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Author Archives: Adamus

An Open Letter to the Obama Campaign and the Republican National Committee upon My leaving the Republican Party

Senator Obama,

I don’t know if anyone in your campaign will see this. I am sure your staff gets so many letters and responses to the notes it sends out that I am sure many, if not most, must be summarily deleted. Regardless, I am writing because I wanted to state something.

I am (OOOPS! WAS) a registered Republican. I would tell the folks, during election cycles, the ones who called on the phone, those who emailed, those who knocked at my door or asked me for support at public events, that I supported the platform but, at this point, rarely the candidates. It has been about fifteen years since I could vote for a Republican candidate. Some Republicans I see eye to eye with but mostly, lately, I do not. I would tell those asking for contributions or support I would be happy to donate and put in the work when the party, MY party, stopped being hate-mongering hypocrites and became more honest and centrist, became as it was during the days of Lincoln, as it was supposed to be – became as it was during Eisenhower when, in his farewell speech in 1961, the general warned us against the military-industrial complex. He coined the term, as you know. He knew what he was talking about.

Not long ago Garrison Keillor made the point that, as a Republican, he was ashamed of the way the party was acting. He wanted the Republicanism of Eisenhower not the Republicanism of hate. He wanted the Republicanism he knew as a child and had come to trust. The one that worked to end segregation. Not the one that legislated division. The one that worked to increase our freedoms, not curtail them.

Well, I can’t stomach it anymore. After the second night of the Republican convention, I officially changed my party affiliation to Democrat. After hearing the hate and disrespect issue from the mouth of the governor of Alaska I felt I had no choice. Sarah Palin pulled the plug on what was, for me, the painful lingering death of my loyalty to a political party. I visited my government center the next day, changed party and I sent my old voter ID card to the Republican HQ with a note. With THIS note. I wanted it to arrive during the convention so I over-nighted it.

You had my vote from the start but now, you have me in the party as well. I just donated and I’ll carry a sign. Get me a yard sign, a phone list, whatever. We can’t let those hateful hypocrites in office.

Adam Byrn Tritt, M.Ed

 
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Posted by on September 5, 2008 in Culture, Social

 

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This I Believe

About two weeks ago, riding in the car with my wife, we were listening to about the only station, locally, anyone is likely to find in our car – NPR. After the story about the upcoming political conventions the series “This I Believe” aired another in its weekly essays. I have written for the project, which can also be found in print, and while I cannot say I listen faithfully or find every one of the essays a treasure, a few stand out. I can remember hearing them and (this is the important part as a writer) they had an effect on me. As a writer, I could not ask for more praise or better praise. The sheer beauty of writing aside, if a work is forgotten, if a reader is not affected, then the sound and glory are nothing.

My favorite is by Penn Jillette and is called “There is no God.” As much a fan of Thoreau as I am, I cannot help but wish he had written this. It seems to be what he was trying to say through much of his time at Walden Pond. The essay is transcendentalism without the deism. It is a wonder of words and I am appreciative.

What we heard that afternoon in the car was by Sufiya Abdur-Rahman and is titled “Black is Beautiful.” It echoed so much of what I had written on the topic of the dark and lonely side of the headlong rush to assimilation and the expectation that we should all want to fit into a homogeneity so stark that we should have trouble telling each other apart. I am not a fan of Hyphenated-American-ism but what is wrong with have identities? I guess I am more a tossed salad American than a melting pot American.

I was moved to write Ms. Abdur-Rahman. It was rather hard to find contact information but I managed to do so by looking her up on MySpace. I sent a note to her from her MySpace profile.

Ms. Abdur-Rahman,.

I am writing to thank you for your essay on NPR.

As a second generation American, it has been my belief we need not be like everyone else to be an American. Indeed, it has been pointed out, and I feel truthfully, the differences among peoples are one of the things that have made this the amazing country it is. I applaud you essay for pointing out we can be, and should remain, who we are at our core.

I am Jewish. I was raised in the North and now live in the South. I have taken my children to see the Civil Rights Memorial in Montgomery to look upon the names of the heroes there and have pointed to the names of the six Jews next to the rest of those who fought for freedom. I have shown them the my parents took pictures of, when we moved to Miami, that said “No Niggers, Jews or Dogs Allowed.” I have explained that giving up our heritage means giving in. And we held on despite my daughter’s high school beatings for being a dirty Jew, the head start teachers command our son should learn to be a Christian so he can “pass” when he needs to, my own difficulties attaining academic posts because I did not attend the right kind of church.

We moved here during WWII. It was my feeling, after having lost two-thirds of my family, that it would be a slap in their faces to assimilate. My parents though, my grandparents, said “assimilate.” They spoke Yiddish. My parents understood it. I can do neither. Now my daughter, 23, and I are relearning what we lost. We have a long way to go.

Your essay brought the importance of that back to us. I applaud what you are doing and bless you for your struggle.

Adam

Adam Byrn Tritt

Did I get a response? You bet. It was quite a heartfelt note back and I shall not share it here. If you want a note from Sufiya, write her yourself.

 
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Posted by on September 5, 2008 in Culture, Family, History, philosophy, Social, Writing

 

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Seven Questions for Adam: An Interview by Craig Smith

I’ve known Adam Tritt for a few years now, though it simultaneously feels like forever and no time at all. He’s a kindred spirit with enough significant differences to keep things interesting. His blog, Adamus at Large, is where he publishes essays and poetry. He doesn’t post as frequently as any of us would like, but when he does, it’s an incomparable feast of words and ideas.

(Note from Adam: To make this as authentic as possible, I did no revision and answered all questions given without reservation and as the responses came to me. What you see is what was written the first time. I looked back at not one question. I wanted this to be as conversational as possible and not a prepared document.)

1. Why are you a poet?

I am not a poet. What a strange question. To call myself a poet would be terribly presumptuous and boorish. Not only that, but it would set up an unfair expectation and then I’d have to perform. Sit, Adam, sit. Show the folks how well you poe.

I am not a poet, I simply think metaphorically. I think in metaphors about everything. The contents of the world—whether we believe they originate from within one’s head, are a combination of that which is without and the experiences and expectations from within, or come wholly from within one’s head—always rumble around and find things to connect with. Everything is a metaphor. Since I don’t see terribly well and remember nothing of the visual world, I think in words. So I get a picture or a sound and I make them into words.

Well, enough of that and my head fills up, so I write. I can’t stand not being understood so I revise and revise and revise, cutting out everything that is not meaning because I’d hate for people to think something I didn’t want them to. My goal is to lead them to the same metaphoric feeling and understanding I experienced. By the throat, if need be. By the hand, if I can. Though truthfully, by the throat is much more fun.

The poetic model allows me to do this in a way that is deceptively short so people will read it. Otherwise I’d have twenty-six page essays.

I then put it out there for people to read, on the blog, in magazines, in anthologies, and in my own books, because part of me believes Descartes: I publish, therefore I exist. Besides, I like the fan mail and the undies that get thrown at me.

Of course, none of that explains why I also write twenty-six page essays.

Asking why I am a poet is very much like asking why I have two legs. I can’t help it. I’d have a prehensile tail if I could. My wife would love that. It would be like in Venus on the Half-Shell. But I don’t. So I have two legs. So I think metaphorically. So I put everything into words. It’s burden. It’s a pain. I’m simply built that way. It’s not my fault, I swear. I blame my temporal lobe. I once filled an entire sliding glass door with poetry. I write on my office walls. I write on people if they stand still long enough and give me enough exposed area.

2. Your first public reading was at a clothing-optional event, and you performed in the nude. And you’ve written about your visits to the local nude beach, and clearly have no problem with nakedness. On the other hand, you write about how you wrestle with body image, and seem to feel ashamed when you are battling weight. For me, being fat means I don’t want anyone to see me naked, even though I thoroughly enjoyed my one and only visit to a nudist resort, and am a closet naturist (I’ve even been skinny-dipping in my neighbors’ pool while they’re away, when I go over to feed their cat).

So how do you reconcile that dichotomy? How do you find the freedom to be nude with others even during those times when you feel discomfiture over the way you look?

Because I’m ornery. Because, unlike dancing, which scares me silly and I force myself to do, or parties, which scare me sillier and I don’t force myself to do, reading poetry at a clothing-optional gathering flies in the face of so many conventions I have no choice but to do it. I teach myself my fears are meaningless and my self-judgments are baseless and thumb my nose at society at the same time? Hell, where do I sigh up? Can I do it twice?

You can walk all the fire pits you want, jump out of airplanes hoping the chute opens, bungee-jump from any bridge you choose, but for sheer fright, read your poetry in front of a crowd while wearing nothing but glasses.

I always reserve the right to not reconcile anything. No need. What makes sense anyway? I am about as dysmorphic as a fella can get. I just got over yo-yo binge and starvation. I no longer run three miles because I ate a piece of bread. That ended last Thursday. A friend who knows me better than well (bless you Joyce) will notice the look in my eye as we are out to eat and take away the menu and order for me. It’s insane. And so, through all this, while I thumb my nose at the culture I live in I simultaneously thumb my nose at that part of the culture that lives in me and is discordant with my world-view, or at least the view I would like to have of the world.

In my mind, the more I push this particular illusion, the thinner it gets and, sometimes, I can see clearly through it and know it is untrue.

There is another part to this as well. I want the walls, those illusory walls between self and other, to disappear. I want the illusions to go away. I am happiest when I cannot tell self from other. That is a theme in my writing. That is a theme in my spiritual practice. That is a theme in my massage practice and in hypnotherapy. That is a theme in my life. Maybe I know it is true and I am working to make it happen, to experience it as much as possible and bring that to other people as well. Maybe I am just trying to convince myself that it is so. Which depends on when you ask me.

And let’s be clear—I do not seem to feel ashamed when battling weight. I have, in this area, a self-disgust that is deep and abiding. It’s open 24/7 and never takes a vacation. I am not sure where it came from and I’m not sure when it’s going, but my job, since I can’t seem to shake it, is to be happy anyway. Happy with the world around me. Happy with myself. My job is to thumb my nose, even from within, at anything that keeps me from being happy, at anything that keeps the illusion of separateness alive.

Besides, I am awesomely cute.

3. In both “Funeral, Expurgated” and “My Grandmothers Came from the Ukraine,” you talk about the quandary a writer faces over how much personal or familial information to reveal and how much to conceal or change to protect the innocent (or guilty). David Sedaris, when asked if his books should be filed in fiction or nonfiction, replied, “Nonfiction. I’ve always been a huge exaggerator, but when I write something, I put it on a scale. And if it’s 97% true, I think that’s true enough. I’m not going to call it fiction because 3% of it isn’t true.” And I can’t remember which writer says that the first duty of a writer is to kill his family—that is, write as if there were no one to offend, no one who would be upset if secrets were revealed.

So how have you struggled with the issue of “truthiness” in your writing? And what kind of fallout has there been among friends or relatives when you’ve revealed something that they would rather keep quiet?

Some of what I write falls into the category of New Reporting or New Journalism. Some into creative non-fiction. But, regardless of what I write, I have never let the facts get in the way of a good story.

Many have made the mistake of thinking every piece I write is true just because most of it is non-fiction. So the poetry must be as well. Sure, some of it is but much of it is not. Poetry can be creative storytelling just as much as any other type of writing. My daughter never gathered angels in a field. My wife never complained about her life over coffee as I dreamed of moving west. But with few exceptions, what I write is based on the amazement of that which makes up everyday life. So I did almost hit a wall while she was changing in the passenger seat and the monk did make the spoon stick to his nose. But just because most of it is true does not mean it all is. I reserve the right to tell a story from time to time.

Given that, those who read me know if you see a name in the essay, the account is true. Percentage? If you see a name, it happened. If you see my name, I reserve the right to make my life what I choose it to be. If that is after the fact, then that is just fine with me. My memory is fluid.

That said, there are some things I just don’t write. I don’t write things I feel will hurt a person or compromise them in some way. I have made that judgment incorrectly from time to time but I never set out writing knowing what I am putting down will hurt. I can’t do that. It’s not in me. Even if the person has done me harm, I won’t.

There is so much out there to write. There is no need.

As far a narrative therapy goes, that is the truest account, the most full exposition I can manage. Your example of “Funeral, Expurgated” is narrative therapy. So is “The Shadow.” I write them so fully, so completely there is nothing left inside and, in the end, the content is all without and not within.

Many fail at narrative therapy and are sure it does not work. But they just write it once and get it out in the immediacy of the moment. That is ineffective. To work it must be revised and revised and revised again, experienced over and over in the writing, pared down, blown up, filled and emptied until it is all truth as you see it, until it reads like drama and feels real to one and all. Then, and only then, is it out.

In the essay you mentioned I spoke about the potential fallout a writer can experience and the fear that can engender. My wife, I mentioned in the first paragraph or two, said she cannot grasp the bravery of writing in tha manner. Sometime, neither can I.

But I did not think I wrote anything that would hurt anyone. As my daughter had pointed out, if they thought what they did was wrong or embarrassing, then why did they do it? One would think they felt their actions just fine and so why not record them?

But I did hurt some feelings. After it was out for a while my mother calls with some confusing story about an email and a letter and whatnot. It took me quite a while to put the bits together and figure out it was about the essay. The feeling was, I gathered, that I had aired the family’s dirty laundry in giving the blow-by-blow account of the funeral days.

I have a very small family. Now, it is much much smaller.

4. A casual reader of your blog may be confused about your spiritual inclinations. Are you a Buddhist? A Jew? A Unitarian? A Pagan? How do you reconcile all your disparate beliefs? Or are they really disparate after all?

I am a Jewitarian Buddhaversalist Pagan. What could be more clear than that? I follow the shamanic elements in Judaism as well as in Buddhism but find Buddhism and Judaism are quite similar in their emphasis on tikkun and right action.

I am, of course, a panentheist. But I am also a solipsist and once attended a convention of solipsists where we spent the entire weekend trying to figure out which of us it was.

I spent ten years studying with the Center for Tao and Man. Master Ni told me I had the cosmic egg. What difference what I call it? OK, so I am a Taoist. I follow the watercourse way and sometimes that flows through Judaism and sometimes it washes me into the Thai Buddhist Temple where the abbot explains to me the deeper meaning of the Kol Nidre.

After many years of attempting to reconcile seemingly disparate paths, I have stopped any attempts at reconciliation. The result is that all things now seem much more similar and it becomes more and more difficult to see the space between them or recognize there are differences.

Besides, name one cantor who does not like to be accompanied by a rattle or drum.

5. Tell me about turtle shells.

[Note: I had a turtle shell that I brought out whenever I did any group shamanic work. Every time Adam was present, he clutched the shell as if it were a talisman or protective shield. And when I do energy work with him, particularly when I use quartz or amethyst crystals, he seems to find the shell soothing, since my energy feels “edgy,” for lack of a better word. It became clear one evening that the shell wanted to go and live with Adam.]

The carapace is the dorsal, convex, magical part of the shell structure of a turtle, though a turtle would argue it is concave. It consist primarily of the ribcage which is a strange concept because there is never any chance of the ribs escaping. The spine and ribs are fused to bony plates beneath the skin which interlock to form a hard shell when blue and yellow make green, locking freshness in. Exterior to the skin, the shell is covered by scutes, horny plates that protect the shell from scrapes and bruises. Underneath they are made of backhoes.

They are alternately named Don, Horace, or Filbert.

They are not like crystals at all.

They go wonderfully with a cup of papaya juice and Northern Exposure.

One called to me for a year before it ended up coming home with me.It was playing hard to get.

If you lie one on your stomach, you might not have seizures.

Turtles don’t mind.

6. A dear friend of mine named Geralyn said an old chum once told her, “You know what’s so wonderful about you, Schulz? You can’t sing worth a damn. But it never stops you!”

I know you love to listen to music—music of all genres, music that makes you think and feel, with a smattering of Broadway just for good measure—but I think you like making music even more. Singing for the joy of it.

I remember a workshop you conducted on chanting. It was something everyone could do even if they couldn’t carry a tune. And there’s that wonderful Yom Kippur piece you wrote where you imply that chant and prayer and incantation are different aspects of the same thing.

So what does singing give to you, or do for you, that other forms of creativity do not?

Everything sings. The Earth sings from beneath and around us. Everything on/in/apart of it sings. We come out of the Earth and go back into the Earth and, therefore are never apart from the Earth, and so we sing. Any part of a whole carries the nature of the whole. So I do a whole lot of singing.

I think everyone should. And, no, it does not matter if the person can carry a tune. Sing. We are made of an Earth that sings and it is a function of our bodies. We get caught in subjective notions of quality which we mistake for objective ones and which we then assign value to. People do not sing because they are not good at it. But we do many things we are not the best at. We don’t see people refusing to walk because so many other people do it so much better. So sing.

Music reconnects me to all that is around me. I can disappear as a separate entity—the illusion of disconnection evaporates—when I sing. When I am singing with others in harmony there is an experience that is ecstatic, in what I feel is the true sense of that state: I am outside of myself. The harmony creates a larger sound that is made of but is not simply the voices that create it. The harmonious vibration is larger than the sum of the voices. Larger and different. And that applies holographically from the macrocosm to the microcosm, and fractally from the microcosm to the macrocosm.

What is it that vibration does not do, is not made of? I remember someone wrote somewhere in some well-known book something about “In the beginning there was the word; the word was in God’s presence, and the word was God.”

Names, sounds, create things. And it is the naming that creates separation and, therefore, identity. It is my feeling that what wounds can also heal, and sound heals. Singing heals. Music heals. The cantor sings to the congregation the holy words. We chant holiness. Incantations create. All is sound.

Other forms of creativity are, for me, secondary. They are derivative. They pale. To learn to write I took music classes. My writing exists because I do not play an instrument well.

7. I actually went back and reread every single entry in your blog this evening. I teared up at a few, but mostly I smiled. Or sighed. I am honored to know you.

One of my favorites (though to pick even a Top Five would be next to impossible) is Day of the Manatees. There’s a quote by Henry Beston that we both like—in fact, we’ve emailed it to one another, forgetting that the other had already sent it to us—that goes:

We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature, and living by complicated artifice, man in civilization surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate of having taken form so far below ourselves. And therein we err, and greatly err. For the animal shall not be measured by man. In a world older and more complete than ours they move finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.

If you’re a panentheist, then you believe that God (however you define the concept) interpenetrates every part of Nature. My friend Tim has a wood carving of a fish; on the side is painted the word COD, except that the bottom of the C curls in just a tad too much, making it halfway between a C and a G. It’s the God Cod. (Or, for the dyslexic, the Dog Doc.)

Speaking of dogs, here’s my second favorite zen kōan: A monk asked Zhàozhōu, “Does a dog have Buddha nature or not?” Zhaozhou answered, “Wú!” (Wú means “no” and “non-being,” and is also the sound of a dog’s bark.)

There doesn’t seem to be a question in there anywhere. Hmmm.

How’s this: Manatees. Dogs. Cod. Us. God. If all our separateness is maya—illusion—then do manatees bark, and does God swim in Turkey Creek?

Hafiz tells us:

Ever since Happiness heard your name
It has been running through the streets
Trying to find you.

And several times in the last week,
God Himself has even come to my door—
Asking me for your address!

If God can come to my door, I am sure God can swim in Turkey Creek.

 
 

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The Ox Butcher

There is a Taoist story about an ox butcher. I heard Gary Snyder tell it not long ago. I won’t repeat the story here, but I will retell it.

Cannelloni beans, about a cup,
Five or six diced garlic cloves
Chopped quickly with a knife so well fit,
So sharp it enjoys being picked up, used, cleaned
Then used again on a turkey wing
Too large for one meal, too much for flavoring.
The blade slips within the joint, between the bones,
Into the space,
Through and around
So the wing is divided
But what cutting has been done?
The beneficial is achieved by allowing things to do
what they do.
Force your blood to flow.
Force your heart to beat.
Force a wing apart.
What a mess.

Place it all into a clear pan, add some coarse salt.
Allow it to cook.

 
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Posted by on August 22, 2008 in Food, philosophy, Poetry

 

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Graduation Speech

I graduated massage school this week. I was asked to give a speech at the graduation.

So here is what I said on Saturday, August 16th, 2008. Three minutes and fifty-two seconds.

*****

Good afternoon.

I have never attended one of my own graduations before. Primary, secondary, high school. None. College. None. Confirmation of neither graduate nor postgraduate degrees ever moved me to attend a graduation. Never have I desired to attend a graduation. Not until today.

Twenty-six years. That is how long I have waited to arrive at this point. While some of these students have seen the ink barely dry on their GEDs, some of us have had one, two or even three careers before coming to this point. For some, this has been a dream a long time coming.

In my case, I had spent a quarter century in public service as a social worker and, then professor and teacher. As an eighteen year old I sat with my wife dreaming about when we would have a practice together, a holistic center, not knowing what our roles would be, but knowing what we wanted to do there. Then came work and children. Actually, children first. I got degree after degree as they became useful or increased my income or opportunity. But none did I want for the sake of my soul.

And so, twenty-five years later, by a fortunate turn, by hard work, by the grace of my wife, who, without doubt or exception, is the single most incredible woman this Earth has ever been graced to see, I was able to enroll, finally, in a program that, in her words, made my heart sing. The thought of practicing massage therapy did make my heart sing. So I cast my die, said goodbye to teaching and picked up study instead. I set my sights to get through this program. That was it. The first day I was asked who I was and to tell a bit about myself. I answered thus. I am asocial, not terribly nice and I am here to learn. Leave me alone. My classmates may agree with me, depending on who you ask.

A year later. Twenty-six years total waiting, and I am a hair’s breadth from working with my wife in our own practice. A dream we have had for more than half our lives. I am of more use than I have ever felt, more settled in my body than I have ever been and, closer to realizing our dream than ever before.

Further, I have discovered an interest in and have been exploring indigenous and shamanic bodywork practices and plan to continue studying and using then in my practice. Why? Because it is healing for me. Because I believe it healing for my clients. Because it makes my heart sing.

Now, each day I wake I can look forward to a short ride down the street, to being with my wife in a practice we dreamed about for so long and so long ago. That is what the last year has brought. That is what this school has helped bring to me. It is now up to me to take this and do something grand. Something that makes my heart sing.

I suggest you all do the same.

*****

My wife referred to it, over and over, as the white trash show. Tears were flowing everywhere. There was hooting and hollering. I was congratulated, by Craig for the skillful way I kept my eyes from rolling. Lee and Craig kept each other company, and sane, during the proceedings.

I was called to speak. Before I could I had to remove the box of tissues from on top of the lectern as I could not be seen behind it. Jennifer was not there, which emptied part of the meaning of the graduation for me, but I would read the part written for her anyway. I owe her that much, at the very least.

I spoke. But so did anyone else who wanted to and at great length. One kept referring to palpation but defining palpitation. Still, I am not sure what either was doing as the topic of a graduations speech. The last speaker was autistic. I am not sure what she said but it involved quite a bit of breathing.

There was theme music. “Brother Can you Spare a Dime” and “I Got Plenty of Nothing.” That is still beyond my ken. The owner of the school gave us each an extended Christian tract.

Midway through I left the students and joined my wife. The entire affair took nearly two hours.

Afterwards, I had a beer.

 
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Posted by on August 17, 2008 in Culture, Education, Family, Social

 

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Reaching Out

A friend, a proto-friend, friend with a small ‘f’ as opposed to a Friend (though there perhaps is that possibility over time) is having a difficulty. I won’t go in to it. It’s none of your business. The nature of it is irrelevant. I did not go into it with her either.

But, through the wonders of MySpace, I saw she was distressed. How? She had changed her mood smiley-icon to “distressed.” That’s a pretty clear and public indication.

So I decided to mind my own business. That lasted a bit under five minutes. I wrote her, not knowing why I did, not knowing why I wrote what I did. I wrote as follows.

You should know if there is any way I can assist, if there is any way to help, you need only say so and I’ll do my best.

One may attempt to pull oneself up by one’s bootstraps, but it is tiresome and ineffective. It is the eye looking at itself or a finger attempting to feel itself. For this there are other eyes, other fingers.

For help: that is why there are other people.

Her response was thus:

Thank you so much…reading that instantly pushed my pride over on its big head! And that is not an easy task.

I had doubted myself, of course. It is my hobby, after all and I, while I don’t get paid, I am, in all other respects, at full professional, champion status at it. But I have learned, recently, to bull my way through doubt and act anyway. Ninety-nine percent of the time my self-doubt will be wrong.

But I wonder, when it is right, if I am to understand most of my doubt are old recordings, how am I to know the one time from a hundred when the voice of doubt speaks the truth?

I guess that is the time I will get hurt. It is better, I suppose, than hurting myself.

In the meantime, I have taken this step. I have reached out. And not to someone with whom I felt an instant kinship to, not to someone whom I feel I know for a thousand years and have remet, not a soul whom I have the joy of recognizing after long absence and feel barely parted, but to someone I hope will, over time, become a friend.

I guess, in time, I might get hurt. But it is better than preemptively hurting myself and it is something I should do more often – tell self-doubt and deprecation to take a hike, reach out, and help.

 
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Posted by on August 3, 2008 in philosophy, Social

 

Like Water

My friend and publisher Craig Smith asked of me a task.

This is not a strange task, given I am studying massage and working in the medical field. It was not an unreasonable request, given the same. That it came over a Fuller’s ESB (Extra Special Bitter) at a local pub was a bit out of the ordinary but if I discounted that which came at uncommon moments and from non-ordinary directions, my life would be rather empty.

He asked me to work on his mom.

Without going into detail, his mom is old. Yes, that is rather a meaningless word. Old means something different at ten than it does at twenty. Vastly different at thirty than it does at fifty. I am forty-three and I consider her old. This is fully because she acts old. I have, in fact, no idea how many years she has been walking the Earth. I do know, however many years that is, discounting her infancy and the last few years, that number of would be minus a bit over three. She rarely ventures from bed and, then, with great difficulty.

He wants me to do massage for her. Her lower back is stiff and painful straight across. She has little flexibility and movement. Far too much time immobile has left her atrophied and less likely to become mobile each day.

She can’t get onto a massage table. A massage chair would be a difficulty. I suggested I was not the person for the job. Perhaps someone experienced in geriatric massage?

A few days later I asked a therapist who teaches at a local massage school. Ron is familiar with my work: I have given him massages in the past and we have had discussion on method, practice and philosophy.

I asked him about working on Craig’s mom. I suggested a few salient suggestions regarding technique or set-up. He did not disappoint me.

He suggested bringing in a straight-back chair and having her sit on that, the wrong way, with a pillow in front of her. Good idea. That would allow me to get to what I needed and still leave her feeling secure. It would be more familiar than a massage chair and easier to get into.

I went on to say I said I didn’t think I was the right person for the job.

I was quite surprised at the answer. He countered me with what, to me, is a compliment.

“You are exactly the person for the job. You are gentle and the energy flows through you. You are perfect for it. You’re probably just what she needs.”

Really? Gentle?

My touch is rather deep, but broad. It is slow and, I suppose, I can see that, though not light, being sensed as gentle.

But energy?

I said I never felt the energy flow and then, it occurred to me, what an idiotic thing that was to say. One only feels what one resists. A wire only notices the energy when there is resistance. A hose only notices the water when there is a block.

After all, if you notice your eye seeing, there is a problem. If you notice your breathing all the time, feel the air in and out, there is a problem. If you can feel your heart stomping in your chest, see a doctor. When things work right, they are invisible. When the country is run well, the emperor is never seen. So the Tao teaches us. So nature shows us. That which works as it should is not noticed, has no resistance. That which resists is worn.

I think that is why I never trusted the energy workers who shook and quaked and moaned when working. And I never figured the more hot the hands of a worker the better the work. In a way, that heat is a sign of resistance just like a cord with too much power for the gauge. It’s a sign of resistance.

So, I resisted the compliment, of course. But I was countered again, later, by another. Jennifer, my friend of marvelous intuitive power, trusted fully, implicitly and wholly, tells me the truth without hesitation or reservation. When she speaks, I believe. Jennifer agreed instantly. Agreed as though I should have known this all along.

So, I guess I’m the guy.

And why am I always the last to know? I guess I just never notice.

 
2 Comments

Posted by on July 24, 2008 in Nature, philosophy, Religion

 

There is a Picture of Me in my Daughter’s Bedroom

There is a picture of me in my daughter’s bedroom.
On her night table, it would be the last thing she sees
Before turning off her light.

It is a photograph of me holding her in my arms.
In it, she is one year old and I am nearly twenty,
As she is now.
In the picture, I am holding her
As I am now.

Last night she swallowed a bottle of pills.

There is nothing unhealthy in my daughter’s kitchen.
Processed foods and artificial colours would never
Find their way to her table.

She is a dancer for the ballet and vigilant with her body.
She regards it as sacred and believes
Others should as well.
She has done her best to keep everyone
Full of life.

Last night she swallowed a bottle of pills.

There are no prescription drugs in my daughter’s medicine cabinet.
She questions doctors on the rare occasions
She feels the need to see one.

She must know why she needs the pills and what they will do.
She regards them as foreign substances
She should avoid
And would not take anything other than
An occasional aspirin.

Last night she swallowed a bottle of them.

I have a picture of me in my daughter’s hospital room.
On my night table, it is the last thing I see
Before turning of my light.

It is a photograph of me holding her in my arms.
In it, she is twenty-one years old and I am nearly forty.
A nineteen year constant, growing wider, growing wider.
In the picture, I am holding her
As I am now.

 
1 Comment

Posted by on July 1, 2008 in Family, Poetry, psychology, Suicide

 

The Massage-esque, Non-acu-anything Table of Ultimate Promise

If you don’t feel well, if you need to get your blood flowing and muscles moving, take a walk. If you need medical care, if you THINK you need medical care, see an Oriental Medical Doctor, an Acupuncturist or Herbalist, see a massage therapist or even a good, decent MD, if you can find one who still remembers how to treat a patient and not a just a condition, but, for goodness sakes, see a real person who will put their hands on you, listen to you, look at you and actually take the time to see what is wrong, see you as an individual, treat you as an individual.

Don’t see a table.

I received a coupon as part of a drawing at a health fair. The prize I had won was a free month of massage, once a week, at a place which shall remain nameless here. I thought this strange because it was the same coupon/gift certificate I had seen lying in piles at a chiropractor’s office a week before. “Some prize,” I thought. Giving as a prize what one normally offers for free doesn’t exactly boost ones’ karmic brownie points.

Thinking I would give it a try anyway, I called to make an appointment. None needed? How many therapists do they have there that one doesn’t even need an appointment? Fine. It seemed strange but I thought I’d try it anyway. I jumped on my bike on a Saturday afternoon and headed into Melbourne.

A storefront in a plaza. Wide open view to the inside. People milling about. A row of six angled massage tables, or so they seemed, to the left side of the store. Each had a person on it, fully clothed, no draping, no therapist. At the front counter, a short line and, across from that, seating for six with four chairs filled.

I enter.

An old woman is at the counter asking about her next appointment. She will be seeing her MD between now and then about her diabetes.

She is told not to worry about it. The massage bed, yes, they called it a bed, will take care of it. The magic jade fingers will provide acupressure that will alleviate the diabetes.

The table provides, they say, the equivalent of moxa, acupressure, reflexology and massage as well as energy therapy. Further, I was told, using the Migun table means no need to exercise. as it will bring all the muscle movement and blood flow a body needs. Really?

A roller with, I am told, heated jade knobs, runs up and down the back shu points. Simply, up and down next to the spine. This is not acupressure. It is not acu-anything. It is not accurate in any way at all, as a matter of fact. And, of course, no diagnosis is done what-so-ever and certainly nothing that applies to any specific patient.

This, I think, standing there, is worse even than the Western medicine, one size fits all, treat the symptom not the person method. The most they do here is adjust the spacing of the knobs, those magic jade fingers, for the general size of the person.

She asks about her weight.

Don’t worry about that. Enough treatments and the weight will start to fall off.

I keep my mouth closed which is quite difficult for me even under the best of circumstances.

She hands them a check for six more sessions.

My turn at the counter. I hand them the certificate. It is unsigned. They don’t know where it came from, despite my giving them the location, time and circumstances, and don’t know how to assign the credit for the certificate. Somehow it becomes my problem and I must wait while they figure it out. I do wait a few moments and ask questions of the attendant left at the counter.

“Oh, it’s a wonderful massage.”

How do you all know what parts to massage or how much pressure to use?

“The table has variable pressure. We can turn it up or down.”

Just in general for all over or does the pressure vary by part?

“No, just in general. And it works on the back only. And the back of the legs and neck.”

What if I don’t fit on it, just in the right place. My legs tend to fall to the side.

“We can strap you in to keep your legs straight. That problem can be fixed with enough sessions.”

Since moxa is used for tonifying in a person who had a deficiency, what would you do if you had a patient who had excess?

“What?”

I was told I could have my turn in about a half hour and I could have a seat and wait.

I opted for my bike.

A month later I was assisting at a table at a Palm Bay city health fair held at out local community center. We had a booth there and we were one spot away from the Migun table. Again, I am leaving out the name of the outfit that was purveying the massage-esq, non-acu-anything table of ultimate promise.

As our practice is concerned with Oriental Medicine, Acupucnture and Massage, the fella at the table felt sure we’d be interested in purchasing a Migun table in our office, for the benefit of our patients. I almost never try the cure of the month club’s newest entry. But, as this one was offered, it was ten feet away, and I wanted to sit down, I thought it a sterling opportunity to give it a whirl.

I laid down and it hurt. Hard, knobby, pokey.

“I’ll adjust it.”

Knobs turned and the magic jade fingers moved closer together toward the space between the outer and inner urinary bladder channel about four fingers away from each side of the spine.

He turned it on. Was it badly adjusted? He said no. It hurt. Magic jade fingers rolled up and down the back of my legs and backside. Just hitting the wrong places nearly every chance they got. My legs turned to the side and the fingers hit bone. A separate set of magic jade fingers rolled up and down my back. They hit my scapulae, against my skull. A timer was set for five minutes and I was set to endure it for a fair trial.

About three minutes in I gave it up. Yes, he agreed, it often hurt. The pain would go away with many treatments as my tissues softened. Softened? Pulverised? Ok. Would the magic jade fingers also learn where the correct anatomical points were and stop ‘massaging’ bone?

How about acupressure? Oh, he said, everyone gets the same points done. The same meridian (inner urinary bladder channel).

Why?

“That fixes all the problems.”

Since moxa is used for tonifying in a person who had a deficiency, what would you do if you had a patient who had excess?

“What?”

I went back to my table.

Healing happens when a person, learned and skilled, finds the way you became ill and works to correct it. It is not done by a machine.

Sure, a machine may help. Electrosimulation is something we use with acupuncture. We might use a heatlamp. We find MRIs helpful from time to time. Precision lasers are amazing tools in the hands of one who is learned and skilled.

But don’t look to a table to heal you. Magic Jade fingers or not.

 
3 Comments

Posted by on June 9, 2008 in Culture, Social

 

Kayak Book

The date is May 17th, a Thursday, and it is my planning period and lunch. I have no need to plan anything and it is quite too soon for lunch. In a middle school, lunch can range anytime from ten-thirty to twelve-thirty. It is a quarter to eleven and that is far too early.

I also have only a week left of school; hence, the lack of need to plan. Other teachers are planning already for next year, looking at recruitment, collecting materials, packing up what they have to be stored for the next year. They’ve been doing this for weeks.

Me, I had opened up my desk drawers and filing cabinets for the students to take what they liked, yanked wide my closet doors for students to take what they chose. My books, academic, scholastic and otherwise: given away. Papers: given away. Posters: given away. Rulers, staplers, pens, hole punches, clips: all given away. My plan book with my year’s lessons and projects, nearly everything, all gone to students. The little that remained: left for the teachers to scrounge. I had to scrounge at the beginning for the year. The day before the start of school my room was ransacked for furniture, supplies and books. I had to enlist students to help me find tables and desks from the trash. So the students can have what they like and the teachers can do what they will, what they do best: thieve. I have no need of any of it. As of next week, I am no longer teaching. I am done. I have had enough.

All but my writing program. That, I kept neatly organized in a binder. My principal asked to have it. I laughed, quietly, subtly but visibly enough he asked what seemed amusing. After all, I was let go for being more a writer than a test trainer, more a teacher than a techie. “You’re a genius,” he said, “but you’re not duplicatable. Neither is what you do. We can’t afford that.” I suggested he could purchase the program or hire me to teach as a consultant but, no, he would not be left the fruit of five years’ labour and two decades experience.

So I have little to pack but a portfolio and a few papers. I have finals to give and grade – pass them out, pick them up and run them through a machine. I have students for whom I must enter grades and, averaged, their final grade will not look like the letter grade on their report card. Students, eighth graders, who published essays, poetry, journalism, won contests, accomplished works of beauty and artistry but whose ability simply cannot be expressed in the final the administration mandates must be multiple choice and look very much a mock state assessment. No score will go down but several will be much higher than the numbers alone might dictate.

As a matter of fact, some of those final grades can be entered even before the test. As I start, I remember to turn my phone on, as I do during my planning periods. It chimes and I hear the signal that tells me I have voice mail.

The call is from Witney. I left him a message about kayaks some days earlier. I have been interested in kayaking and canoeing ever since I went on a rather surreal canoe adventure down north Florida’s Santa Fe River with an entire Hebrew school student body. The result was a blues song called “Jews in Canoes” and a love for quietly paddling calm waterways.

Jews in Canoes

(chorus 1)
Jews in Canoes
Bad News
Jews in Canoes
Bad News
You’ll always get the blues with
Jews in Canoes.

(chorus 2)
Jews in Canoes,
Bad News.
Jews in Canoes
You’re gonna sing the blues.
You’re always gonna lose with
Jews in Canoes.

Went or a trip
with my daughter’s class mates
from her Hebrew school
I couldn’t guess my fate
We set out on the river
at the outpost site
oh my lord
I had such a fright.

We were set in the water
barely two feet deep
There were thirteen canoes
in our Hebrew fleet
one paddler in the front
and one in the rear
rocking the boat
both trying to steer.

chorus 2

Then we got it straight
headed down the stream
twelve canoes
from a very bad dream
When I heard a little chuckle
on the bank from an otter
when our fleet was jam
from one bank to the other.

Well I floated down the river
as easy as can be
Then I make the mistake
of looking next to me
out on a river
one hundred feet wide
a canoe from the blue
hit me in the side.

Shema Yisroel,
Adonai Elohenu.
Adonai echad.

chorus 2

Now we’re out ahead
just my daughter and me
I look around
at the scenery
Here comes a canoe
with a mother and a child
next thing I know
we’re a canoe pile.

When we reach the end
our destination in sight
I hang back
to avoid the flight
canoes left and right
my chances are slim
next thing I know
I’m hangin off a tree limb.

chorus 2

I get off the limb
and walk to my boat.
Barely ‘nough water
to keep it afloat.
Canoes all around
ahead and behind
paddling to the beach
like they was all blind.

Out on the grass
sitting in the sun.
licking my wounds
kinda glad we’re done.
Then my daughter tell me something
leaves me cold with fright
“Our next canoe trip, Daddy, it’s at night.”

chorus 1

Jews in Canoes,
Bad news.
Jews in Canoes,
You’re gonna sing the blues.
You’re always gonna lose
You’re gonna pay your dues
You always get the blues with
Jews in Canoes.

I had asked him, in an email and phone message, if there was such a thing as a stable kayak or if I had to look for a canoe. I further wanted to know if he had a line on one that was affordable on my schoolteacher’s salary, which meant I was looking for someone who had a perfectly usable boat and wanted to pay me to take if off his or her hands.

I return the call.

I ask my question.

There is no such thing as a simple answer to any question asked Witney. This is not because he doesn’t want to answer a question in a simple way but because he wants to be sure the answer is right and complete to the best of his ability. It requires patience. Sometimes it also requires coffee and, often, strong drink.

What do I want? To paddle easily along Goat Creek, Horse Creek. To get some exercise, see the manatees. To cross the brackish shallow sound of the Indian River, eight-mile wide, until I reach that quarter-mile spit of land that keeps it from the Atlantic Ocean. To be alone on the water.

How about a johnboat? No. I want to see where I’m going. He doesn’t blame me.

I ask if a canoe is more stable and the answer is, “It depends.” This doesn’t surprise me. Some have flat bottoms, some are meant for the sea, some for rough water. What about a kayak? Same deal. Some actually ride a bit under the water, some are for racing, for smooth water, for the sea, for whitewater. For me?

This is why I called. He will take it apart, find exactly what is what and, together, we will find the answer. I might take a month, but we will find it.

A month. Little do I know.

Don’t kayaks roll? Sure, he tells me. People actually roll them on purpose. Not me. Not me.

I don’t swim. I am perhaps a poor candidate for kayaking or, for that matter, water sports in general.

It is not for lack of trying. I hear I could, if I would just try hard enough. That’s what people tell me. They say, but they don’t know.

I have taken classes. Chicken of the Sea classes from the Red Cross. Adult Beginner classes from the Red Cross. Classes designed for little kiddies from, again, the Red Cross. I once swam about ten feet. It was an accomplishment. Then I panicked and flailed and reached for the comfort of feet on solid surface.

My wife tried teaching me. She was a certified lifeguard and tells me she never felt in danger in the water until she tried to teach me to swim. She says I almost drowned her. Almost doesn’t count, right?

I took a swim class in community college. My instructor was a tall, solid, chiseled figure of an ex-marine drill sergeant. He told me I would learn because he could teach anyone. Has never failed. He, himself, was a difficult case – being all muscle, he explained, he sunk immediately. Yet he learned.

I, on the other hand, overweight, fluffy, was in no danger of sinking. He was sure. I was never so happy to be fat.

Like a rock. Like a brick. Like an enthusiastic member of the Pharoah’s army chasing the Israelites, I went down. Oh, Mary, did I sink.

Sergeant Swim signed my drop card.

And now I want to kayak.

Not as strange as it may sound, he tells me. A kayak will work. Some have keels and flat bottoms. They are stable, don’t roll, smooth. The deal is I should come down and try one and see. Good idea.

What price are we talking about? How much?

Don’t worry about that. He has a better idea. Witney wants to build one for me. The cost will be materials. What can I do? I don’t do power tools. It’s the old story about the one-eyed epileptic with the chainsaw. If you don’t know the story, just use your imagination. Does it end well?

I once owned a jigsaw and a circular saw. I owned other tools as well. I once had my thumb nearly removed simply in the process of starting a lawnmower. I came home from a trip to discover my wife and my father had gotten together and sold my tools. They love me.

So I won’t be helping build. Oh, I could hold something while it dried if it wasn’t an important piece and we could afford having it call of the first chance it got. If that isn’t a problem, then I can do it.

No. He has a better idea. Watch. Just watch. Watch and write. Record the process. Chronicle building from beginning to end. He has a lead on a publisher. He gets to build, I get a kayak, we get a book. Everyone is happy.

Has he read my essays? “New reporting” some call it. Creative nonfiction. Not technical writing. It will be chronicled. Every bit. Each delay, mis-measurement, discussions. All of it. All of it surrounding the building of this kayak. It must be more than measuring and cutting, gluing and painting, if any of those are even part of the process. I’d want people to see the event in its entirety. He understands, he says. I wonder.

Let’s make a date to come down to Ft. Lauderdale, to make the two hour drive. I know I’ll have to do this a few times and this will not be built in one or two days.

First, we must get me into a kayak. We make a date. It’s set. Early June.

My second book is out. The Phoenix and the Dragon hits the shelves – there are launches, readings, performances. The date for the building approaches and I figure, since I’m going to be down there, why not set up a reading or two, a workshop. I’m making the trip anyway and the first time down is for kayaking, not building.

It is the second week of June. I look at my ringing phone and it is Valerie. I hear Witney in the background. They live next door to each other in a duplex. They share a wall and a child. They also shared about ten years together. But there were some basic philosophies and proclivities they did not share and now, they get along well enough but a marriage is no longer one of the things they share. In the past, yes, but not today. Not tomorrow. I know them both. I met them in church.

He wants to know if I am sure. Should he order the plans? What plans? Weren’t we going to check out the stable kayak first? Wasn’t I supposed to get into one before we decided to build a boat from scratch? I have never been in a kayak.

Don’t worry about it. Don’t worry? He is telling me, from the background, not to give it a second thought. Val says she took one for a ride, built, by Witney from the same plans we are going to use. She and her daughter and it was smooth, non-tippy, non-rolling, stable. Val would not tell me this if it weren’t true. I’m pretty sure she prefers me alive to be her partner in crime, camping, contradancing, singing showtunes in front of gay bars – all difficult to do after drowning.

Sure. Order the plans.

Don’t worry.

*****

I have waited ‘til mid-day as the early February morning is cool. It has been eight months since the idea of building a kayak was suggested to me, since I was offered to build one, write about it, take it home, author the book.

Mine is orange. The company, Pelican, based in Quebec, calls this material RamX resin. It seems rather indestructible. It is extruded and multi-layered and all sorts of other terms that means it floats and does not fall apart. I was told this by the company secretary with a quiet, musical French accent in a soft velvet voice, so I know it’s true.

It is not wood. I did not build it. I’m writing about it anyway. I’m quite happy.

This is the third time I have been out in it. Me, who doesn’t swim, out on the expanse upon which I am comfortable and in which I am not. And it is glorious.

Within ten feet of the slip, down which I carried my small boat between craft larger by far than mine, the world had changed. Within ten feet the manatees are floating alongside me. I paddle. I am but slowly getting the hang of paddling and, at times, I am a bit overzealous, but when the manatees are alongside, I stop. One of us belongs here and it is my place to be still.

Within five minutes I have passed through Turkey Creek, past the Palm Bay Marina where I paddled in and out between parked boats just for the practice of it, and under the bridge on which the thousands of cars a day buzz on US1 over the creek. And there is the Indian River.

Immediately I hear the spray of a dolphin beside me. I register the sound, understand what it is just in time to turn and see the water shooting from the blowhole of a dolphin well within arm’s reach. Thrusting water high and in my direction. Without expelling water, the dolphin would drown and expel water it does. A muscular flap opens and other muscles push with such force the water leaves the beast at slightly over one hundred miles an hour. Plenty of speed so that it lands, less than gently, on me.
I am glistening with water from the spouting dolphin. One, two, three, more swim along as I slowly skid toward Castaway Point. In the water and out, jumping up, wetting me down. Surfacing next to me and disappearing again, again, again.

I pass the point on either side and the water opens in front of me. To the left, in the distance, North, up the river, I can see the Melbourne Causeway misted gray faint by the bay air. To the right, the nearest bridge is thirty miles downriver at Sebastian. Aside from the scant beach behind me, the nearest land is two miles away, over this river that, more properly, is a sound, a brackish bay. Indialantic is a quarter-mile-wide spit and all that separates me, this river, from the Atlantic Ocean. I am headed there.

Once there, I’ll beach, take my shoes and wallet from the ziplock bag (terribly unreliable, I’m told. Get a drybag.) and walk a block to the cafés. I’ll sit and have coffee. Stroll to the ocean.

In the meantime, here I am. The boats race by, longitudinally, as I cross. Each larger than I and each given the right of way. Wakes come and I learn to meet them head on, the water rising before me, above me, under me, behind me, before me.

I am delighted to find myself not becoming seasick.

From upriver, sliding toward me, is a barge. Perhaps this is coming from Cape Canaveral. From the distance it appears massive and grows as it approaches. I backpaddle.

I had not thought of backpaddling before. I imagine it is the same as paddling frontward but just the opposite direction and, of course, the kayak stops. I drift as the barge is pushed south toward me, Sebastian Inlet and the ocean.

Drifting. This kayak is tiny, even by kayak standards. It is small and cheap. Nine feet and four inches. A kayak to sit in, float in, paddle in but not race in.

I bought it for one hundred and forty dollars. A few years old, it sold for about three hundred new. Bottom end.

Stable. Very stable. I needed that. It isn’t long so it won’t be spun much by the wind. But it also takes work to keep it going where I want it to. It does not track well.

Track. That is a word I learned recently while teaching myself about my little boat via Internet searches for explanatory material, tutorials, instructional videos and glossaries. Track means to go straight. This kayak doesn’t.

It tends to drift. Actually more what feels like a skid. If I paddle straight it goes straight, paddling one side, the other, the other, the other, with correction here or there. But if I stop or paddle a bit more strongly to one side, the skid is obvious and anything but minor.

And I don’t care. Paddling is exercise and all I wanted was to be out on the water.

I did try to find a skeg for it. That is another word I picked up recently. A skeg is a non-movable rudderish device to keep a kayak from skidding. It helps it track. Mine is, I discovered, not designed to take a skeg. The Ms. with the velvet voice told me so. No problem.

At times, when there is a current and I am paddling toward the dock or one side of a fork in the waterway, the kayak pointing slightly in the direction of the current, my head, facing the point I’m aiming for, the kayak moves slightly forward and slightly sideways, skidding in a way that tosses my senses a bit, my body facing in one direction while it moves in another.

What a kayak this size does have going for it, however, is more important than what it does not. It fits in my truck with no problem. I pick it up and carry it with no difficulties. From home to slip with no stress and all ease. It feels as stable as a floor and, at its size, I can turn with almost no space needed. It can nearly spin in place.

Spinning in place is what I’m doing now as I wait for the barge to pass. The closer it gets the more clear it is to me how thin lines between safety and danger are, between good sense and opening oneself up to the universe saying, “I’m here. You’ll take me if you want. It doesn’t matter. My stuff was part of the world before I was born, I did not come into the world, I grew from it, I am not separate from it and I shall go back into it when all is done. And now, I lay myself out on it, onto myself, and trust it will be OK.”

My small self, this small boat, the water beneath me, surrounding me, the barge. And, still a half-mile away, coffee.

*****
June, and I am ready to build a boat. School has been out two weeks and I have been two weeks gainfully unemployed. As planned, it is time for a short trip south and my first writing assignment since leaving college. And this one should prove much more satisfying. It should certainly be more fun. Time to build a kayak.

On an early Saturday morning, I head south in plenty of time to arrive by eleven-thirty and put in a full afternoon of building. It should take a few days I’m told. Four or five. Two weekends.

I arrive at eleven-thirty, as planned, knock on the door and find Valerie on the phone. Witney is not here. His car is not here. Where is he? On the other end of the phone. She hands it to me. Can I help him pick up something?

I don’t drive much in South Florida. Drive in and drive out. After I arrive in Broward County, I tend to get carted around. But there is building to do and that requires materials and I have a truck. That leaves me with the toting.

I assume we are going to pick up kayak parts. Raw materials for boat building. We are picking up wood; plywood, two by fours, posts. From Witney’s description of the materials, this is either a super-long or monstrously heavy kayak we are building and I ask, eager to learn, about his choice of materials. No kayak parts, these. This is wood for a table. There will be no kayak building today. We are building a table. I don’t know why we are building a table. Do tables float?

Katarina, the age-six daughter of Valerie and Witney, who spells her name with a “C” but which I stubbornly refuse to and replace with a “K” on the sole concept her name rhymes with Tsarina and, therefore, should be spelled appropriately, laughs. She knows why we are building a table and wants to tell me. I want to hear it from Witney.

The table is to build the kayak on.

One would have thought this might have been done before, but I do want to chronicle the entire experience of building, start to finish, so, sure, why not.

The plan was to build the boat using common woodworking tools one might find in a home workshop. Well, the plan was, originally, to get into a kayak first and see if it worked for me, but I’m not mentioning that. Now, instead, we’re talking old-time carpentry. No production tools. No professional woodworking shop with specialized devices. A home-build at home, in a yard, using what Witney had called “primitive” tools. On this he was adamant.

But he was adamant about this at eleven-thirty the previous night. He was adamant about this in a conversation with Valerie, not me. I knew nothing about this. And so, at eleven-thirty the previous night he decided at eleven-thirty today we would be building a table.

“Where do I meet you?”

I am given directions and five minutes later I am back in the truck, in Ft. Lauderdale, Valerie beside me to ensure I don’t become hopelessly lost.

I just missed Tina, she tells me. She had come over to give her Valerie’s other daughter, now eighteen, a driving lesson. Valerie still attends the church, the Unitarian Universalist Church of Ft. Lauderdale, where, over most of the last decade, she and Witney were well known. Witney has not been there in over three years. He was, at one point, a Sunday school teacher in the teen program. So was I. I frequently return for guest appearance, readings, to take part in poetry workshops or services. I am greeted warmly, joyfully each time. Returning to the UU, for Witney, would be a much less welcoming event. Tina, complicit in Witney’s lack of welcomed status, was in the teen program as well. But not as a teacher.

Tina is now twenty.

Just before we arrive at the woodshop Val receives a call from Witney. No need to head to the woodshop after all. We’ll receive another call, with a new timeframe, in five minutes. In my bones, I feel the doubt growing. The look on Val’s face tells me I should have known better. We head back to her house.

A third call. A third-person, intermediary, go-between conversation about timing with me the only person not on a phone. The table is to have one straight edge and, apparently, this must be built at the woodshop. It is to be built first, then an edge cut of to make it straight, then transported to his mom’s house. I am to tote the table. We will then start the building.

He says he wants to have this done before, “but,” he says through Val, “you know how things go. With Witney, yes I do and all too well. I have attempted projects before with him – overly bright, overly eager, underly reliable with no developed sense of time. Do not wait for him to start ordering dinner.

He’ll call, yet again, in a few minutes and let us know when to meet him there. I don’t expect that call anytime soon. My day, suddenly, is much more open.

I was hopeful. I’m not sure why. The angels of my better nature must have been having a particularly good day.

A few minutes prior, before Witney called, I spoke with my parents. Certainly, there is time for lunch. No, there is no rush. Yes, I have plans. No, there is plenty of time. Trust me, there is absolutely no rush.

I am free until eight tonight when I’m giving a reading at the Chocolate Moose in Davie, twenty-five traffic-free minutes from her house. When we had woodworking plans, Valerie has asked we get home by seven, thus giving us enough time to shower, eat and get to the venue. My sense of logic is sure I heard the suggested time incorrectly but my experience tell me I heard what I heard. This would account for Valerie’s unparalleled ability to be late to her own parties. I suggest six would make much more sense. At least it does to me. We’ll see where exactly between those times we end up.

I am waiting for my parents to arrive for lunch. The plan was for them, already out of the house, to meet me at Val’s and for us to drive the few further blocks to Lester’s, a large chrome and brilliant white diner. An hour passes. More. More still as my blood sugar hits a Black Friday low and they arrive. As I head out the door Val suggests a title for this book, for this day: How Long Will it Take?

Once in, once my mother, in her wheelchair, is trundled into the open, external elevator to rise in the world the height of one short flight of stairs, once we have fought the crowds, we find a seat with sufficient room and look through the menu. I find little here sufficiently healthy, succulent or intriguing to draw my interest and resign myself to something I am sure is going to kill me. I watch my parents eat things which I am sure will kill them as well. Another hour passes. Another. We leave and I find myself back at Valerie’s at about three-thirty. I have one thought at this moment: Witney is going to pay for this. He will pay and pay and pay. But, behind this, a voice reminds me I should have known better. I did know better and ill-advised hope to this moment led.

It is four-thirty. And then five. Five-eleven. The phone rings and it is Witney. He is calling Valerie’s phone, not mine, to ask for my schedule. She tells him I have plans this evening, at eight, and am expected to be reading at that time. It’s my stage for the night. I should be there.

Can we move a kayak-building table after? After? Eleven-thirty at night, through Fort Lauderdale, with a table in the back of my pick up? No. I shake my head. I enunciate as clearly as possible so Val, talking to Witney, still insisting on using an intermediary, can see me, clearly, decisively stating there is no way I will be toting a table of unknown size around unfamiliar streets on a Fort Lauderdale Saturday night. I say it loudly, so Witney can hear me.

All the while, phone crooked in her neck, Valerie is cooking and one brief scent makes the question of missing dinner to move the table now easily answered by Hell No. Val is cooking real food and I know, from this point on, I’m hers for the evening. I am being plied with food and all she wants in return is time, laughter and shared bottle of port. I don’t need to be waiting for something that won’t be happening when time with my friend is happening right now.

A truck goes by playing, in bells, a song I remember from my childhood and I know what it means: ice cream on wheels. I grab Katarina and we each get an Italian ice.
On the lid of the Italian ice, as I had hoped, as I remembered, I find a small wooden spoon. Wide at both ends, tapered in the middle – a shape very much a double kayak paddle – and I am thinking this is as close as I’m going to get to paddling anything anytime soon.

“I should have prioritized” is what he says when he walks, late, into the house. It is six-fifty three. Dinner is over. Let’s move the table, I suggest, recognizing the mistake as the words leave my lips.

We jump into my truck. It is an industrial area. Warehouses. Here is a clamp factory. There a sailmaker. Then, the nautical shop and the massive specialty production woodworking shop within. Seafarer Marine.

The shop is stacked high with posts and pillars. In vertical slats five feet high capped with horizontal slots, up to the ceiling, there is exotic wood after exotic wood in solid sheets and plywoods, varying thicknesses from veneer thin to inch thick. There are rolls of wood. Slats and pieces. Some of these in the most beautiful patterns, glorious colors and amazing grains I have ever seen and could never have imagined. Was my kayak to be made of these?

But we are here for a table and it is a few minutes after seven. I see none. No table here. I am leaning against a trough, about twelve feet long, three feet high and just as wide.
“Funny that,” Witney says. I found the table all on my own. The bed of my truck is barely six feet long.

Witney shows me around.

*****

“Four sheets of four millimeter okoumé.”

“And why don’t we get this from Home Depot?”

“Because they don’t have it.” He says this very mater of factly.

“And why not use plywood? Regular plywood?”

“You mean why not just use plywood from Home Depot?”

“Yup. What’s wrong with plywood?”

“Well, your Jo Average plywood you might get from Home Depot or your local lumber store that doesn’t specialize is made to pretty much stay flat and look pretty on both sides but it generally is not waterproof, which is not a huge concern for this because it is going to be covered with epoxy but it is not guaranteed to have totally filled cores. The cores are not guaranteed to be high quality.”

“So there are spaces inside? Sometimes voids or the plies don’t quite meet?”

“Right. There will often be a line where two pieces of the core material don’t meet when you bend the wood, because you make a kayak by forcing wood to bend in the shape of a kayak. You take a piece of plywood and force it to curve to follow the hull. What happens is you get a kink if you have a void in the core.”

“So the plywood this place has is of a different quality.”

“Right. Marine plywood. It is certified to a British standard called BS1088 that basically says it is going to be high quality faces, it’s going to be the same material faces and cores, not just whatever you happen to have laying around in the cores and the cores are going to be contiguous and free of voids.”

“You said something about Russian birch?”

“Yup. And wenge, an African hardwood with a gorgeous light relief in the grain.”

And the okoumé is actually a light mahogany? What about the clear fir?”

“Yes. A light mahogany. The clear fir is a dimensional lumber we are planning on cutting into long thin strips to make the sheer clamps out of. We’re also going to make the cockpit carlands, which are the cockpit equivalent of sheer clamps. They’re the part that goes between the visible combing and the deck and they’re up on the inside.”

“Now, what is this about the hatch you were saying? You asked about that and I have no idea how to answer.”

“Well, it is possible to fit a hatch in either the fore of aft deck or both, accessing the normally sealed off compartments fore and aft. On my larger Mill Creek two-person kayak I chose not to put hatches in because the deck is so pretty just the way it is. On my longer, thinner, single kayak, which has a much smaller cockpit area, there will be a hatch fore and aft. The aft cargo hatch will be quite large and the forward hatch will be of a moderate size.”

“What would you suggest for me?”

“Well, it all depends on its intended use. If it’s day trips, no. If it is limited over-nighting, no.”
“I don’t intend on taking it out over days at a time.”

“Then make it pretty.”

“OK, then there is room in the cockpit for a bottle of water and such?”

“Oh yes. Much. The cockpit is large enough for a camera, a bag, lunch. Use a dry bag. Those are usually made of PVC that has a roll-down top that clips back on itself and keeps things from getting wet.”

“Or a ziplock bag?”

“Notoriously unreliable. Get a drybag at any kayak store. Any outdoor store.”

“So you know this guy named Kayak Jeff and before you take a boat out you bring it to him for a blessing?”

“Well, not so much ‘a’ blessing as ‘his’ blessing.”

“And you brought your first one to him and he gave a blessing to your hull?”

“Well, in the most kayak way. Basically, I am building a slightly modified long skinny single. And he is a very experience kayaker who is also a certified instructor and he runs a kayak store called, appropriately, Kayak Jeff and he came over last night to my mom’s where all this is being built and looked over the shape of the hull and the curvature of the bottom and said ‘This is good.’ That’s the blessing.”

“So I want to know I’m not going to play twirly-games in the water.”

“Oh, this boat will spin very well.”

“Not on its longitudinal axis?”

No, on the vertical axis. As far as longitudinal… OK, if you have a center point and you try to rotate the point, it’s very easy. If you make that point low on the arm, center or not, and you try to rotate that arm, it’s very difficult. It has resistance to turning.

“You’re describing a fulcrum. I’m not sure how that applies to this. You’d think having a fulcrum would make turning easier.”

“Well, actually, I’m describing center of gravity. What I’m saying is if you put the friction at the ends of the arm, what you are effectively doing with a boat hull of this shape is your center of rotation is the center line of the boat. It is very low because you are sitting low in the hull. You are actually sitting on the lower hull. And the deeper the boat goes, up to a certain point, the greater its resistance to turning. Of course, once you go so low the entire boat is covered by water, there is no more resistance to turning.”

“But I wish to not cover the entire boat with water. I want to be clear on that. I don’t want to build a submarine.”

“Do not gain a lot of weight.”

*****

On Sunday the plan is to start early. How about eight? Eight isn’t too early to start building a kayak. That is the plan. I have it in my PDA.

Witney tells me he has a kayak class tomorrow. How to roll and recover. Tomorrow? The plan was to build a kayak. He signed up for this class three weeks ago. There is nothing I can say in the face of this temporal absurdity.

He knew. Never told me. I didn’t know, but, really, really, I should have known better.

The reading comes and goes. We stop for coffee on Las Olas, walk, talk, laugh and make up names for the kayak book. The Kayak that Almost Was. How Long Will It Take? Sunk: The Story of Not Building a Kayak. Building with Witney and Other Myths and Fancies.

It’s late and a two-hour ride home. I could stay overnight, but my own bed is so close and, despite Val’s objections and worry, I head north on I-95.

I should have known better.

*****

It is the last week in January. Plans again. Plans to travel to Ft. Lauderdale and build a kayak. Everything will be ready. For some reason, I am skeptical.

I am headed south on I-95 on this bright Friday afternoon. My phone rings and it is Witney. There is no wood. Specifically, no quarter-inch okoumé. None. Anywhere. Not in Florida. Not in the US.

I am not surprised. I am not upset. I am not worried. I tell him so. I don’t tell him I’m going to keep heading south anyway. I had made other plans. People to see, things to do. It’s Val’s birthday party. I’m having dinner with my daughter. At no point during this trip had I an illusion I was actually going to build a kayak. I don’t tell him this, of course. I also don’t tell him I have a kayak waiting for me at home. It’s orange. The dolphins seem to like it. I know I do.

And who wants to read about kayaks anyway?

 
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Posted by on April 27, 2008 in Books, Nature, Writing

 

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