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Passover and the Industrial Revolution

Happy Passover!

From my collection, Yom Kippur as Manifest in an Approaching Dorsal Fin.

Every Passover I bake matzah.

I wait until there is
Nothing left to do,
I wait for the lull
In the torrent of business and busyne…

Source: Passover and the Industrial Revolution

 
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Posted by on April 24, 2016 in Uncategorized

 

Kofia

He could be heard long before he was seen, booming his song. The bass slides down the isles, past the frozen fish, over the apples and oranges, down through the carts.

“He shops at Walmart/Just like you/He shops at Walmart/Just like me/Yes, he shops at Walmart/just like us/He’s got the whole world in his hand.”

I am here for a jar of peanut butter. Smucker’s Natural Chunky. And a small jar of grape jelly. I want a peanut butter and jelly sandwich, and have none of what I need for it. And rice cakes. I had told my daughter I would have it on rice cakes. Ultimately, while better for me, the texture would be wrong and it would leave me still wanting a peanut butter and jelly sandwich. But the truth is having the real thing would also leave me still wanting a peanut butter and jelly sandwich. I always want a peanut butter and jelly sandwich. This time, just this once, I was giving in to it. Sort of. So taken with this desire, was I, that I pulled into Walmart.

“He’s got the whole world/In his hands/He’s got the whole world/In his hands/He’s got the whole world/In his hands/He’s got the whole world in his hands.”
Walking towards the peanut butter, meat to my left, the singing gets closer. The singing gets louder. The singing comes around the corner from the dairy. A man – black, built as though her were made of a barrel, seven feet tall. Maybe more. Probably less. Clothed in red and gold and browns from his shoes to his kofia. A kofia. One very much like my own, which feels so good to wear. Which, when wearing, leaves me feeling completed, whole, calm. The kofia that is never is worn out of the house – people might look. They might wonder. They might talk.

In his kofia, he is striding, pushing his cart, singing.

“Oh beautiful/for spacious skies/for amber waves of grain”

I have my rice cakes in hand, and heading toward the checkout. In line, behind me, a father and his son, eight or nine years old, and a few items. The singing walks by.

“Jacob rowed the boat ashore/Hallelujah/Jacob rowed the boat ashore/Halleloo-oo-yah.”

The little boy looks up to his father. “Why is he singing like that?” His father shrugs. I look at the older of the two, gesture in a way that asks if I may answer the child, and he gestures in kind. Yes, I may.

“Because he has somehow slipped past caring what other think about him. He isn’t concerned about what other people think. It probably doesn’t enter his mind at all. He is singing because he wants to. Like a lot of us would. But we don’t. We stop ourselves. He does it because he is not held by other people’s expectations or judgments and we should both learn something from that.

He looks at his father, who nods in agreement.

It is my turn to check out and, enviously, to the opening song from Oklahoma, I place my food on the counter.

 
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Posted by on April 1, 2016 in psychology, Social

 

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When I Wake in the Morning

When I wake in the morning I want to do yoga.
When I wake in the morning I want to go for a walk.
When I wake in the morning I want to spin wildly.
When I wake in the morning I want to lay in bed and bless the day.
When I wake in the morning I want to wash in dew.
When I wake in the morning I want to make a slow breakfast.
When I wake in the morning I want to stretch.
When I wake in the morning I want to recall my dreams.
When I wake in the morning I want to do tai chi.
When I wake in the morning I want to run on the beach.
When I wake in the morning I want to sit and write.
When I wake in the morning I want to meditate.
When I wake in the morning I want to putter in the garden.
When I wake in the morning I want to do qigong.
When I wake in the morning I want to sing praise songs.
When I wake in the morning I want to greet the sun.
When I wake in the morning I want to be glad.

 
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Posted by on March 9, 2016 in Poetry, Social, Uncategorized

 

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Letter of Resignation

Letter of Resignation
(On my third reading of Siddhartha by Hermann Hesse)

 
Vasudeva,
Is it really necessary
We live in this hut together?

Isn’t it enough
I gave you my clothes
For the privilege of tending oar?

Can I only find myself
In the eternal now of the river
Always flowing, but never the same?

Must I sit under that tree
For an entire week to find myself?
After a week, I should have found my navel by now.

Must I sit there to
Defeat my demons? Afterall, they are
At my heels no matter where I happen to be.

The lotus
Grows from mud, I know,
But I want a bath and clean soft towels.

Why can’t I find myself
In a club somewhere,
Meditating in the beat and the groove?

What about the
Constant flow of people and machines,
The never-ending now of the ever-changing traffic?

Why can’t I
Subdue my demons
Over a great meal or between olive thighs?

I resign.
Besides, Vasudeva,
You snore horribly.

 
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Posted by on February 22, 2016 in Culture, philosophy, psychology, Religion

 

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Metric

If I had been brought up with the metric system
I could hold an orange in my hand
And tell you how much it weighs in kilograms.
But I was taught with pounds and feet
And I can tell you how much a whole bag of oranges weighs,
Just about,
Or look at a board and give you the measure of it.
But how many meters it is?
How much the orange weighs in kilograms?
I’m lost. Dumb.
Right in front of me,
Any guess as good as another.

Love, I think—
Love is measured in metrics,
Or some other unit.
I can look at it,
Heft it.
No matter.
Ask me how much I love you:
I cannot say.
I can only look at you,
Sigh,
And trust it can also be measured
In those sighs and desires, and hope
You do not ask.

 
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Posted by on February 15, 2016 in Poetry, Uncategorized

 

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In Response to William James and “The Will to Believe”

 

Sometimes one leaf
Will wave, oscillate.
A perfect repetition
again and again.
A dancing leaf machine,
Just the right shape,
Weight, tilt and wind—
Bent back by breeze,
Pulled forward by the
Spring of the stem
Twisted tight,
Bent back by breeze,
Twisted tight again—
Leaf and breeze in
Harmonious twist
And spring, twist
And spring, twist
And spring.

That can go on
As long as the breeze
Remains constant.
External forces,
Internal reactions,
Cause and effect.

Sometimes just one,
One leaf in an entire tree,
Waves. I imagine
It looks at the others
hanging still, and wonders
Why it is the only one
That has chosen to dance.

 
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Posted by on February 10, 2016 in philosophy, Poetry

 

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20 Things You Can Do with Your Meditation Cushion (Since We Both Know You Aren’t Using it For Meditation)

The Mountain Seat Zafu and Zabuton Brochure

This is what I have. The Zabuton is very impressive and excellent at keeping the draft from coming under the door. The zafu makes a great hassock for little people or a tiny table for pretend tea parties.

Some time ago, I purchased a set of meditation cushions. A zafu and a zabuton. The zafu is a small puff-shaped cushion to sit on. The zabuton is like a small futon on which the zafu sits so your legs and feet are off the floor for better circulation, and for cold seasons. This makes meditation much easier. These are used largely by Zen practitioners, but in the Western culture where there is a synthesis of Buddhist traditions creating what is often called the Fourth Wave or Engaged Buddhism, it is not uncommon to see them used by many practitioners whether or not they identify as Zen.

I got these from The Monastery Store, a Buddhist gift and supply company that sells mainly through a catalogue. The Zafu is half kapok, very soft, and half buckwheat hulls, formable but solid, separated side by side, one half each. I sit half the time cross legged, leaning against the solid side and my more tender parts over the soft portion. The other half of the time I sit seiza, on my knees, basically, supported by the zafu, the zabuton making a soft place for my knees and ankles.  

That means I have sat each way twice.

Last year, for my birthday, I bought a burnt orange cover for it.  It looks great. In my office, where I sit next to it working.

I live alone. I have no excuses. I do meditate. I just never go and sit on it. I never use it.  But it isn’t like it sits unused, No.

My dog loves it and gets much more use out of it than I do.

This is not an unusual story. My dear friend Lisa has one too, given to her by a close friend. It is well used. Just never for meditation.

It sits in the corner of her bedroom.  Her cat gets much more use out of it than she does.

It seems silly not to use the zafu and zabuton. And it is possible you may have one as well, so, since it is also possible, if you do, that yours isn’t being used for meditation either, here are some other great uses for that meditation cushion.

  1. It makes a great dog bed. Your cat might like it as well. I don’t know. It’s a cat.
  2. Do you play darts? Put it on the floor under the dart board. That way, if the darts fall, they won’t damage the floor. Or, if a tile floor, it protects the darts.
  3. GIANT PIN CUSHION.
  4. A great addition to the children’s table at holiday family dinners. No more phone-books.
  5. Couch bottomed out? Not any more.
  6. Those pesky winter drafts won’t be a problem anymore. Nothing will get under the door with a meditation cushion shoved under it.
  7. Cold floor? Don’t like slippers or socks? Put it in front of your chair to keep your tootsies warm.
  8. Likewise, if you are short, that is “concentrated,” like me, placing it in front of your chair may enable your feet to touch the floor. Wouldn’t that be nice?
  9. Lumbar support. Fold it over and place it behind you. This also might help your feet to reach the floor
  10. Bunch it up under your knees when lying on the couch, or in bed, to alleviate that pain in your lower back.
  11. For the ladies, fold it over and move it back a bit, under your backside or under your stomach for a bit of elevation. Might want an extra cover on it though. Bottoms up!
  12. Cuddle pillow. Just in case there isn’t anyone right now to try number 11 with.
  13. Pillow fight. It’s unfair, but one strike and done. Have aspirins available. And some ice.
  14. Massage bolster. Double it up, and get to work.
  15. Build a fort. Use it for a soft floor. You know you want to.
  16. Feel like life has you banging your head against the wall? Anger management classes not working? With a heavy duty stapler or double back tape, attach your zabuton to the wall and you have a perfect cushion for your kepi. Feel like punching it instead? No problem. Wail away, Rocky.
  17. Got some stairs? Lay this down and slide to the bottom. You can toboggan any time of the year now. Have a neck-brace handy.
  18. Eat curds and whey on it. You can finally show the kids what a tuffet looks like.
  19. Lap desk. Use it in bed to hold a tray or book on.
  20. Have a small car and little kids? Use it in the way-back for a tiny bed. No, not while you are driving. What, do you think this is the 60’s?

Or you could just use it for meditation. I know. Stop laughing.

 
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Posted by on February 3, 2016 in Culture, Religion

 

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When I Am Alone At Night

When I am alone at night,
When I go to bed,
In my head,
I disperse my goods.
I write notes,
Letters, long, detailed.
I imagine deep long rest,
Wonder if I’ve had enough.

When I am alone at night
I roll myself against the walls,
Scratch, stretch,
Rub, rock,
Hunger for sensation,
Pray for contact,
Want for touch,
Wonder if I’m here long enough.

When I am alone at night
I fail to create ambitions.
In my head,
I disperse my goods,
I write notes,
Look at bottles,
Estimate pills,
Wonder if there are enough.

 
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Posted by on February 2, 2016 in Culture, Poetry, psychology, Suicide

 

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State of Being

Verbs are words that show a state of being—present, past, future. Transient or continuous. When we use the verb “was/were,” we mean something that has passed. It happened in the past. It is done. It is over. When we use the verb “is/are” we speak of something that is present. Something that exists now, current. An action that is going on right now. This moment.

For the purpose of my question, tense is not important. Past participle, continuous, perfect—none of these important to my question. What is important are simple tenses. Past and present.  

And so I ask, why do we say someone is dead?

We can say someone is alive. To be alive is a continuous state. Continuous, until it ends, either abruptly, or slowly, slowly over a period of time. Suddenly, or counting down, day, day, day. One hand. A few fingers. Done. Present becomes past very easily.

Someone is alive. Then they are not alive. But they are not dead. If we insist on using present tense we should say something that is an actual ongoing state. Something that is active. Her body is in the ground. She is decomposing. Her ashes are disappearing into the snowy stream.

Death is not an active state. It is not something someone does. It is the end of doing. She is alive. She is laughing. She is loving. She is healing. She is holding your hand, raising children. She is putting her feet on the dashboard on a long ride, talking, laughing, singing. Under your hand, her leg is warm.

 
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Posted by on January 27, 2016 in Culture, Family, philosophy, psychology, Social

 

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Halfway Through March

When I woke this morning, I was afraid I could not write. I felt it was gone. It, whatever that is, felt absent. But during the day’s discussion, in the three minutes between classes, in moments during planning, the topic of poets came up. I found the poem “We Bring Democracy To The Fish,” by Donald Hall. Don’t blame me for the way the title is capitalized – blame Donald. Anyway, he was Laureate until that poem was published. Then he was Poet Non Grata. He and the Dixie Chicks hung out together looking for work.

Distressed Haiku had this line: “I finished with April/halfway through March.”  His wife, the poet Jane Kenyon, had died in the month of April, 1995. That line. That one line. I have said that myself, nearly word for word. And I was writing again. But would I ever write of anything else?

I ask that, yet I have. I have. But, time and time again, I return to it. Why? Because one doesn’t go on. One doesn’t heal. One continues, with the wound. With the weight. One may be happy, one may be loved, and one may be content, one may have a wonderful life. I certainly do. But that is still there, because it is part of our lives. For those in this “club we’re in that I wouldn’t wish anyone to belong to,” as a friend of mine put it, one doesn’t go back to the old way of being, but creates a new normal around the space.

Everything is made of space. So, I guess, I’m still writing about everything. I guess.

 

Halfway Through March

It is second period.
I have been discussing
Poetry with Mr. Wolf.
Poets, appreciated but
Never paid well,
Never paid attention to,
Paid heed, respected,
Honored, yes: the Poets Laureate
Paid, at first, in wine.
Chaucer paid in
Gallons of wine.

Name bridges after them,
Put up markers roadside,
Have them inaugurate
The president, but don’t
Pay them enough to
Leave their teaching posts
So they can develop
Their craft without
Daily worries of bills due.

The discussion moved to
Donald Hall. One year only
He held his post.
He published
“We Bring Democracy To The Fish.”
So long and thanks for all that.

But now it is period three,
Donald Hall is in my brain,
So I am reading.
Students working,
Teacher reading, because
I can barely think
Anything else.

I didn’t know
He lost his wife.
Twenty-six years,
Cancer comes and
She goes.

I had always pictured him
Alone. Solitary, New Hampshire
Snow. Writing.

But he wrote of
Her leaving and
What was left,
He wondered if he
Would ever write of
Anything else.
Here, listen to his
Distressed Haiku:
“Will Hall ever write
lines that do anything
but whine and complain?”

Here is the Universal.
Here is the experience
Of the creative. Of those
Who take everything
Of their lives, of their
Surroundings,
Turn it into something

To understand.
Make the internal life
External, visible, palpable.
Make something with
No hands reach out,
Shake you, shock you,
Leave you thinking,
Understanding what you
Did not understand before.

Make the solitary
The common experience.
Remind me
I’m not the only one.

 
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Posted by on January 7, 2016 in Books, Culture, Education, philosophy, Poetry, psychology

 

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