosnow, a defendant, was present among the gathered masses and, indeed, we were filled to more than capacity with over two hundred people waiting to listen in a crowd pressed into each in what quickly became a barely-standing room only venue with more than a good half, from quick glance, of the poetry lovers already stripped in solidarity with Kayla and the stalwart poets, dozens of which waited, many impatiently, to do that which would strike fear into most sane people and make death look trivial; read their own poetry, naked, in public. Try baring all while baring poetic your soul, on a stage, to a packed house. Firewalking? Don’t make me laugh.

That was the first time I read in public.

Two years later I met Jan and Beaner at a homeschool function not actually knowing, for quite some time, our connection of far fewer than six degrees of separation. We got to know them rather well over the last two years and have traveled with them to Playalinda Beach along with Jan’s Husband, Marvin, a physicist who fills his home office with a mixture of wall-covering equations that would make anything done by John Nash look pedestrian and in-process legal briefs he writes himself as the VP of Central Florida Naturists Association on behalf of naturists in legal struggles, in suits against Brevard County.

We have visited with them in their home. The first occasion we did so, my son, fourteen at the time, was with us. They asked us to give a call before heading over there so they could dress. We assured them there was no need and we’d be perfectly comfortable. My son, finding Beaner, fifteen at the time, along with the rest of the family, walking around sans clothing, decided not to make a return visit. It is with Jan (and Kittie. I mentioned Kittie, yes?) whom I shall be floating through this parade. Strange float-fellows.

We are to be at the float, some two miles away, by five and must carpool as there is no parking there. We need to be ready in thirty minutes to make that happen and there is rushing about, pinning of cloth, pulling of hats, fastening of collars, tying of laces.

Jan is looking for her last bit of costume: a bonnet.

Kittie has disappeared into the bathroom with two bonnets of three. She took a third home earlier that week and forgot to bring it. Three bonnets for two ladies by the faux fire. Now two bonnets. She is, it would seem, carefully choosing one over the other, then the other over one, or so her daughter reports, while Jan waits for just one, either of them, to finish her costume. Finally her daughter comes out of the ladies room with one and give it to Jan, having just told her mother it didn’t matter which one looked better as it would take much, much more than a bonnet to make her look good.

Looking at the two bonnets side by side it is obvious, as Evanne had already pointed out, they were exactly the same.

Beth arrives, dressed in white and blinking. She is not on our float but is, instead, with Patriots for Peace and she will be walking with a giant dove, singing songs of peace and freedom. From head to toe she is in white and, under the shirt, chest level, she has blinking LED lights which emerge from the back of her shirt and circle her head in a halo. She tells me she has been stopped several times already, mostly by helpful old ladies.

They ask her, “Do you know your chest is lit up dear?”

“Yes, I do,” she cheerfully answers, which is the manner in which she responds to all such queries and, indeed, most of the absurdities of the world and, especially, those perpetrated by her.

“But it shows your, you know. It draws attention.”

“I figure that’s where they’re looking anyway. So why not make it worth their while?”

For Halloween, she was dressed as a devil and one breast had a picture taped to it of Donald Rumsfeld and the other Dick Cheney letting everyone know, carefully worded below, the two were in her employ. Put ‘em where I know they’re going to look, she told me. Earlier that week we attended a peace rally where she dressed the same way. Even the loyal opposition could not help but catch the message.

As for me, well, that’s eye level for me so I saw a lot of Donald and Dick that evening.

Two weeks later I found a shirt for her. Red, it stated “My eyes are up here.” and helped the less fortunate with an arrow pointing the way. The words were perfectly positioned to make sure no-one would pay attention to the arrow. She loved it.

Tonight she is be-lighted and blinking and it’s a good thing the dove she is escorting on her float is so big or no-one would notice it past Beth.

Out the door and down the stairs. We pile into two vans, with costumes on and gear in tow.
It is quarter to five.

Five minutes later we area at the float. A flatbed trailer pulled by a truck and, behind it in line it, set to follow, Kittie’s silver F150. Everything is covered in evergreen and fake brick, tiny trees and cloth snow. Children will ride in the float and some will walk along and pass out candy. The back of the float will say, in bright cheery backlit marque letters, “Stage 1 Stars.”

The support vehicle, Kitties truck, has a cardboard fireplace, a stool, knitting appliances, blankets to ward of the December chill of seventy degrees, and a rocking chair.

Each float has a generator. There is much boasting by Mr. Kittie about how much each generator can power and I am asked to turn them on when we start. How? Don’t you know? No. Why not? That is the question I’m asked: why not. The question really intended is: you are an American and have the Y chromosome so why can’t you instinctively run power equipment?

There are cords missing so the float must be hastily rearranged and, red though it is, the generator doesn’t look either Christmassy or festive.

In the truck bed, hidden in the fireplace, is the second generator, which is supposed to run lights and some other things I am unclear on. It doesn’t matter. My job is to sit there, rock, sing and wave.

Kittie has a string of questions for Evanne while we rearrange as needed. She goes off to the bathroom and we wait, for her only, a stool ready so she can get into the truck bed. She is the last prop to load.

At six the parade starts. We are number fifty-one. At six-thirty, the parade is still starting. At seven it continues to start. I imagine by the time it finishes starting it will start finishing. At a quarter after seven it is our turn and we lurch forward while Jan’s head is in the fireplace attempting to start the generator, which she does have experience with despite her lack of the proper chromosomes.

I have given up my chair to Kittie, Jan has the stool, or will when she is not on her knees with her backside on parade and her head encased in fake brick and flames. I will be sitting on the edge of the tailgate, bellows in hand, pumping them in time with the music of the marching band and waving.

I won’t be singing. It won’t be heard above the marching band. One thing the generators were supposed to power was a CD player pumping old carols for us to sing along to. But none of it can be heard.

The sky is dark and clear and I am amazed at how crowded the parade route is, how many people have turned out for this, all waving and cheering and wishing Merry Christmas as we wave back, make our way to NASA, turn on Babcock and then onto New Haven and forward to Downtown and Strawbridge.

The wind has picked up and the cardboard fireplace keeps tipping over onto Jan and Kittie. Once, twice. No matter what the fireplace does, Kittie will not move. She has to go to the bathroom, she tells us, and won’t move. It’ll settle if she stays still, she says. It’s just another hour, right? And since it is my rocking chair she is seated on, I don’t move her a bit. I don’t think there is a buyback clause but, she can’t hold it, I want my ten bucks back.

Still, again and again the fireplace bops them on the head so I jump out, walk up to the cab at parade speed and ask for duct tape. Kitti’s husband is driving the truck.

Kittie thought I’d be in the truck as well. Was genuinely chagrinned I would be in the back of the truck with her, was sure I was there to keep her husband company, a man I have never met, who would probably, who knows, want to talk sports, or save me from sin, or complain about wives. If married to Kittie, I imagine it would be the later but I’m rather sure it would be the first two and I want nothing to do with that, thank you. Duct tape will be sufficinet.

I climb onto the small running board and tape the fireplace to the cab roof with one hand as I hold onto the window ledge with the other. One side, then off and run around to the other. Back into the Dickensian living room. Why is it so warm in here? The generator. Why am so lightheaded? The generator. Back off again, remove the faux top of the fireplace (no-one is up there anyway) and let out the exhaust.

Crowds yell Marry Christmas, happy New Year, I shout Happy Hannamassakwanayule and Merry Massahannayulakwanz. A wonderful Hannukwanzayulamass to you and you and you. Joyous Yulakwanzamassahan to everyone. I tell them, as I pump my bellows, they will all be visited by Hannukah Harry, who brings Hannukah joys to all the goyesha girls and boys.

My legs are wrapped tightly on either side of the corner of the tailgate so, in he lurching, I won’t tumble out and more than once Jan grabbs the collar of my red evening jacket to keep me in the here and now and not in the there and gone.

Beaner and two other teens are running back and forth handing out candy to the crowd. Sometimes they linger too long, become too distant from the float and Evanne, kid wrangler, runs up fetch them. She is the parade-child shepherd and cares for her flock with amazing ability and, tonight, alacrity and speed. She is adorned in a long white going-to-church dress that ties in the back and looks like it came out of praerie, just as she did. In that dress she runs to catch the children and bring them floatward, black boots clopping, arm above her holding her Sunday best hat onto her head as she runs. I think of Laura Ingles Wilder, see Melissa Gilbert running through the grass, age twelve, and can’t help but shout, as she passes, “Pa… I’m comin Pa! I’m comin. Wait for me”

I hear, every once in a while, Mr. Tritt!!! And see a student or two waving at me. A small crowd yells, continuously, “Jesus loves you,” Then, “Jesus loves you, Jesus Ohmygod it’s Mr. Tritt” Several of my students are there, in one throng, sitting on the curb among the crowds on the grass, in folding chairs, on blankets.

Waving back, I yell, asking “Even me, Carrie?”

“Umm… I guess so, I think” and she looks confused.

“Happy Hannukah Carrie.”

The Parade is coming into downtown as the band behind us is playing “We wish you a Merry Christmas” for the one, two or three hundredth time. As we reach the end a policeman points the float one direction and asks our driver, Mr. Kittie, to go the other, back to the Henegar Center, at the next corner. That’s it. At the corner, I tell Jan I’ll see her in a bit and jump off. I need to walk.

Off, I run through the crowds, red evening jacket and all, hearing my name yelled again by students who missed me the first time. Back to the eight blocks to the Henegar Center. The truck is there already and I take my jacket off and give it to Jan, asking her to make sure Evanne get’s it, grab a small Tupperware container of raisins and nuts from my own truck run off again, back to the parade, two blocks up and ten back, heading to the end this time.

I am running against the parade current, nuts rattling in my hand keeping an unsteady rhythm as I wend through the masses, past clots of chairs, fields of blankets, over, around, into the street, onto the grass, through parking lots, between bushes and, in the distance, my target. I am looking for a giant dove and a halo above the crowd.

Strawbridge turns to New Haven and, up another block or two, there it is. Twenty feet in the air, the rear of the parade, the penultimate float, the giant dove of peace.

And under it, a haloed lady in white who’s chest is blinking, on, off, on off.

I run up to a float with a dozen people marching to “Happy Christmas (War is over) by John Lennon. Four of the people are holding the peace dove aloft with twenty-foot PCV half-inch pipes. These support its thirty-foot wingspan. The dove’s head, four feet long and two feet wide, is supported by the float trailer and another pipe with a swivel so it can turn this way and that. In the stiff ocean wind, this dove wants to fly and the poles are flexing, this way and that. On wing-duty on the far side, blinking, Beth.

“Room for one more?” I ask the first person in the group? I am answered by several in the affirmative. They are all wearing white tops and I am dressed perfectly for this and fit right in. “Of course,” one person shouts over. “We have room for hundreds. We’d wish the entire parade would join us.

I walk over to Beth, pull out the container of raisins and nuts and offer her some. She looks tired and worn and, no doubt, fighting to keep this dove tethered for an hour has been exhausting. I tell her if she gives me the pole, she’ll be able to eat the raisins more easily. Are you sure? Of course. I have a low center of gravity. It’ll be fine. And I take the pole.

I have the pipe braced in the crook of my arm and I am lifted ever so slightly. The wind picks up more as the music changes to “Let there be Peace on Earth” and the dove is dancing, lifting in the wind.

Behind us, is a Hummer Limo. On it is Santa Clause. There have been many faux Santas in the parade but, by regulation, I am told, there can be only one actual Saint Nick. He smiles, laughs Merry Christmas, honks an assaulting air horn. Every once in a while, he looks sour. He must be spotting some kids on his naughty list.

The reindeer are not present. What does Santa need with reindeer when he has a military vehicle knockoff luxury-mobile? He rides atop it as though it were a sleigh, this stretch Hummer, waving to the masses, overlooking everyone, overlooking our wild windy dove. Overlooking me on left wing and Beth eating cashews and raisins, marching forward.

Kids, students I have passed before, yell Mr. Tritt! Mr. Tritt? They look confused. Hey, he looks like Mr. Tritt. Was that person we saw before him or is that? Isn’t that Mr. Tritt again?

And then the wind once more, a gust, a second gust and the dove’s head seems to swivel a bit more than it should, then lifts. Our dove is now a kite and we hold on to our PVC poles, holding it to Earth tenuously, tightly but, apparently, not well. They slip and in one more gust, all in the space of a few seconds, our dove is in the sky, flipping, somersaulting. Up. For a moment it soars. It is in flight. It is glorious, flying westward in the wind. Winging out peace. Headed for a Hummer.

Santa has the widest look on his face. Perhaps he is singing the Clash hit, “Should I stay of Should I go?” It seems he is considering, momentarily, to dive from his sleigh. But, then, he would not be watching the spectacle of this enormous, soaring dove. And he is getting a great view of it, or so it appears he must as, from my perspective, it is flying right at our one and only Father Christmas.

The other floats moved onward, ours stopped, Santa’s stopped. Only the dove is moving the wrong way and all in the space of a few seconds, there is a noise of cloth and wire on metal, metal on metal, falling, soft, flappy objects of weight hitting hard, ungiving surfaces from great heights. It is a very satisfying thud. Saint Nick had met the Dove of Peace and both lay in heaps on opposite sides of the Hummer.

I didn’t know which to go to first.

“Beth?”

“Yes?”

“May I have a raisin?”

“Sure thing.”

“This would make a hell of a script, wouldn’t it?”

She blinks yes.

Yes.

Yes.

 
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Posted by on December 25, 2006 in Culture, Religion, Social

 

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Final Exam

Today I have one fewer students. Jacob has committed suicide.

He had never done well, spoke little, responded rarely and seemed, forever, to be looking darkly into a distant space. Rail thin, sullen, his long black hair would sometimes sway and uncover the circles under his eyes. He would tell me he was ravenous always, that his headaches were constant. He wrote this to me in a note.

On a bit of paper, written in short, matter-of-fact fragments, he told me his home was small, loud, had no space for him to study that did not have a TV blaring, parents yelling. He wrote me he could not see though the pain in his head, spent his time eating, eating, eating.

Grades? How was I to convince him grades were important? In the face of such pain, how could I lie and tell him, more important than his suffering, were his essay scores? While I tried to help him with his work, I had not recorded grades for him in weeks. What would a zero teach him? The value of labour? That failure brings more failure and suffering more suffering?

I shared his note with guidance, asked he be checked into, checked out, checked up on. Spoke with his teachers, his mother. That was a month ago.

Today the news was delivered to me in a note folded into my mailroom box. On a half sheet of paper, a scrawled missive said the administration had decided I was to not count zeros for the last few weeks he was in class. That his final exam would still have to be counted and recorded as a failing grade and he be given an F for the term.

And that is how we said goodbye to Jacob.

 
3 Comments

Posted by on December 15, 2006 in Culture, Education, Social, Suicide

 

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I’m Not getting Stuffed on Thanksgiving Day

It is Thanksgiving morning and I am lazing on the couch. At nine in the morning, I have given up on exercise for the day. It is in the seventies outside. I had anticipated cooler weather and the rise in temperature and humidity has wrung the run right out of me.

My son, rising at ten-thirty, informs us he has been invited to Thanksgiving dinner at a friend’s house. A bandmate, a former student of mine, and we are delighted. The house will be quiet and calm and he will be with friends, happy, well fed, while we are here. Where I am right now is where I plan on being the remainder of this day. Rocky I through V will be on TV. What better is there to be doing?

Apparently, what better there is to do is eat. Then eat some more. Then still more. I am supposed to stuff, gorge, cram and glut myself on any and all available comestibles in honour of the season, the Pilgrims, the Indians, Corn, Turkeys, Ben Franklin, George Washington, The President, Squanto, Tonto, The Lone Ranger, My Friend Flika and Rin Tin Tin. I am supposed to eat birds and beasts and breads and then, for some reason I fully fail to fathom, watch football.

Yes, this is the season of the curmudgeon coming into full colour and plume. But I come by my cynicism honestly and it is a family tradition. Nor do I chase people down to tell them just how I feel. No, they search me out and then I tell them just how I feel. I get to tell them just how well I like the season and all the accoutrements. You are reading this by choice, yes?

We have been invited to friends’ houses too. This late afternoon. We have, for the first year, declined, choosing not to choose. You might think I don’t get many invitations to holiday dinners but, despite the sentiments of the previous paragraph, I am apparently sparkling company. Go figure.

We were also invited to a Thanksgiving dinner, starting around noon, at the Unitarian Universalist Fellowship hosted by Rev Ann Fuller, a crazy-smart, fun to be with, great-to-talk-with lady and her chef husband, Jamie. We’re not going to that either. We’re staying home. I’m not making Thanksgiving dinner. I’m not making a turkey. I have veggies in the crock, a filet of salmon defrosted and a flank steak for my wife which I will grill later. No rolls, no potatoes, no sauce, gravy, pies, ambrosia, wines, cakes or casseroles.

I attribute this to laziness. As high-achieving as I am, as active as I normally manage to be, sometimes I just want to lay and read, lay and watch, lay and snooze, lay and stare at my wife as she watches, reads, snoozes. I just want to be. Today is that day. I have chosen to be lazy and I am not procrastinating. When I am lazy, I mean it and I do it well and efficiently with the utmost diligence. When it comes to being lazy, I spare no effort.

The day moves, it cools as the sun rises. I have always liked days that get cooler as they age. To me, these days seem backward, magical, mysterious and amazing. I revel in them, in awe and wonderment. I walk outside every hour or so to feel how the temperature has dropped. By one in the afternoon the air is cool and the sun is hot and this too is a tactile combination which has always felt like the paradox of the world – cold wind through hot sun.

I dress and go for a walk. I know, no matter how lazy, I will get my exercise in. I will walk because, if I don’t, I won’t feel I can eat today. And so three miles it is. Out of habit, I take my phone. Everyone is busy and no-one will call. I take it anyway.

Don’t tell anyone.

While I am walking, taking the long trail through the Turkey Creek Sanctuary near my home, my daughter calls. Sef is twenty-one, smart, stunning, funny, independent and calls either Lee or myself several times each day. I take odd days and Lee gets evens.

It is from her I received the best compliment I have ever, from anyone, been given. Even better than when Valerie told me her friend said I needed to be cloned twice. Even better than when Craig told me I was a god. Even better than when an old woman called me a mensch. Seffy told me she wanted me to live forever.

My brother is going to the home of his in-laws. My parents to their neighbour’s home. Alek to a friend’s house. She is going to her boyfriend’s home for Thanksgiving dinner. What am I doing is what she wants to know.

Staying home. The vegetables are nearly done. The fish is ready for the grill. Don’t you eat those things most of the time? Yes. Nothing special today? No.

Of course you don’t want to go to anyone’s house for Thanksgiving. She has figured it out. It’s a food holiday, she says to me. Too much pressure.

Indeed. It is a trial. Holidays can be a trial. Food can be a trial. Too many times hosts are insulted if I don’t try everything, take a taste but not a plateful, eschew certain delicacies, sweets, cakes, breads.

I have lied on occasion saying I was allergic to whatever it was or they were. Allergic to all these things? Yes, poor me! I once told a host I was diabetic and was watching my sugar carefully. But say you are simply watching what you eat and suddenly they are expert and assuring you can take a day or ten off. Oh, a diet, yes? But it’s a holiday so calories don’t count. It’s shabbas and there is no fat in anything the brucha is said over. Relax, it’s a holiday. If I were an alcoholic, they’d be inviting me into the bar and offering me Long Island iced teas and gin slammers. That would be insane. But insist on cake for someone who has worked tirelessly to lose a person’s worth of weight and you are a good host.

I insist I am there for the company and camaraderie, not the food. The reply?

“Have some donut holes.”

“No thanks.”

This is an event of recent.

Several minutes later, the same lady. “Just one or two.”

“No thanks.”

A minute or two later, “You can have some you know. It’s ok.”

“No really. It’s ok not to have some as well. No thank you.”

A few minutes later, “Just a few.” Shoving them in my face, chocolate in my nose.

“No thank you “

“Why not?”

“Because I don’t want to die fat and young like you are going to.”

There was applause.

A party for a guest at school. A long line at the trough. I am taking vegetables, greens, some beans. Skipping over the double-tray of grocery store fried chicken, I move on to the green beans. Behind me, the track coach, six foot, over three hundred pounds, half a person extra hanging over his belt, taking three pieces of chicken as he says to me. “You can take some Mr. Tritt.” He wasn’t even supposed to be there. He came for the food.

“Of course I could.”

“So take a piece.”

“Nope. Don’t need it.”

“Come on Mr. Tritt. It won’t kill you.”

“Mr. K… I am heartened you are so well acquainted with my physiology as to know what is and what is not good for me. Now, if you will excuse me, unlike you, I wish to live.” He has since lost quite a bit of weight.

My daughter doesn’t force food. Bless her. Craig does not. Bless him. Evanne does not allow such at her house from anyone and I gladly attend festivities there. One party a guest insisted I eat pizza. Once, twice, thrice I refused and finally the offending guest, who later, in an unrelated incident, hit me in the back of the head with a hardcover edition of War and Peace, was taken aside and spoken with about leaving the guests to do as they liked. After that, while generally skittish about accepting party invitations, I happily accept invitations there. No forcing or stuffing allowed. That, and I get to play Brit Ekland when we watch “The Burning Man”

My grandmother taught me the joys of stuffing myself and eating what I neither wanted nor needed. This is not among the things for which I am thankful. She would put double portions on my plate. Just eat what you want, she would say.

If I ate it all, more would be put on it. If I didn’t, “just one more bite,” she would insist. Just one more. Now one more. Just another. One more. No? Why? Don’t you like it? Didn’t I cook it good? What’s wrong? Nothing. Then why not eat? Fine, children starve but you, you don’t want. Fine, I’ll throw it out.

My grandmother boiled chickens. Made Minute Rice. It’s a shame she didn’t at least use the chicken water for the rice. When the chicken was boiled, she would taste it and, if she could find any detectable flavour, she would boil it some more. When finally the last dribbings of chickeness had been dissolved into the water, Grandma would pour the water down the drain. Then she would make Minute Rice. This is what I would be given double helpings of.

Family events didn’t mean different food. Holidays didn’t mean something delicious or unique, it simply meant there would be even more of the food we normally ate. How much boiled chicken can one kid stand?

Of course, sometimes my father would choose the holiday meal and we would bring in cold-cuts or Long John Silvers or KFC. Later he got fancy and would bring home Popeye’s Chicken. How festive. At least it wasn’t boiled.

To be fair, my wife tells me my Grandmother made kuggle incredibly well. Kugle, kigle, kichel, not kegle, all of which are different names for a noodle pudding which was baked, sort of solid and my Grandmother would put pineapple into it and pop it upside down when done. How this came to be traditional Yiddish food I still can’t grasp. The last word is a pelvic floor exercise. Of the four, I prefer the last. I goes better with pineapple.

The world is full of my grandmother. It seems she is everywhere and she loves parties. People have glopped food onto my plate out of courtesy, I imagine, or duty or habit and then were upset it was not eaten. Grandmas like mine are legion.

So I have tended to stay away from food oriented gatherings.

It’s not like supermarket fried chicken or even a roasted turkey is something I have never had before. It isn’t like I have traveled to a foreign land and have told my hosts I’d have no part of their hospitality, do not wish to sample the local cuisine, don’t want to be part of the common culture while I am a guest in their land. At the local Thai Buddhist temple, if the ladies put something in front of me, I’m going to try it. There is no stopping me. Delicacies of a new nature, fresh experiences for body and soul. An enrichment of life. It is not that I avoid gustatory delights and taking part in life. No. I do not avoid all things savory and palatable. A Transylvanian restaurant? Choose for me and let me at it. Yes, that one too. And I’ll try that as well. It was soaked in lye and buried underground for six months? Yes, please, I’ll take some of that. Beanie Weenies? No, I don’t think so.

And if hamburgers and hot dogs truly brought me joy, maybe I’d indulge in those as well but, if not, why?

It has been suggested my counting what I eat causes me to pay more careful attention to what is within and what is without. It is a practice. It is mindfulness.

As I am mindful of how I treat myself and feed myself, it is a meditation on experience and needs versus illusion and desire. Such mindfulness makes the act of eating sacred. It moves my body slightly more in that direction.

One does not, after all, poison the well. One does not throw stones in the temple. One, at least, isn’t supposed to, that is. We humans poison our wells all the time but as a good idea it certainly needs some work.

I understand food is part of our culture. That is part of the joy and festiveness. But in our time of plenty, feasting is becoming more and more a norm. Birthday parties, office events, holidays, dinner-parties. If our ancestors feasted this much, I don’t think the words feast and fast would look so much alike.

Sometimes it isn’t as much fun, or as tasty, but I do my best to remember such gatherings and festivals are not about the food, but the event and the people, the family, friends and love. Not the hotdogs or cake or beer, turkey, pudding or pie. Certainly not the kuggle. But sometimes it is hard to do and, just sometimes, it is easier, kinder to myself, to stay clear.

And now, back from my walk, I am sitting quietly at home, writing, watching Rocky beat the crap of a Russian. I realize I missed my favorite part; the training scenes in the Siberian snow. While Rocky was out, so was I. We were both paying attention to what we needed to do.

In this time, quiet, I feel I can sit here and think about what this holiday means. What I am thankful for. Right now, I am thankful I’m not at a party. I have fish ready to go on the grill. But first, I can hear the sound of boiling water in the kitchen and, in the pot, there is a chicken leg-quarter calling my name.

Maybe later there will be some kegle.

 
11 Comments

Posted by on November 24, 2006 in Culture, Education, Food, Social

 

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Nothing Funny about Hardee’s

I worked at a Hardee’s once. Just once. And by this I don’t mean I was once employed at a Hardee’s for a while. I mean what I said. I worked there once.

Whenever I see a Hardee’s I think of tough times and tougher financial difficulties. And whenever we are in the grip of some financial trouble of some such, which is often, I think of Hardee’s as well. I think of it quite a bit. Rather amazing since there isn’t an item on the menu I’d consent to eat, but there you go.

It was the summer of 1986 or 1992 or the fall of 96 or some such year and season when affairs of the financial sort were rather on unsolid ground and milk and bread were scarce, which was not entirely bad as we are allergic to dairy and wheat, but their scarcity was not a matter of famine so much as the assets to purchase them. Thus, rent was scarce, gas was scarce and scarce also were all manner of niceties and many without-which-life-is-not-so-niceties.

We had a child of one or five or four.asd Or one of six and one a newborne. I am not sure; it could have been either or both as such were the stretches of time we were with little or without.

And we lived in a trailer or perhaps married-student housing outside Gainesville, Florida and frequented the farmer’s market on the opposite outskirts buying what we could of what was left of the greens and fruit when the good stuff of the morning was gone. We spent $25 a week on food much of which consisted of spaghetti and rice and beans. We foraged and I would bring home lambsquarters and rapini. I learned what mushrooms could be picked and which to be left alone and made an error here and again, discovered when the onions were best to pick, grew vegetables in the city.

We gave up a car we could not afford, took a housemate, argued over nothing that had to do with anything except money and lack.

We discussed and planned. We looked for work. I applied at Wal-Mart. I was turned down as overqualified for any starting position because I had an AA in Education or a BA in Psychology or some such degree. The non-starter positions would go to those with experience and I had none. I was over and under-qualified.

Seven-eleven offered me six dollars an hour but I lost the position to a man with a PhD. I was unhireable as a waiter for reasons of which I am still unclear.

Finally I was offered a position at Hardee’s by the son, a manager, of a man with whom I taught at Miami Dade Community College as a paraprofessional or tutor or aid. Fast food? I had to think about it. We were in desperate times and still, fast food I had to think about.

“There’s nothing wrong with it. I know it’s not what you want but it’s better than starving.”

That’s my wife talking. She says this before I go off to job interviews. I see her point. The harder it gets to find work the more I agree but still, fast food is not quite what I had in mind when I started college. I went to Miami Dade and FIU, not Burger King University.

So I listened to my Sweetie. Things were hard enough then without arguing and, of course, she was correct. Completely. Utterly. So I could only reply, “But fast food? Holy crap that’s disgusting. Maybe I could dig ditches or…” I don’t remember what I said but it was quite like that. Besides, I am sure I would have been told I was well overqualified to dig ditches, bale hay, plant trees or anything else remotely physical. Sure enough, it seemed having gone to college ruined me for making any sort of living in the real world. In college I was fed a line.

We had even tried to immigrate to Australia. We were told by the Aussie consulate they needed skilled labour, not teachers. They had plenty of people with degrees. Could people with degrees wire buildings or frame homes or lay pipe? I was actually asked that. I said I imagined they could and if they took us we would frame or wire or lay anything they liked. It was a solid no.

And so, after listening to my wife’s sage advice (“It’s better than starving.”) I called the son of the friend and made an appointment. It was for that afternoon or the next morning or later that night and before I went I asked if he knew I had a degree. He did and assured me since his father said I needed this, and badly so, it would be fine. I was relieved or troubled or aggravated or disappointed or all of it and happy and unhappy both.

I drove the few miles, “Dust in the Wind,” by Kansas, on the radio. It is a habit the Universe is happy to support by playing it for me every time I go on a job interview. That or “It’s the End of the World as We Know It” by REM. Both set the proper mood.

We met. It was a Hardee’s. What more to say? I was hired just because, filled out the forms and was told I could start at eleven. Eleven to two. Morning to afternoon? No. Night to morning. What? Night to morning. Eleven at night to two in the morning. I experienced a palpable sensation of the weight of my heart rise to my throat while I felt the same fall to my stomach; two weights simultaneously shift apart and both, I knew, were heart.

So I left, a bit stooped, tired of struggling, defeated, smaller. I headed to a thrift store for the proper coloured blue pants. Found several pair too small and several too large and opted for one that was only a size too big or maybe too small, but they were three dollars and that cinched the deal so it didn’t matter they were too short. I took them home and, with them and my Hardee’s shirt, sat around and waited for night to come.

Evening came quickly and the hour I was to leave dragged me along through the night. I dressed, put on sneakers and left. When Thoreau wrote “The mass of men lead lives of quiet desperation,” he was leaving for Hardee’s.

I arrived and walked in, was greeted by the assistant manager, given a tour of the machines and the headphones, some matters of protocol, how to run a cash-register that had no words, only pictures and then was shown how to make change. Apparently word had not got out I was overqualified. I pretended to mistake the quarters for nickels. I didn’t want to disappoint.

There was a steady stream of customers to the counter, past the window. People glossy and pale. Over-sized people ordering over-sized food. All night and into the morning, food they knew, one had to believe they knew, was not good for them and too much of it. Food Addicts. Food-porn.

There were better things to do and better food to be had. Real, honest food. Not fake food but food with actual nutrition behind it. Food that didn’t just look like food, masquerading as food. Food that would be good for them, body and soul, and not leave them empty. Food with production value. Food that would make their lives better, bring joy to their bodies, make them stronger. Food they could tell everyone about and bring home to their grandmothers. Real food. There were more meaningful culinary relationships to be had with non-virtual food. Food-porn.

That was the general. I remember few of the particulars.

I burnt the french-fries because the fryer handle was hot because no-one could find the handle for the basket.

I made several milkshakes on a machine somewhat like a stand-blender. It had several mechanical teats. Put the cup under teat one for a combined dairy and non-dairy colloid. Put the cup under teat two for some other such solid-fluid. Squirt in the flavoring of chocolate or vanilla or strawberry and then stick it up under the mixer and hold it while you press the button but make sure the cup is up all the way and then push it higher because it isn’t. If you don’t, the mixer will high-speed tangent flavory sluice all over to whatever distances the walls are unless there is something else in the way such as, perhaps, a customer.

I hope none of them were going anywhere after dinner.

Around midnight, I was put on drivethrough. It had the speaker we all know drivethroughs have. But it was augmented by the workers leaving out syllables here and there. You all suspected drivethrough workers did this and I’m confirming it. I know why they do. It makes the job bearable. Nothing makes the time pass like keeping people in a hurry waiting and making hungry people do without. Especially if they are wanting to give you money.

Even better when they are high and there was plenty of opportunity to have at it with folk too high to know they were being had. Fish in a barrel. Fish in a barrel. Yet, they were outside, driving around and I was inside, serving them suicide.

Suicide is what many of them asked for. I thought they were talking about the hamburgers. I didn’t get it the first few times and many of our higher customers, not having full verbal facility and agility became irate. Overheard, a co-worker came over and explained, in a voice fully matter-of-fact, suicide is all the sodas mixed together. They were asking for a carbonated syrup mélange. Whatever PepsiCo makes, yes, I’ll have that.

Suicide was a good thing to order and I started welcoming the drunk and high folk. If I messed up their orders, fixed the burger wrong, missed one of the sodas and so saving them from a successful suicide, made a bit of a mess, they tended not to notice so much. High people were great because I was messing up more than not. This was due to a mixture of apathy and grease. Both were everywhere I was, surrounding me at first but, by the end of the evening, the beginning of morning, they sat, solidly, inside.

I slipped and fell. Twice or thrice or more and I dropped things or didn’t and hurt myself and sat upon the greasy floor for a moment or sprang up from embarrassment. I grabbed handles and appliances to steady myself to rise but they were grease-glazed as well. There were no mats and nothing to absorb the grease but the food. I certify the food was more than adequate to the task.

I dropped things because my hands were greased. I dropped the wrong things because I had picked up the wrong things because my glasses were opaque with a think and growing film of animal fats and vegetable oils. I could see nothing. Is that a ten or a twenty or a one? Pictures on the register were as useful as words and Braille would have been of more use. No sight, no footing, no handholds. I wondered just how much grease was in my lungs, how much my skin had absorbed, how deep in my ears my eustachian tubes were filled with animal sludge. How far up my sinuses were the cavities of my skull coated with the vaporized lipids. Fat was everywhere inside and out. I just wondered how much. I sometimes wonder how much is in there still. Like Oklahoma sand, Hardee’s fat is everywhere.

Time crawled. When I fell, I crawled too. Finally, two in the morning. I was told it was time to leave. No overtime allowed. What a shame.

I walked to my car and greased my door handle, then greased my seat and greased my steering wheel. I drove looking over my glasses which is only slightly safer than driving with my eyes closed. I didn’t hit much – just a curb or a mailbox or some students during mating season. I found my way home.

I greased the doorhandle to my home and walked in. I left my sneakers at the inside of the door. My wife was up, waiting, in the bedroom. I told her I was going to take a shower.

I’m sure I left grease-tracks as I walked toward the bathroom. There, I turned on the water in the shower and left a mark on the handle. I have always disliked showers too hot or too the water too hard… I know I’m sensitive so I read up on Best Water Softener Reviews. This time, I turned it up and let it get hot. I stepped into the shower, grabbed the Dr. Bronners and soaped myself. It took quite a bit for even this castile soap to start cutting through the grease but, after a while, a lather began to rise. Then I took my clothes off.

As I did Lee entered. I looked at her, or, rather, toward her. Then I took off my glasses, rubbed them with soap and put them aside and looked at her.

“You were wrong. There are worse things than starving.”

We talked long that evening and soon moved to a locale more economically viable. We moved to North Miami or Kendall or South Miami and with my father’s help rented an apartment or a duplex or a house with friends. Times change and episodes as difficult as this have been far too frequent but, happily, consigned to memory each one. But you still won’t find me in a Hardee’s.

I have been known, though, to fill my cup under every soda spout in the line. Syrupy, sweet and fat-free.

 
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Posted by on November 23, 2006 in Culture, Family, Food, Social

 

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I am Easily Distracted by Shiny Objects

I am easily distracted by shiny objects. I grant that. The placement of those objects can either increase or decrease my incidence of distraction. I just made that up. Incidence of distraction. The degree to which, given a standard level of shiny, placement results in a differential distraction in a given individual. It’s scientifically proven. It happened in my class today.

My class is made of two curling rows of tables, each following the same curve. This means no student is far from me or the front of the room and the front row can just take their chairs and turn them around to work in groups. The curl is like the end of a French curve and one fits into the other. It is reminiscent of the waves our surfing-town is known for. I’m very proud of it.

It was designed by my friend Evanne, she of stage set design fame. We did this the week before school started when I arrived and discovered, a few days prior, all my furniture, newly delivered, had been stolen by other teachers. Teachers live by larceny. It’s that or they’d never have a thing. We got the tables from the trash.

Our school has dress codes. They are clear but have holes one could drive an elephant herd through. I can’t say I pay much attention to dress codes. For the most part I find them silly. Straps on shirts must be no less than three fingers wide. Shorts and skirts must be no shorter than the fingertips as one’s arms hang loosely. No foul or hate language. No language or pictures suggesting illegal acts or substances. I must admit, the hate language and illegal acts makes some sense. So does the ‘no flip flop’ rule. In crowded walkways the backs of the floppy shoes get stepped on and result in falls. Open toed shoes result in injury too. Such is the case in a child warehouse.

There are those holes though. Ladies in shirts that are long enough and do not have exposed tops but a slash across the chest so there is no doubt about the developmental status of the student. Not covered (by cloth or dress code). Against the spirit of the law but certainly not the word. The shorts are long enough to qualify but have the word luscious or bootieliscious across the backside. Personally, I’d rather they be shorter but not have the writing. Students will wear the illegal clothes and then put jackets over them. In the summer, jackets. They will then complain the classes are too hot but they can’t take their jackets off. Turn the air up, they ask. I have no trouble telling them their choice of dress isn’t going to inconvenience me. It’s summer. Dressing in a way that requires a jacket or sweatshirt isn’t going to gain my sympathy. Like the student in the short white skirt the day she knows we are going to be sitting out in the grass writing. The idea is it will get her out of it. The idea is mistaken.

The rules state how short skirts and shorts can be and that bare midriffs are forbidden. But because it says nothing about low-rise pants we have students who, half the day, are pulling their shirts down and spend the other half pulling their pants up. Does that call the attention of others? You bet. Boys and girls are equal participants in this.

Remember, this is eighth grade.

One of our teachers had a better way of putting it. When a student complained she had been brushed by a boy in an inappropriate place, the teacher pointed out, in a crowded school setting, it might be a good idea to use the rule that, if it isn’t a place I’d want touched, it’s not a place I’d want exposed.

It doesn’t matter to me, for the most part. I don’t care if a boy’s pants are so low I can tell them, each day, as they walk into the class, the color checks on their boxers. “Blue plaid today, Mr. S?” Mr. S. would never wear a belt and insisted on no-rise jeans. My talks with his father were not academic but more pleas for him to buy his son a belt. He did. With an LED buckle that read, in bright scrolling letters ‘CANDY’

Or if a gal wears her skirts so short her underwear is exposed when she sits. What do I care? That is a positive thing about tables, now that I think about it. Greater coverage.

Last year we had a student who insisted on low-rise skirts and thongs. I did my best to not walk around behind her. I had already been called by her parents and told her friend in class claimed I had looked at her. Not looked at her funny, but that I looked at her. (“Didn’t do your homework again, Ms. C?” Staring over my glasses as teachers have done since Franklin and even managed to do well before there were glasses.) She was going to lodge a complaint that “I looked at her.” Then the parents of the friend, having heard of the conspiracy from their daughter, spoke with her and explained it was the teachers job to look at all the students and the less work she did the more she’d get looked, and then, stared at. That was my job. Moreover, they explained this was far too serious a charge to make about a male teacher just because they didn’t like the class. Meanwhile, the low-rise girl had guys going out of their way to walk behind her to the pencil sharpener. Things would suddenly, continuously drop next to her so she would reach down to pick them up.

On one particularly clumsy day when more erasers were dropping than I thought were in the class and no pencils seemed to be sharp enough, I followed the rout the students, mainly boys, were taking to discover more of her than might be appropriate for public school and quite an ampling study in shadow and light for interested pupils in our class. Since the parents knew she was prone to this I called them. She was coming to school dressed in more than this and changed once at school. That ended. I’m teaching English. Just let me teach.

Another child in class liked glitter. She would rub it all over her. One day I noticed more than a few stares her way from the boys and giggles from the girls. She was actively rubbing glitter on her chest, pulling her shirt out a bit, rubbing it in, pulling it down, blowing on herself so it would dry. I was teaching transitions at the time and she was supposed to be revising her last essay for transition use.

I walked over to her and saw the problem. The glitter increased the deeper into her cleavage it got. She had formed an arrow from her neck pointing down between her breasts. So I am rather oblivious that it took stares and giggles to make me notice this. I knew better, however, than to point this out to her and, instead, called the teacher, a lady, from the class one over. She walked in, noticed her immediately as the beacon she was, and called her out of the class to talk. The female assistant principal was called and she dressed a bit more appropriately after that and sans glitter. Then, a few days later, the AP tells me the mother had a fit, asking how it was I had noticed this in the first place that I knew to call in another teacher. In other words, why was I looking at her daughter? A guy teaching school has his own set of problems. It is not the real world in any way.

Today, we had a cell phone difficulty. Cell phones must be off and out of sight. Not visible. Put away and off. If they are noticed by administration and we didn’t do anything about it, we are asked why we didn’t follow the rules. It is like that with dress code violations. If the end of the day comes and a dress code problem is noticed by an administrator, he or she will want to know why it was not reported first, second, third periods and so on right through the day. Did I mention I just want to teach English?

I have a student who is constantly fixing herself. She reaches her hand into her top, not surreptitiously, but with flow and show and flare, to readjust herself. This is continuous and occurs regardless of what sort of top she is wearing. This is punctuated only by her pulling her shirt down if not enough is showing over the top, then pulling it up the minute she notices boys staring at an area not her face, then pulling it back down because puling it up has pulled it above the waist of her pants and another view has just been presented. This is a constant hand and clothing dance. Does she care? Is it on purpose? Is she conflicted? I have no idea but am certain it could be fixed with a big ‘ol t-shirt.

“Ms. C. Checking to see if they are still there?”

“What?” the low neck of her shirt is pulled forward and she has her nose hidden by the collar. She is obviously looking for something in there. I’m explaining the notes on the board for the next Literary Analysis, and she is taking inventory.

“If you would look up here now, I’m sure they will still be there later.”

Today Ms. C had on something significantly smaller, lower, shorter and thinner. There was also something glinting each time she reached her hand into her top, round the objects kept not too well hidden to readjust. She’d pull it up a bit and the glint would disappear. A moment later, in my eye, a glare as the light from the window behind me bounces from something shiny and my attention is caught. Her shirt has tightened itself down again and something is shining.

The sequence plays again. As the shirt re-inches lower I again notice the object. It is a cell phone. Her phone might have been off but it was certainly visible. And it was poised to be noticed, noticed often and noticed well wedged, as it was, into her cleavage.

I remind you, this is eighth grade.

As far as drawing attention to oneself, this certainly accomplished it. Distracting. High incidence of distraction. But I said nothing. Nothing, that is, until after class as I walked out with the other students. Catching up to her I asked what her class next was. Art. I called down to the teacher after I got back to my class. Yes, she will look. No, it would not surprise her as she has spoken to her mother before and she is making a habit if calling attention to herself. She looks over as Ms. C. enters the room, or so I surmised as Ms. Art Teacher exclaims, suddenly, “O My Heavens.” Sure enough, that was it.

Ms. Art Teacher is amazed it took as long as it did for me to notice but tells me it was wise of me to not say anything. Have a female teacher point it out. Is that safer?

Did I mention I just want to teach English?

 
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Posted by on November 3, 2006 in Culture, Education, Social